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The Hamburg version of Mahler’s Symphony No. 1

Posted by Johannes Feigl on 13 May 2014

Mahler's Symphony No. 1 in Kubik's critical edition at the  Laeiszhalle / Hamburg International Music Festival
Gustav Mahler’s original Hamburg version of the Symphony No. 1 was performed for the first time on 9 May in Reinhold Kubik’s critical edition at the Hamburg International Music Festival. Thomas Hengelbrock conducted the NDR Sinfonieorchester.

From the Hamburg International Music Festival’s programme:

“What better way to signal the opening of the first Hamburg International Music Festival than with a real piece of Hamburg´s musical history? On the programme is Gustav Mahler’s First Symphony in its original Hamburg version of 1893, performed for the first time using the new critical edition of the complete symphonies. Mahler was appointed first ‘Kapellmeister’ at Hamburg’s Stadt-Theater in 1891, and although he had already presented the work publicly in Budapest in 1889, he added a new title, ‘Titan’ to his ‘tone poem in symphonic form’ for the first Hamburg performance. This title, inspired by Jean Paul, was accompanied by corresponding programmatic descriptions. Yet when the symphony’s score went into print a few years later, Mahler erased the title as well as the wonderful slow movement called Blumine (Floral Piece).”

Hamburg International Music Festival

The Tonkünstler perform Strauss

Posted by Johannes Feigl on 12 May 2014

 Radek Baborák, Tonkünstler-Orchester Niederösterreich (c) Universal Edition, StandkeHornist Radek Baborák and the Tonkünstler-Orchester Niederösterreich at yesterday’s performance of Richard Strauss’ Concerto for horn and orchestra at the Musikverein.

Michael Schønwandt will conduct the orchestra again today, 12 May, at the Festspielhaus in St. Pölten, find out more on the website of the Tonkünstler.

 

Jascha Nemtsov: The Krein Family

Posted by Johannes Feigl on 09 May 2014

Jascha Nemtsov: The Krein Family Jascha Nemtsov’s recording of piano pieces by Alexander, Grigori and Julian Krein has been released on the label Profil.

Find out more and listen to excerpts of the recording.

Your first opera

Posted by Johannes Feigl on 09 May 2014

Tom ServiceTom Service of The Guardian discusses which operas might be a good fit for first-timers. We are happy to see that he considers Janáček’s The Cunning Little Vixen and The Makropulos Case and Harrison Birtwistle’s Gawain and Yan Tan Tethera as viable alternatives for those who might think that “Berg is just too violently excessive and excessively violent”.

Read Service’s full article on The Guardian.

UE has recently released a children’s operas catalogue that presents eight operas specially attuned to inquisitive youthful ears. You can leaf through it here:

Fantasia on all the notes: celebrating Birtwistle

Posted by Johannes Feigl on 08 May 2014

Harrison Birtwistle (c) BCMG
The Birmingham Contemporary Music Group has released the concert programme for their birthday concert for Harrison Birtwistle. The concert takes place on Saturday, 10 May at the CBSO Centre.

Find the full programme here.

BBC Composer of the Week: Hans Gál

Posted by Johannes Feigl on 08 May 2014

BBC Radio 3, Donal MacleodHans Gál is the BBC Radio 3’s composer of the week. In five 60-minute episodes, Donald Macleod and conductor/cellist Kenneth Woods explore the life and work of the composer. In the first three episodes, they focused on the topics Teacher, Scholar, Composer, The Early Years and The 1930s. The final two episodes, Exile in Britain and Post-War Edinburgh, will be first broadcast on 8 and 9 May, respectively.

Find out more, listen to previous episodes and view an episode overview on BBC Radio 3.

 

Franz Liszt Organ Arrangements: ”A super disc.”

Posted by Johannes Feigl on 07 May 2014

Gramophone’s Jeremy Nicholas has recently reviewed CPO’s release of Franz Liszt Organ Arrangements, which includes arrangements of Fantasia and Fugue on Ad nos, ad salutarem undam, Orpheus, Weinen, Klagen, Sorgen, Zagen, and Prelude and Fugue on B-A-C-H.

Franz Liszt used the chorale Ad nos, ad salutarem undam,originally from Giacomo Meyerbeer’s opera Le Prophète, as the basis for a Fantasia and Fugue. The “Prophet Fugue”, as he called it, is one of the most impressive works of a secular character in organ literature. Marcel Dupré, one of the great 20th century masters of the organ, arranged it highly effectively for orchestra; it was considered lost until it was rediscovered and performed again in 2007.

Read the full review on Gramophone.

