The Othmar Schoeck Festival (1 to 11 September 2016) is currently running in Brunnen. A highlight of the festival will be an international symposium dedicated to Schoeck’s final opera Das Schloss Dürande [Dürande Castle] after Joseph von Eichendorff’s novella of the same name.
Find a detailed programme of the symposium on the website of the Bern University of the Arts:
Surely there’s an irony in the fact that some of the sweetest love music ever written was penned by the man blamed for the collapse of romanticism. (Kate Molleson, The Guardian, 29 August 2016)
The grand finale of the Edinburgh International Festival’s Usher Hall concerts: on 28 August Donald Runnicles conducted Arnold Schönberg’s Gurre-Lieder.
When listening, one completely forgets that these single movements are in fact interludes and extracts from an opera. The captivating beauty of Berg’s absolute music belies the underlying substance of the opera.(Willi Reich on Lulu-Suite)
Tonight conductor and soprano Barbara Hannigan will sing with and conduct the Mahler Chamber Orchestra in performances of Alban Berg’s Lulu-Suite and works by Debussy, Sibelius, Haydn and Gershwin at the KKL Luzern.
Tonight and tomorrow, the Bochumer Symphoniker and ChorWerk Ruhr perform Karlheinz Stockhausen’s Carré for 4 orchestras and choirs at the Ruhrtriennale under conductors Rupert Huber, Matilda Hofman, Florian Helgath and Michael Alber.
We’ve uploaded the full score of Orchestra I for you.
Find out more about the performance on the website of the Ruhrtriennale.
When I play the Polyptyque by Frank Martin, I feel the same responsibility, the same exaltation as when I play Bach's Chaconne. (Yehudi Menuhin)
Violinist Renaud Capuçon and the Kammerorchester Basel will perform Frank Martin’s Polyptyque today at the Gstaad Menuhin Festival, which celebrates the 100th anniversary of Yehudi Menuhin.
I’d buy a small West End theatre, give it great acoustics and initiate a contemporary music festival curated by composers.
The Guardian asked David Sawer about first record, his favourite piece of music, whether he had ever considered a career outside of music and whether he had any musical guilty pleasures.
Can this be the best British opera in years? (Anne Ozorio, Opera Today, 09.04.2014)
Three years ago, in June 2013 we conducted a video interview with Bedford about his then upcoming opera. Intrigued by the composer’s words, we documented the work’s process of creation, providing readers with regular updates regarding the development of Trough His Teeth, ranging from the composing of the score and the writing of David Harrower’s libretto to the actual printing of the score and its production.
Our latest newsletter is out now:
- Friedrich Cerha at the Salzburg Festival
- A Pierre Boulez celebration at the Edinburgh International Festival
The Austrian newspaper Der Standard reviews Zubin Mehta’s performance of Gustav Mahler’s Kindertotenlieder [Songs on the Death of Infants] with the Vienna Philharmonic at the Salzburg Festival: a “‘Viennese’ and existential event” – read the full review on Der Standard.
For our book “Gustav Mahler: The Conductor’s Interviews” we talked to the conductor about Mahler. Find out more on our dedicated page or watch the interview with Mehta on YouTube.
“Auf der bunten Blumenwiese geht ein buntes Tier spazieren ...”
Georg Friedrich Haas’ das kleine ICH BIN ICH – after Mira Lobes children’s classic of the same title – will be premièred today at Mozarteum International Summer Academy in Salzburg. Johannes Kalitzke conducts the Klangforum Wien (speaker: Sabine Muhar).
Conductor Michael Laus, Arvo Pärt and the Malta Philharmonic Orchestra during the rehearsals for the Maltese première of Greater Antiphons, which will take place today at the Malta International Arts Festival. The piece for string orchestra will be performed together with other key works by the composer.
Our thanks to Michael Pärt and the Arvo Pärt Centre for the photographs!
Here we can find more than 4000 sound recordings, over 45000 scores, a comprehensive collection of pictures and photographs, many lecture notes and a large body of correspondence between the leading figures of contemporary music, including Karlheinz Stockhausen, Luigi Nono, Bruno Maderna, Pierre Boulez, Helmut Lachenmann, Mauricio Kagel, Brian Ferneyhough and Wolfgang Rihm. (Thomas Schäfer, Darmstadt International Institute of Music)
It’s been six years since Box 1 of the Darmstadt Aural Documents was released on NEOS, granting access to some rarities from the sound archives of the International Music Institute Darmstadt.
Today, on 11 July 2016, Box 4 is released, which puts a focus on piano pieces – and includes works by UE composers such as Pierre Boulez, Vykintas Baltakas, Wolfgang Rihm, Arnold Schönberg, Béla Bartók, Anton Webern, Hans Erich Apostel, Karlheinz Stockhausen, György Kurtág and Mauricio Kagel.