Georges Lentz is a paradoxical figure for his time and generation. Born in Luxembourg in 1965, but an Australian resident since 1990, Lentz’s music is widely performed in Australia, the EU and USA, yet he rarely accepts commissions and prefers to work, often for years at a time, on a small number of pieces; his musical language is highly idiosyncratic yet succeeds in communicating deeply-held convictions about the nature of the universe; his craftsmanship is of the highest level, but it is wholly at the service of the spiritual program which pervades his entire output. Almost all of Lentz’ work to date falls into works or groups of works entitled Caeli enarrant…, a reference to [...]

Georges Lentz' pieces Guyuhmgan, Monh and Ngangkar were released on a CD on Timpani. The critic Omer Corlaix wrote an enthusiastic review: „Je n’ai qu’un mot, sublime! Emilio Pomarico et l’Orchestre philharmonique du Luxembourg sont parfaits. La qualité d’enregistrement est à la hauteur du projet.“ 

Doyle Armbrust of the TimeOut Chicago emphasizes “Lentz’s morphing tapestries of high modernism, deep-space time warps and Romantic chorales” in his review of the CD.