Franz Liszt Organ Arrangements

Rihm’s Transitus at La Scala

Posted by Johannes Feigl on 05 May 2014

Riccardo Chailly (c) Decca / Mat Hennek
Wolfgang Rihm’s Transitus
will be premièred tonight at La Scala by Riccardo Chailly and the Filarmonica della Scala. Two days later they perform the Swiss première of the orchestral work in Lugano.

Transitus was commissioned by La Scala in Milan, who wished for it to allude to the works of Richard Strauss. When asked if he had been influenced by Strauss’ virtuosity as an orchestrator, Rihm replied: “Virtuosity is not a value in itself: any star pupil can be a virtuoso. What is really important is what energy is moved – and how much energy is moved! There is so much virtuoso music that doesn’t go anywhere. No movement, just everything shaking, flailing and glistening. But music is all about conveying energy. The quality of a piece of music is determined by its energetic charge and flows. In his finest moments, Strauss creates an incomparable maelstrom of relentless flow.”

View the full study score of Transitus:

Wolfgang Rihm: Transitus
for orchestra | 15'
world prem. 05.05.2014, Teatro alla Scala, Milan; prem. 07.05.2014, Palazzo di Congressi, Lugano; Filarmonica della Scala, cond. Riccardo Chailly

Zhi-Jong Wang, Renchang Fu and the Xiamen Philharmonic Orchestra perform Badinski’s Violin Concerto No. 2

Posted by Johannes Feigl on 05 May 2014

Zhi-Jong Wang, Renchang Fu and Xiamen Philharmonic Orchestra perform Badinski’s Violin Concerto No. 2
Photographs from the world première of Nikolai Badinski’s Violin Concerto No. 2, performed by Zhi-Jong Wang, Renchang Fu and the Xiamen Philharmonic Orchestra on 14 March 2014.

The composer on Zhi-Jong Wang’s excellent performance:

Zhi-Jong Wang, Renchang Fu and Xiamen Philharmonic Orchestra perform Badinski’s Violin Concerto No. 2With the successful and convincing realisation of the 42 years delayed world première of my lost Violin Concerto No. 2 – performed by the Shanghai violinist Zhi-Jong Wang  and the Xiamen Philharmonic Orchestra under Renchang Fu – the young and extremely gifted soloist Zhi-Jong Wang has categorically confirmed a prediction that I made one year ago – that she is a star of tomorrow. Only that she already plays like a star.

Harrison Birtwistle: Notes from the end of a garden

Posted by Johannes Feigl on 05 May 2014

In his 80th year, Harrison Birtwistle agreed to let his godson, the wildlife filmmaker Tom Mustill, spend time with him in his home, his beautiful garden and the shed in which he composes. The resulting filmed portrait is a touching study of a composer's solitary, strange and satisfying life as well as being an invaluable record of Harrison Birtwistle's working methods.

Our latest newsletter is out

Posted by Johannes Feigl on 30 April 2014

UE NewsletterWe just sent out our latest newsletter, which you can view here:

Haas at the Tectonics Festival, Rihm at the Scala.

Subscribe to the UE newsletter.

UE at the Proms

Posted by Johannes Feigl on 30 April 2014

The BBC have recently revealed the programme for the 2014 BBC Proms season, which runs from 18 July to 13 September. We are very proud to see that 15 works from the UE catalogue have found their way into the programme. The full details of the season are available on the website of the BBC Proms 2014. The booking opens on 17 May.

All concerts will be broadcast live on BBC Radio 3.

BBC Proms 2014 (c) BBC Proms 2014

Leoš Janáček: Glagolitic Mass
for soloists, mixed choir, organ and orchestra | 45'
24.07.2014, Royal Albert Hall; Mlada Khudoley, s; Yulia Matochkina, ms; Mikhail Vekua, t; Yuri Vorobiev, b; London Symphony Chorus, London Symphony Orchestra, cond. Valery Gergiev

Gustav Mahler: Symphony No. 9
for orchestra | 75'
04.08.2014, Royal Albert Hall; BBC Scottish Symphony Orchestra; cond. Donald Runnicles

Luciano Berio: Sinfonia
for 8 voices and orchestra | 35'
05.08.2014, Royal Albert Hall; London Voices; European Union Youth Orchestra, cond. Semyon Bychkov

Harrison Birtwistle: Endless Parade
for trumpet, strings and vibraphone | 17'
09.08.2014, Cadogan Hall; Håkan Hardenberger, tpt; Lapland Chamber Orchestra, cond. John Storgårds

Leoš Janáček: Overture to the opera “From the House of the Dead
for orchestra | 6'
24.08.2014, Royal Albert Hall; Czech Philharmonic Orchestra, cond. Jiří Bělohlávek

Gustav Mahler: Piano Quartet in A minor
for violin, viola, violoncello and piano | 10'
25.08.2014, Cadogan Hall; Louis Schwizgebel, pno; Katarzyna Budnik-Gałązka, vla; Marcin Zdunik, vc; members of the Royal String Quartet

Zoltán Kodály: Dances of Galánta
for orchestra | 13'
25.08.2014, Royal Albert Hall; Budapest Festival Orchestra, cond. Iván Fischer

Gustav Mahler: Symphony No. 2
for soli, mixed choir and orchestra | 80'
29.08.2014, Royal Albert Hall; Kate Royal, s; Christianne Stotijn, ms; Swedish Radio Choir; Philharmonia Chorus; Swedish Radio Symphony Orchestra, cond. Daniel Harding

Gustav Mahler: Symphony No. 1
for orchestra | 50'
04.09.2014, Royal Albert Hall; BBC Symphony Orchestra, cond. Marin Alsop

Harrison Birtwistle: Verses for Ensembles
for 3 instrumental ensembles | 28'
Harrison Birtwistle: Dinah and Nick's Love Song
for 3 melody instruments and harp | 5'
Harrison Birtwistle: Meridian
for mezzo-soprano, 2 female choirs and instruments | 27'
06.09.2014, Cadogan Hall; Christine Rice, ms; Exaudi; Birmingham Contemporary Music Group, cond. Oliver Knussen

Gustav Mahler: Symphony No. 3
for alto, boys’ choir, female choir and orchestra | 90'
11.09.2014, Royal Albert Hall; Gerhild Romberger, ms; Leipzig Opera and Gewandhaus Choir; Leipzig Gewandhaus Childrens Choir; Leipzig Gewandhaus Orchestra, cond. Riccardo Chailly

Friedrich Cerha: Paraphrase on the Opening of Beethovens Symphony No. 9
for orchestra | 14'
12.09.2014, Royal Albert Hall; Leipzig Gewandhaus Orchestra, cond. Riccardo Chailly

Aram Khachaturian: Säbeltanz [Sabre Dance]
for orchestra | 3'
13.09.2014, Royal Albert Hall; BBC Symphony Orchestra, cond. Sakari Oramo

Schnitzler, Schönberg, Mahler, Freud and Klimt on stage

Posted by Johannes Feigl on 29 April 2014

Ein Reigen, rehearsal (c) Wiener Staatsballet/Barbara PalffyThe ballet Ein Reigen by choreographer Ashley Page and designer Antony McDonald opens tonight at the Volksoper Wien.

It is based on Arthur Schnitzler’s play La Ronde, however it features a wide cast of characters – ranging from Gustav and Alma Mahler to Arnold Schönberg, Sigmund Freud, Alexander Zemlinsky, Gustav Klimt and Schnitzler himself. Gerrit Prießnitz will conduct the Volksoper Symphonieorchester, Alban Berg’s Lulu-Suite and 3 Orchestral Pieces will be among the works performed.

Find out more on the website of the Volksoper Wien.

Further performances take place on 2., 26. May and 5., 20., 26., 29. June 2014

BBC Composer of the Week: Hans Gál

Posted by Johannes Feigl on 29 April 2014

Hans Gál (c) Lotte Meitner-GrafHans Gál is the BBC Radio 3’s composer of the week. Donald Macleod and conductor/cellist Kenneth Woods will introduce listeners to Gál next Monday at 13:00 CET/CEST (i.e. Berlin, Paris, Vienna).

Find out more on and listen to the programme on BBC Radio 3.

mini-Mahler at the Radialsystem V

Posted by Johannes Feigl on 25 April 2014

This Sunday, 27 April, the ensemble mini (cond. Joolz Gale) will perform Klaus Simon’s arrangement of Mahler’s Symphony No. 9 at the Radialsystem V in Berlin.

Here’s the press release:

“After critically acclaimed concerts in the Philharmonie & Konzerthaus Berlin, as well as on tour, ensemble mini - the outstanding fusion of young musicians from Berlin's top orchestras - performs at the Radialsystem V Mahler’s 9th Symphony in the beautiful new transcription by world-wide leading Mahler arranger, Klaus Simon. Commissioned by the exciting young conductor, Joolz Gale, specifically for 17-person mini-orchestra, the arrangement breathes new life into the essence of the symphony. Huge, heavy and, at the same moment, extremely intimate and fragile, this work, more than any other, has enormous dimensions and yet it sinks into almost complete silence. With ensemble mini, a very unusual sound palate is created, presenting the intimate facets of Mahler’s oeuvre from a fascinating new perspective.”