Gramophone’s Jeremy Nicholas has recently reviewed CPO’s release of Franz Liszt Organ Arrangements, which includes arrangements of Fantasia and Fugue on Ad nos, ad salutarem undam, Orpheus, Weinen, Klagen, Sorgen, Zagen, and Prelude and Fugue on B-A-C-H.
Franz Liszt used the chorale Ad nos, ad salutarem undam,originally from Giacomo Meyerbeer’s opera Le Prophète, as the basis for a Fantasia and Fugue. The “Prophet Fugue”, as he called it, is one of the most impressive works of a secular character in organ literature. Marcel Dupré, one of the great 20th century masters of the organ, arranged it highly effectively for orchestra; it was considered lost until it was rediscovered and performed again in 2007.
Read the full review on Gramophone.
Transitus was commissioned by La Scala in Milan, who wished for it to allude to the works of Richard Strauss. When asked if he had been influenced by Strauss’ virtuosity as an orchestrator, Rihm replied: “Virtuosity is not a value in itself: any star pupil can be a virtuoso. What is really important is what energy is moved – and how much energy is moved! There is so much virtuoso music that doesn’t go anywhere. No movement, just everything shaking, flailing and glistening. But music is all about conveying energy. The quality of a piece of music is determined by its energetic charge and flows. In his finest moments, Strauss creates an incomparable maelstrom of relentless flow.”
View the full study score of Transitus:
Wolfgang Rihm: Transitus
for orchestra | 15'
world prem. 05.05.2014, Teatro alla Scala, Milan; prem. 07.05.2014, Palazzo di Congressi, Lugano; Filarmonica della Scala, cond. Riccardo Chailly
The composer on Zhi-Jong Wang’s excellent performance:
With the successful and convincing realisation of the 42 years delayed world première of my lost Violin Concerto No. 2 – performed by the Shanghai violinist Zhi-Jong Wang and the Xiamen Philharmonic Orchestra under Renchang Fu – the young and extremely gifted soloist Zhi-Jong Wang has categorically confirmed a prediction that I made one year ago – that she is a star of tomorrow. Only that she already plays like a star.
In his 80th year, Harrison Birtwistle agreed to let his godson, the wildlife filmmaker Tom Mustill, spend time with him in his home, his beautiful garden and the shed in which he composes. The resulting filmed portrait is a touching study of a composer's solitary, strange and satisfying life as well as being an invaluable record of Harrison Birtwistle's working methods.
The BBC have recently revealed the programme for the 2014 BBC Proms season, which runs from 18 July to 13 September. We are very proud to see that 15 works from the UE catalogue have found their way into the programme. The full details of the season are available on the website of the BBC Proms 2014. The booking opens on 17 May.
All concerts will be broadcast live on BBC Radio 3.
Leoš Janáček: Glagolitic Mass
for soloists, mixed choir, organ and orchestra | 45'
24.07.2014, Royal Albert Hall; Mlada Khudoley, s; Yulia Matochkina, ms; Mikhail Vekua, t; Yuri Vorobiev, b; London Symphony Chorus, London Symphony Orchestra, cond. Valery Gergiev
Gustav Mahler: Symphony No. 9
for orchestra | 75'
04.08.2014, Royal Albert Hall; BBC Scottish Symphony Orchestra; cond. Donald Runnicles
Luciano Berio: Sinfonia
for 8 voices and orchestra | 35'
05.08.2014, Royal Albert Hall; London Voices; European Union Youth Orchestra, cond. Semyon Bychkov
Harrison Birtwistle: Endless Parade
for trumpet, strings and vibraphone | 17'
09.08.2014, Cadogan Hall; Håkan Hardenberger, tpt; Lapland Chamber Orchestra, cond. John Storgårds
Leoš Janáček: Overture to the opera “From the House of the Dead“
for orchestra | 6'
24.08.2014, Royal Albert Hall; Czech Philharmonic Orchestra, cond. Jiří Bělohlávek
Gustav Mahler: Piano Quartet in A minor
for violin, viola, violoncello and piano | 10'
25.08.2014, Cadogan Hall; Louis Schwizgebel, pno; Katarzyna Budnik-Gałązka, vla; Marcin Zdunik, vc; members of the Royal String Quartet
Zoltán Kodály: Dances of Galánta
for orchestra | 13'
25.08.2014, Royal Albert Hall; Budapest Festival Orchestra, cond. Iván Fischer
Gustav Mahler: Symphony No. 2
for soli, mixed choir and orchestra | 80'
29.08.2014, Royal Albert Hall; Kate Royal, s; Christianne Stotijn, ms; Swedish Radio Choir; Philharmonia Chorus; Swedish Radio Symphony Orchestra, cond. Daniel Harding
