Feedback
Universal Edition - Blog

the greatest happiness principle in the BBC Music Magazine

Posted by Johannes Feigl on 23 September 2016

BBC Music MagazineDavid Sawer’s orchestral piece the greatest happiness principle is featured on a new CD included with the October issue of the BBC Music Magazine, titled “Best of British: Modern masterworks commissioned by Radio 3”.

The work was inspired by the utopian ideas of the English philosopher Jeremy Bentham and by his application of the panoptic principle to prison design.

It was recorded by Mark Wigglesworth and the BBC National Orchestra of Wales.

Read David Sawer’s full work introduction

Kaminski’s Magnificat at the Internationalen Musiktage 2016

Posted by Johannes Feigl on 22 September 2016

Internationalen Musiktage 2016 – Dom zu Speyer (22 September – 8 October).

Heinrich KaminskiSoprano Cornelia Ptassek, violist Danka Nikolic, the Heinrich-Kaminski-Chorgemeinschaft and the Deutsche Kammerakademie Neuss (cond. Fred Buttkewitz) will perform Heinrich Kaminski’s Magnificat on 24 September in the frame of the Internationalen Musiktage 2016 – Dom zu Speyer (22 September – 8 October).

Kaminski’s composed the Magnificat in 1925 and said that it was “… Mary’s hymn of praise, elicited by the shining message of the Annunciation and thus the rejoicing of every soul illuminated by that light.” It was frequently performed – sometimes paired with Beethoven’s Ninth Symphony – until the Nazis banned Kaminski’s works. 

Neue Vocalsolisten Stuttgart tour Haas’ love poems

Posted by Johannes Feigl on 22 September 2016

 Neue Vocalsolisten (c) Martin Sigmund

The Neue Vocalsolisten Stuttgart are performing Georg Friedrich Haas’ 3 Liebesgedichte on their current tour of Asia.

The composer about the works, which were composed for the six musicians of the Neue Vocalsolisten Stuttgart:

For the most part, Stramm does away with syntax in his poems; he orders words to words into an expressive series of substantives, adjectives and pronouns, predominantly conditioned sonically and rhythmically, whereby neologisms may result. He may shape grammatically complete sentences but, if so, they convey nothing contextual; they formulate metaphors and images, linked together in a freely associative manner.

Read the composer’s full text

Dutch première of Sotelo’s Muros de dolor... III

Posted by Johannes Feigl on 21 September 2016

Søndergård (c) Andy Buchanan

Marucio Sotelo (c) Mauricio SoteloThe torn echo of one of the most dramatic forms of Andalusian Flamenco Singing: the ‘Seguiriya’, revolves at the centre of gravity of our composition for orchestra. A centrifugal movement in the form of a spiral of the musical mass of the orchestra leads us slowly towards a kind of vibrant rhythmic texture in a ternary rhythm: Bulería de sombras. (Mauricio Sotelo on Muros de dolor... III)

Thomas Søndergård and the Royal Concertgebouw Orchestra present the Dutch première of Mauricio Sotelo’s Muros de dolor... III on 22 Septemberat HET Concertgebouw.

View the full score

Nigl and Melnikov première Rihm

Posted by Johannes Feigl on 20 September 2016

Georg Nigl Portrait (c) Bernd Uhlig

Baritone Georg Nigl and pianist Alexander Melnikov will be performing the world première of Wolfgang Rihm’s dort wie hier today at the Kölner Philharmonie – together with Lieder by Franz Schubert, Alban Berg and Johannes Brahms.

The Dutch première will take place tomorrow at the Muziekgebouw aan ‘t IJ.

View the full programme

Sweetheart come – Letter to Michael in Dublin

Posted by Johannes Feigl on 15 September 2016

Emma Hauck (c) Public Domain

David Fennessy’s choir work Letter to Michael will be performed today at “Composing the Island: Choirland | 100 years of Irish Choral Music”.

View the full score

David Fennessy on the piece:

”A few years ago I came across an extraordinary piece of art by a woman named Emma Hauck. She was admitted to a German psychiatric ward about a hundred years ago diagnosed with schizophrenia. Whilst a patient there she produced pages and pages of text – thousands of lines in pencil which were addressed to her husband who had ceased to visit her. She simply wrote the words ‘Sweetheart Come’ [Herzensschatzi komm]  over and over again or sometimes just the word ‘come’. Every page is thick with overlapping text and some are so condensed as to be illegible.

