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Universal Edition - Georg Friedrich Haas – REMIX

Georg Friedrich Haas

Georg Friedrich Haas
REMIX

Year of composition: 2007
Scored for: for chamber ensemble
Composer: Georg Friedrich Haas
Instrumentation: 1 1 1 1 - 1 1 1 0 - perc(2), pno, str.quin
Instrumentation details:
flute
oboe
clarinet in Bb
bassoon
horn in F
trumpet in C
trombone
1st percussion
2nd percussion
piano
1st violin
2nd violin
viola
violoncello
contrabass
Commissioned by: commissioned by Casa da Mùsica, Porto
Duration: 25′
 
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  • Haas Georg Friedrich

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Audio Excerpt

REMIX

World Première

Location: Konzerthaus, Mozartsaal Wien / Austria
Date: 12.11.2007
Orchestra: Klangforum Wien
Conductor: Enno Poppe

Work Introduction

In REMIX I did not actually want to attempt anything new. I only wanted to take elements that I had already tried out, and with which I had been able to gain experience, and place them in a different relationship:

- the ‘trembling unison’ from Nacht-Schatten;

- the bubbling runs with which in vain begins (which were also used in the music for the monologues of the aged Hölderlin in the opera Nacht, and which later appear in Bruchstück, the opera Melancholia, and elsewhere);

- the dense web from which large sections of the instrumental accompaniment are formed in the second part of the opera Melancholia;

- the formal principle of freely placing different elements in sequence one after the other, as I had used e.g. in natures mortes or in the second part of Bruchstück;

- the percussion interjections from natures mortes;

- the broken chords from the final section of Monodie;

etc.

The result is a very dense piece with a large number of notes, which makes high demands of the performers’ virtuosity. In the process musical meaning emerges not from the individual notes and sounds (nor from the events in the individual instrumental parts), but only from the total sonority – in the nineteenth century one would have referred to ‘harmony’ here.

In this density, this manic concentration on elements which are hastily flowing past (or falteringly and bumpily hastening past), I thus entered what was for me new territory after all – despite my original intention.

Microtonality (a term very often used in connection with me) is almost totally absent in REMIX.

REMIX was composed in response to a commission from the Remix-Ensemble of Porto.

Georg Friedrich Haas

study score - REMIX

REMIX
  • for chamber ensemble
  • Edition type: study score

study score - REMIX

REMIX
  • for chamber ensemble
  • Edition type: study score

Future Performances

08.11.2017
Location: Sejong Chamber Hall, Seoul (ROK), Orchestra: Seoul Philharmonic Orchestra, Conductor: Thierry Fischer

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