Universal Edition - David Sawer – From Morning to Midnight

David Sawer
*14.09.1961

News

  • David Sawer
    18.03.2014
    Bronze and Iron
    Bronze and Iron

    The world première of David Sawer’s Bronze and Iron takes place on 22 March in Glasgow.

    [...]
  • David Sawer
    26.06.2013
    Trapped in the Lighthouse
    Trapped in the Lighthouse
    David Sawer’s The Lighthouse Keepers for two actors, ensemble and tape will be performed for the f [...]
  • 14.02.2013
    David Sawer: World première of Flesh and Blood
    David Sawer: World première of Flesh and Blood
    The world première of Flesh and Blood takes place on 15/2/2013 under Ilan Volkov. [...]

Downloads

 

David Sawer
From Morning to Midnight

Work Details

Year of composition: 1998-2001
Subtitle: Opera in 7 scenes
Composer: David Sawer
Text Source: after the drama "Von morgens bis mitternachts" by Georg Kaiser
Librettist: David Sawer
Parts: 3 S, MS, A, 3 T, 2 Bar, 1 B
Choir: SATB
Instrumentation: 3 2 3 2 - 4 3 3 1 - timp, perc(4), hp, keyboard, strings - on stage players: cl, tpt, euph, tuba, perc(3)
Instrumentation details: 3 2 3 2 - 4 3 3 1 - timps, 4 perc, hp, keyboard, strings - on stage players: 1 cl, 1 tpt, 1 euph, 1 tuba, 3 perc
Commissioned by: Commissioned by English National Opera, with funds provided by the Britten-Pears Foundation
Duration: 100′
 
Hire information:
    Please check your input!





    • (deliveryaddress if different)

  • Request material on perusal
  • Request performance material
Licensing: Licensing Request

Audio Excerpt

From Morning to Midnight

World Première

Location: English National Opera London / Great Britain
Date: 27.04.2001
Orchestra: Orchestra of the English National Opera
Choir: Chorus of English National Opera
Conductor: Martyn Brabbins
Scenery: Richard Jones
Main Soloists: Kathryn Harries, Linda Kitchen, Susan Bickley, Heather Shipp, Gail Pearson, John Daszak, Mark Le Brocq, Fredrik Strid, Robert Poulton, Roderick Williams, Graeme Danby

Work Introduction

“His command of skills that brand-X composers take half a dozen operas to perfect is complete: dramatic shape and pace, the specific gravity of music-with-action. Structurally the piece is faultless. His musical language, very low on the squeaky-gate scale, need terrify no one: he loves his Debussy and Ravel (who doesn’t?) and has a nice line in some Prokofiev- style grotesquerie. Much more significant is the clarity of his musical thought: you know exactly why every note is there and what – operatically – it is for.” (Rodney Milnes, The Times)

1 Ensemble that has played this work: