Universal Edition - Georg Friedrich Haas – Sextett | for flute, clarinet, percussion, piano, violin and violoncello

Georg Friedrich Haas
*16.08.1953

News

  • Georg Friedrich Haas: nocturno – HAIKU/ATTHIS
    Georg Friedrich Haas: nocturno – HAIKU/ATTHIS
    As part of the series BONN CHANCE!, Georg Friedrich Haas has conceived a scenic production in which [...]
  • Klangspuren
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    Klangspuren: opening concert with Haas and Staud
    On 13 September the Klangspuren opening concert in Schwaz features works of two UE composers, Georg [...]
  • Georg Friedrich Haas (c) Universal Edition/Eric Marinitsch
    Salzburg Music Award for Georg Friedrich Haas
    Salzburg Music Award for Georg Friedrich Haas
    Georg Friedrich Haas is the winner of the 2013 Salzburg Music Prize – International Composition Pr [...]
  • Georg Friedrich Haas (c) Universal Edition
    Haas: New work for orchestra
    Haas: New work for orchestra
    The new orchestral work “… e finisci già?” by Georg Friedrich Haas will receive its world pre [...]
  • Georg Friedrich Haas (c) Universal Edition
    Haas: New work for ensemble
    Haas: New work for ensemble
    At this year’s musica viva festival in Munich (15 June), Georg Friedrich Haas’ new work, “Ich [...]
  • Georg Friedrich Haas
    Haas: New a cappella work
    Haas: New a cappella work
    On 17 March the Bavarian Radio Chorus (cond. Rupert Huber) will give the world première of a new wo [...]
  • Georg Friedrich Haas (c) Universal Edition
    Haas: New work for voices
    Haas: New work for voices
    Mlake / Laaken is the third part of Georg Friedrich Haas’ work SCHWEIGEN (Silence), written for th [...]
  • Salzburger Festspiele
    Salzburg Festival 2011
    Salzburg Festival 2011
    Gustav Mahler, whose anniversaries have been the centre of attention all this year, is also the high [...]
  • Georg Friedrich Haas
    Haas’ opera Nacht in Lucerne
    Haas’ opera Nacht in Lucerne
    Jürg Henneberger conducts Haas' chamber opera Nacht on 16 Sep with the Ensemble DIAGONAL in Lucerne [...]
  • Georg Friedrich Haas
    Georg Friedrich Haas: New String Quartet
    Georg Friedrich Haas: New String Quartet
    Georg Friedrich Haas' String Quartet No. 7 will be given its world première by the Arditti Quartet [...]
  • Georg Friedrich Haas
    Haas: New work for chamber orchestra
    Haas: New work for chamber orchestra
    On 4 June Georg Friedrich Haas’ new work for chamber orchestra "chants oubliés" will be given its [...]
  • Georg Friedrich Haas
    Haas: New String Quartet
    Haas: New String Quartet
    The Hagen Quartet will perform the world première of Georg Friedrich Haas' String Quartet No. 6 in [...]
  • Georg Friedrich Haas
    Georg Friedrich Haas: new work for ensemble
    Georg Friedrich Haas: new work for ensemble
    Georg Friedrich Haas' „... damit ... die Geister der Menschen erhellt und ihr Verstand erleuchtet [...]
  • Georg Friedrich Haas and Sylvain Gambreling © Südkurier
    Georg Friedrich Haas: SWR Symphony Orchestra Composition Prize 2010
    Georg Friedrich Haas: SWR Symphony Orchestra Composition Prize 2010
    Georg Friedrich Haas’ work limited approximations, a concerto for 6 pianos in twelve-tone interval [...]
  • Georg Friedrich Haas
    Georg Friedrich Haas: Two world premières
    Georg Friedrich Haas: Two world premières
    Georg Friedrich Haas' limited approximations for 6 micro-tonally tuned pianos and orchestra in Donau [...]

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Georg Friedrich Haas
Sextett | for flute, clarinet, percussion, piano, violin and violoncello

Work Details
Year of composition: 1992/1996
Scored for: for flute, clarinet, percussion, piano, violin and violoncello
Composer: Georg Friedrich Haas
Commissioned by: ORF und Erste Österreichische Sparkasse Bank
Duration (min): 15

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World Première
Location: Opéra National de Paris Paris / France
Date: 06.12.1996
Orchestra: Ensemble Recherche
Conductor: Kwamé Ryan
Work Introduction

The Sextet begins with intervals set for two voices, each of which interval moves in slow glissandi about a quarter-tone (causing, for example, a minor third to become a major second in contrary motion).

Two types of musical design are derived from this original material:

1) Imaginary [...]