Friedrich Cerha
*17.02.1926

News

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    Gustav Mahler, whose anniversaries have been the centre of attention all this year, is also the high [...]
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    On 11 June the world première of Friedrich Cerha’s Four Paraphrases for oboe, cello and piano wil [...]
  • Friedrich Cerha
    Friedrich Cerha celebrates his 85th birthday
    Friedrich Cerha celebrates his 85th birthday
    On 17 February 2011 Cerha celebrates his 85th birthday, and a number of events are paying tribute to [...]
  • Friedrich Cerha
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    Friedrich Cerha's Viennese Kaleidoscope will be given its world première on 19 Oct at the Royal Nor [...]
  • Friedrich Cerha © Konzerthaus Wien
    Salzburg Music Prize 2011
    Salzburg Music Prize 2011
    The 2011 Salzburg Music Prize will be awarded to Friedrich Cerha. The award, with its prize money of [...]

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Friedrich Cerha
Phantasiestück in C.s Manier | for violoncello and orchestra

Work Details
Year of composition: 1989/1999
Scored for: for violoncello and orchestra
Composer: Friedrich Cerha
Soloinstruments/Soloists: violoncello
Instrumentation: 1 1 2 1 - 2 1 1 0 - perc(2), org, sop.sax, str(8 8 6 4 2) or (1 1 1 1 1)
Instrumentation details: flute (+picc); oboe; 1st clarinet in A; 2nd clarinet in A; soprano saxophone in Bb; bassoon; 1st horn in F; 2nd horn in F; trumpet in C; trombone; 1st percussion; 2nd percussion; organ; violin I(8); violin II(8); viola(6); violoncello(4); contrabass(2) or violin I(1); violin II(1); viola(1); violoncello(1); contrabass(1)
Remarks: Etchings by Jacques Callot
Duration (min): 12
Dedication: (auf dem Schiff zu singen)

[für Heinrich Schiff]

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World Première
Location: Konzerthaus, Großer Saal Wien / Austria
Date: 24.11.1989
Orchestra: Radio Sinfonie Orchester Kattowitz
Conductor: Friedrich Cerha
Main Soloists: Heinrich Schiff, vlc
Reviews

"He has a severe, professorial exterior, but a warm charismatic nature is easily discernible in a work like his Phantasiestück in C's Manier.... It is a teasing piece, in more elaborate textures than the Spinner piece, but still evocatively beautiful ones."

Barry Millington, The Times, [...]


4 Ensembles that have played this work: