Aimed to present an overview to the development of György Ligeti’s compositional technique over a period of 30 years, violinist Benjamin Schmid, conductor Hannu Lintu and the Finnish Radio Symphony Orchestra have recently released a recording of orchestral works by Ligeti on Ondine.
With the Examiner reviewing it is “an excellent ‘first contact’ recording” and Music Web International describing it an “ideal place to obtain a good sampling of Ligeti’s music”, they most definitely have succeeded at that.
The recording includes Atmosphères, which is part of Universal Edition’s Listening Lab series. Here are sample pages of the bilingual publication:
Andrew Clements of The Guardian has reviewed a recent release by soprano Katrien Baerts, the Flemish ensemble Het Collectief and conductor Reinbert de Leeuw. The CD includes Berg’s Seven Early Songs (arranged by de Leeuw himself), Zemlinsky’s Six Maeterlinck Songs and Webern’s Passacaglia.
The Italian première of Mauricio Sotelo’s Urrutiko urdin will be performed by the Orquesta Sinfónica de Euskadi (cond. José Ramon Encinar) on 10 October at the Biennale di Venezia. Sotelo dedicated the orchestral piece to the orchestra, who premièred it in 2013.
The composer on Urrutiko urdin:
Urrutiko urdin – azul de lontananza or “Distant Blue” – is a vibrant sonic landscape and a frame for remembrance composed for and dedicated to the Orquestra Sinfónica de Euskadi. The Spanish name lontananza (borrowed from Italian) uses pictorial language to describe the zone farthest away from the foreground. Blue, the fifth colour of the solar spectrum, is also an adjective for the hue of cloudless sky and the sea; it also stands for space and distance.
View the full score of Urrutiko urdin.
Mauricio Sotelo: Urrutiko urdin
for orchestra | 7'
national prem. 10.10.2014, Teatro alle Tese, Venice; Orquesta Sinfónica de Euskadi, cond. José Ramon Encinar
Carlos Kleiber’s historical rendition of Mahler’s Lied von der Erde, recorded at the Konzerthaus Vienna on 7 June 1967 and performed by Waldemar Kmentt, Christa Ludwig and the Wiener Symphoniker, is Norman Lebrecht’s Album of the week.
Read the review of the recording, which “offers a rare and extraordinary portrait of a celebrated conductor”, on Sinfini Music.
The US première of Georg Friedrich Haas’ dark dreams takes place tonight, 6 October, at Carnegie Hall in New York with Simon Rattle conducting the Berlin Philharmonic.
Watch an excerpt of dark dreams:
Stephen Smoliar of the Examiner has reviewed the North American première of Wolfgang Rihm’s Harzreise im Winter by baritone Christian Gerhaher and pianist Gerold Huber. The two of them had premièred Rihm’s musical setting of Johann Wolfgang von Goethe’s Harzreise im Winter earlier this year at the Mozartfest Würzburg.
Read about the evenings programme, which “amounted to a journey through Goethe’s poetic achievements”, on the Examiner.
Star violinist Arabella Steinbacher and the NDR Sinfonieorchester (cond. Thomas Hengelbrock) will perform Alban Berg’s Violin Concerto “To the Memory of an Angel” tonight at the Laeiszhalle in Hamburg. Watch the whole concert on the website of Arte – the broadcast begins at 20:00:
Read a German interview with Steinbacher on the Violin Concerto on Arte.
The Violin Concerto is part of Universal Edition’s Listening Lab – Materials for communicating music series. Here are sample pages of the bilingual publication:
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- Simon Rattle brings dark dreams to New York
- The Arditti Quartet and Johannes Maria Staud celebrate their 40th birthdays with a string quartet
- Ronnefeld’s Nachtausgabe is performed at the Semperoper Dresden
From 29 September to 3 October, Leopold Brauneiss, a recognized Austrian musicologist and expert on Arvo Pärt’s compositional techniques, will give a special seminar about Arvo Pärt’s music titled “Another look at Tintinnabuli: An introduction to aesthetics and compositional technique.” The seminars take place at the Estonian Academy of Music and Theatre. You can register for the seminar on the website of the Arvo Pärt Centre.