I was deeply moved by these repeated pleas and feel strongly that the desperate passion that can be seen on these pages could only really be expressed with voices. I imagine a dense layering of a simple line; each voice adding to the power of the plea…”

UE newsletter: September 2016

Posted by Johannes Feigl on 14 September 2016

We just sent out our latest newsletter:

– The St. Louis Symphony Orchestra presents Weill’s and Brecht’s The Lindbergh Flight in St. Louis.

– The Zuger Sinfonietta premières Paul Leonard Schäffer’s instrumentation of Alban Berg’s 7 Early Songs for chamber orchestra.

– Belgian première of the new critical edition of The Makropulos Affair at the Opera Vlaanderen.

View the full newsletter

if you’d like to receive future newsletter, why not subscribe and make sure you always get the latest UE news? GermanEnglish 

Happy Birthday Arvo Pärt!

Posted by Johannes Feigl on 11 September 2016

Arvo Pärt (c) UE

Happy Birthday Arvo Pärt!

Othmar Schoeck Festival in Brunnen

Posted by Johannes Feigl on 05 September 2016

Othmar Schoeck conducts the orchestra of the Scala Milano in Lucerne 1941

Othmar Schoeck FestivalThe Othmar Schoeck Festival (1 to 11 September 2016) is currently running in Brunnen. A highlight of the festival will be an international symposium dedicated to Schoeck’s final opera Das Schloss Dürande [Dürande Castle] after Joseph von Eichendorff’s novella of the same name.

Find a detailed programme of the symposium on the website of the Bern University of the Arts:

Othmar Schoeck Symposium

An “almighty blast of Schoenberg” in Edinburgh

Posted by Johannes Feigl on 30 August 2016

Gurre-Lieder (c) Universal Edition

Surely there’s an irony in the fact that some of the sweetest love music ever written was penned by the man blamed for the collapse of romanticism. (Kate Molleson, The Guardian, 29 August 2016)

The grand finale of the Edinburgh International Festival’s Usher Hall concerts: on 28 August Donald Runnicles conducted Arnold Schönberg’s Gurre-Lieder.

Read the full review on The Guardian 

Aleksey Igudesman: “Du Kunst Mich!”

Posted by Johannes Feigl on 26 August 2016

Aleksey Igudesman and Julian Rachlin perform Klezmer’s Freilach” from Igudesmans book Klezmer & More – the video is from the Igudesman’s new TV series “Du Kunst Mich!”, which airs for the first time on ORF 2 next Monday, 29 of August, at 23:35.

View Klezmer & More in our shop

Hannigan conducts and sings Berg

Posted by Johannes Feigl on 23 August 2016

Barbara Hannigan (c) Musacchio and Ianniello

When listening, one completely forgets that these single movements are in fact interludes and extracts from an opera. The captivating beauty of Berg’s absolute music belies the underlying substance of the opera.(Willi Reich on Lulu-Suite)

Tonight conductor and soprano Barbara Hannigan will sing with and conduct the Mahler Chamber Orchestra in performances of Alban Berg’s Lulu-Suite and works by Debussy, Sibelius, Haydn and Gershwin at the KKL Luzern.

Find out more on the website of the Lucerne Festival

Stockhausen’s Carré at the Ruhrtriennale

Posted by Johannes Feigl on 18 August 2016

Photo (c): Werner Scholz

CarréTonight and tomorrow, the Bochumer Symphoniker and ChorWerk Ruhr perform Karlheinz Stockhausen’s Carré for 4 orchestras and choirs at the Ruhrtriennale under conductors Rupert Huber, Matilda Hofman, Florian Helgath and Michael Alber.

We’ve uploaded the full score of Orchestra I for you.

View the score of Carré – Orchestra I

Find out more about the performance on the website of the Ruhrtriennale.

Renaud Capuçon at the Gstaad Menuhin Festival

Posted by Johannes Feigl on 17 August 2016

Renaud Capuçon (c) Marc Ribes

When I play the Polyptyque by Frank Martin, I feel the same responsibility, the same exaltation as when I play Bach's Chaconne(Yehudi Menuhin)

Violinist Renaud Capuçon and the Kammerorchester Basel will perform Frank Martin’s Polyptyque today at the Gstaad Menuhin Festivalwhich celebrates the 100th anniversary of Yehudi Menuhin.

View the full score of Polyptyque

Facing the music: David Sawer

Posted by Johannes Feigl on 16 August 2016

David Sawer (c) Joanna Eldrege Morrisey

I’d buy a small West End theatre, give it great acoustics and initiate a contemporary music festival curated by composers.

The Guardian asked David Sawer about first record, his favourite piece of music, whether he had ever considered a career outside of music and whether he had any musical guilty pleasures.

Read the full interview on The Guardian