Next spring Wolf D. Prix’ Alban Berg monument will be erected at the Herbert-von-Karajan-Platz in front of the Vienna State Opera. The monument will also honour other members of the Second Viennese School as well as Gustav Mahler.
“I don’t love those high mountains […] they steal the light; they are dangerous and cold.” (Georg Friedrich Haas, The Guardian, 30 October 2015)
Preceding the world première of Georg Friedrich Haas’ newest opera Morgen und Abend, Gavin Plumley interviewed the composer about the opera, his newfound home in New York and Franz Schreker’s Der ferne Klang.
Morgen und Abend premières at the Royal Opera House on 13 November. Michael Boder conducts Graham Vick’s production, which stars world renowned actor Klaus Maria Brandauer, and soprano Sarah Wegener and baritone Christoph Pohl in their Royal Opera debuts.
Here’s a snapshot from Friday’s festivities of the 60th anniversary of the Internationale Gustav Mahler Gesellschaft (IGMG) at the Glass Hall of the Musikverein in Vienna – the society was founded in 1955 at the suggestion of the Vienna Philharmonic Orchestra, with honorary president Bruno Walter and honorary member Alma Mahler.
The reception and a commemorative speech were followed by a book presentation and a performance by Thomas Hampson and the Wiener Virtuosen.
Berg’s opera seems an indisputable candidate for the greatest opera of the 20th century. (Philip Hensher, The Guardian, 1 June 2009)
Lulu is the object of desire of all the men in the opera—but she can’t be the woman the men imagine her to be or project onto her. She can never fulfill all the desires of both being the femme fatale and the faithful, quiet wife, just as the men can never be the people that Lulu hopes they will be. And in each case, this impossibility of desire ends in disaster. (William Kentridge, www.metopera.org, 9 October 2015)
The performance on Saturday 21 November will be broadcast live in more than 2000 theatres.
You get a piece that is always in climax. […] It’s a piece about obsession. Or maybe it is actually just obsessive. (David Fennessy, Herald Scotland, 28 October 2015)
The Herald Scotland recently interviewed David Fennessy, who will be performing his 20-minute piece Caruso (Gold is the sweat of the sun) at the Sonica festival in Glasgow on 7 November.
In the interview, Fennessy talks about the Werner Herzog diaries Conquest of the Useless, which inspired him for composing the piece, and his beginnings as composer.
The full programme of the Kurt-Weill-Fest 2016 has been announced. The festival will be running from 26 February until 13 March under the slogan “Krenek, Weill & die Moderne”.
Among the special guests of the festival are artist-in-residence Ernst Kovacic, Nina Hagen and HK Gruber.
Victoria Borisova-Ollas’ latest orchestral work ... and time is running past midnight ...will be premièred tonight at the Berwaldhallen in Stockholm by the Swedish Radio Symphony Orchestra under Joana Carneiro.
Victoria Borisova-Ollas: ... and time is running past midnight ...
for orchestra | 9'
world prem. 22.10.2015, Berwaldhallen, Stockholm; Swedish Radio Symphony Orchestra, cond. Joana Carneiro
Die Universal Edition trauert um Eva Smirzitz.
Über Jahrzehnte war sie eines der prägenden Gesichter des Verlages. Sie war Vertrauensperson für viele Komponisten und in ihrer Verbindung von Leidenschaft mit hohem Sachverstand so etwas wie die Lokomotive der UE-Promotion.
Ihre nicht nachlassende Liebe zur Musik unserer Zeit zeigte sie als engagierte, stets meinungsstarke Konzertbesucherin bis zuletzt.
So werden wir sie in Erinnerung behalten.
Universal Edition mourns the loss of Eva Smirzitz.
For decades she was one of the defining faces of Universal Edition, a confidant for many composers. Through her passion and expertise she was the figurative engine of the UE promotion department.
Thanks to her unfailing love for the music of our times, she was a frequent and engaged concertgoer to the end.
This is how we will remember her.
Pitted against the Minguet Quartett’s contemporary sensibilities – shifting between tender supplication and confrontational toughness – the textured renaissance richness of the Huelgas Ensemble is thrown into sharply acidic relief. Atmospherically recorded, with poetically pointed notes by Paul Griffiths. (Michael Quinn, Choir & Organ, September/October 2015)
Congratulations to the Huelgas Ensemble, the Minguet Quartett and Paul Van Nevel for the 5-star review that their recording of Wolfgang Rihm’s ET LUX received in the Choir & Organ magazine. ET LUX was released by ECM New Series.
The CD includes a beautiful booklet with an introductory statement by Wolfgang Rihm and liner notes by Paul Griffiths and Wolfgang Schreiber.
Wolfgang Rihm on ET LUX [German interview with English subtitles]:
musica-viva presents the five-day Stockhausen-Festival in Munich, which will be running from 21 until 25 October and featuring seven concerts with the music of Karlheinz Stockhausen.
Among the pieces performed will be his piano pieces 1–11 (Pierre-Laurent Aimard, pno) and Zyklus (Dirk Rothbrust, perc).
Find the festival’s full programme on the website of musica viva.
Our heartfelt congratulations to Cristóbal Halffter:
Íñigo Méndez de Vigo, Minister of Education, Culture and Sport of Spain, has announced this year’s fourteen recipients of the Grand Cross of the Civil Order of Alfonso X the Wise: among the recipients is Cristóbal Halffter.
Whereas, in earlier works, the pitch structure was determined by altering the instruments (untuned strings of the bowed instruments in the chamber opera Nacht and in the String Quartet No. 1, retuning the piano in the improvisatory piece Nacht), microtonal intonation is left exclusively up to the players in Nach-Ruf … ent-gleitend … (Georg Friedrich Haas)
ensemble iiiiiiiii will be performing Georg Friedrich Haas’ Nach-Ruf … ent-gleitend … on 15 October at the iN festival in Seoul.
More information about the festival is available on the website of the ensemble iiiiiiiii.