Find out more about Arvo Pärt on our Blog titled Arvo Pärt in his 80th year.
Arvo Pärt’s music is simple in its means, and powerful in its effect. It has its own very distinctive personality, one that could hardly belong to any other living composer. He is as close to being a ‘household name’ as any classical composer in this lower-brow century can hope to be. (Meurig Bowen)
Today, 29 September, Hyperion Records releases a new CD with the choral music by Arvo Pärt performed by Polyphony (cond. Stephen Layton).
Listen to excerpts of the 12 works and read texts and liner notes (which are available in three languages) on Hyperion. A download of Peace upon you, Jerusalem for female choir a cappella is available for free.
Celebrating their 20th anniversary, soprano Kate Royal and the Prague Philharmonia will perform Gustav Mahler’s Symphony No. 4 together with Joaquín Rodrigo’s Cuatro madrigales amatorios and Maurice Ravel’s Bolero on 28 September at the Dvořák Hall of the Rudolfinum.
Find out more about the Prague PHilharmonia’s “20 Years in Style” festivities the Prague Daily Monitor.
The concert will be broadcast live on ČT Art.
Online entries have opened for the Dulwich Piano Festival, which will take place on 7 June 2015 at the James Allen’s Girls’ School. Based in South London, the Dulwich Piano Festival is in its fourth year and has around 130 competitors of all ages taking part.
View the Dulwich Piano Festival’s Syllabus online.
Find the Dulwich Piano Festival on Facebook.
I began with the idea of unravelling Carmen the woman… to find the vulnerability beneath the cold, heartless exterior. In the process of research, there was so much to unravel: I searched for Bizet and found Shchedrin. (Dada Masilo)
After her successful tour with Swan Lake (which featured Arvo Pärt’s Spiegel im Spiegel), Dada Masilo returned to the stage earlier this month with her ballet Carmen. Again the music of Arvo Pärt will be present in her ballet, this time she choreographed Lamentate for piano and orchestra.
A live stream of the performance on 28 September at the Biennale de la danse will be available on ARTE at 20:00. Watch the live stream.
The composer on Lamentate:
With respect to its form, however, the composition cannot really be described as a typical piano concerto. I chose the piano to be the solo instrument because it fixes our attention on something that is ‘one’. This ‘one’ could be a person, or perhaps a first-person narrative. Just as the sculpture leaves the viewer with a light and floating impression in spite of its overwhelming size, the piano, as a large instrument, allowed me to create a sphere of intimacy and warmth that no longer seems anonymous or abstract.
Watch a trailer of Carmen:
Following the rave reviews for Pierre Audi’s scenic world première of Schönberg’s Gurre-Lieder, we have more great news from Amsterdam: after a successful crowdfunding campaign on voordekunst, Gustav Mahler’s Symphony No. 9 in the arrangement for chamber ensemble by Klaus Simon was released today by Camerata RCO on Gutman Records. Congratulations!
Conductor Gustavo Gimeno and the ensemble earned high praise from arranger Klaus Simon, who writes in the booklet of the recording that “the result is truly breathtaking. Thank you all so much for this amazing work!”
Find out more on the website of the Camerata RCO.
However, Camerata RCO is not the only ensemble who has recently recorded Simon’s arrangement: earlier this month, ensemble mini and Joolz Gale released their own much anticipated rendition of Mahler’s Ninth on Ars Produktion. The Berliner Zeitung wrote about the ensemble:
“ensemble mini has often enchanted its audience by performances of historical adaptations of Mahler’s music... This is where mini-Mahler, thanks to the superhumanly beautiful and concentrated play of its protagonists, makes the impossible indeed possible: to transfer Gustav Mahler’s symphonic cosmos to the world of chamber music whilst still leaving the tonal reproduction of its universe.”
We’d also like to mention a third recording of the Ninth, which was released by Caleb Young and Kammermahler earlier this year: find out more on Kammermahler, who are also responsible for the USA première performance of Simon’s arrangement, which was held at the Jacobs School of Music in Bloomington, Indiana on May 11th, 2014.