Gustav Mahler: Symphony No. 1
for orchestra | 50'
04.09.2014, Royal Albert Hall; BBC Symphony Orchestra, cond. Marin Alsop
Harrison Birtwistle: Verses for Ensembles
for 3 instrumental ensembles | 28'
Harrison Birtwistle: Dinah and Nick's Love Song
for 3 melody instruments and harp | 5'
Harrison Birtwistle: Meridian
for mezzo-soprano, 2 female choirs and instruments | 27'
06.09.2014, Cadogan Hall; Christine Rice, ms; Exaudi; Birmingham Contemporary Music Group, cond. Oliver Knussen
Gustav Mahler: Symphony No. 3
for alto, boys’ choir, female choir and orchestra | 90'
11.09.2014, Royal Albert Hall; Gerhild Romberger, ms; Leipzig Opera and Gewandhaus Choir; Leipzig Gewandhaus Childrens Choir; Leipzig Gewandhaus Orchestra, cond. Riccardo Chailly
Friedrich Cerha: Paraphrase on the Opening of Beethoven’s Symphony No. 9
for orchestra | 14'
12.09.2014, Royal Albert Hall; Leipzig Gewandhaus Orchestra, cond. Riccardo Chailly
Aram Khachaturian: Säbeltanz [Sabre Dance]
for orchestra | 3'
13.09.2014, Royal Albert Hall; BBC Symphony Orchestra, cond. Sakari Oramo
It is based on Arthur Schnitzler’s play La Ronde, however it features a wide cast of characters – ranging from Gustav and Alma Mahler to Arnold Schönberg, Sigmund Freud, Alexander Zemlinsky, Gustav Klimt and Schnitzler himself. Gerrit Prießnitz will conduct the Volksoper Symphonieorchester, Alban Berg’s Lulu-Suite and 3 Orchestral Pieces will be among the works performed.
Find out more on the website of the Volksoper Wien.
Further performances take place on 2., 26. May and 5., 20., 26., 29. June 2014
Here’s the press release:
“After critically acclaimed concerts in the Philharmonie & Konzerthaus Berlin, as well as on tour, ensemble mini - the outstanding fusion of young musicians from Berlin's top orchestras - performs at the Radialsystem V Mahler’s 9th Symphony in the beautiful new transcription by world-wide leading Mahler arranger, Klaus Simon. Commissioned by the exciting young conductor, Joolz Gale, specifically for 17-person mini-orchestra, the arrangement breathes new life into the essence of the symphony. Huge, heavy and, at the same moment, extremely intimate and fragile, this work, more than any other, has enormous dimensions and yet it sinks into almost complete silence. With ensemble mini, a very unusual sound palate is created, presenting the intimate facets of Mahler’s oeuvre from a fascinating new perspective.”
Service started his guide on 23 April 2012 and closed it with a roundup on 20 May 2013, introducing one composer a week to his audience. As the comments show, Tom Service’s blog has struck a chord with listeners of contemporary music, and it is safe to say that each one of his articles is worth your time. Whether this is because of his witty style, his smart observations or the abundance of audio and video links he recommends – the articles always left me craving for one more video, one more recording.
Out of the 51 composers he picked for this year-long series, 13 are UE-composers. It goes without saying that this fills us with great pride. And here they are, in all their glory, from Sir Richard Rodney Bennett to Karlheinz Stockhausen:
Sir Richard Rodney
Sir Harrison Birtwistle
In March 2014, the Xiamen University – which, with more than 40.000 students, is one of China’s most important universities and of international renown – invited composer Nikolai Badinski to present his music and give lectures in the frame of the prestigious „Nanqiang” Lectures of Excellence. Furthermore, the composer was honoured with the badge of honour of the Xiamen University.
In the same month, the Shanghai Conservatory of Music invited the composer to present and lecture on his music. You can see him here with the composer professor Deqing Wen, Artistic Director of the New Music Weeks Shanghai, at the Shanghai Conservatory of Music (click the images to enlarge them).
Find out more about Nikolai Badinski.
The Alban Berg Foundation and Universal Edition are proud to present the recent publication of the critical complete edition of
Alban Berg: Lulu, Particell of Act 3
The official presentation will take place on 25 April at the Palais Mollard at the Austrian National Library and starts at 11 a.m. The Hugo Wolf Quartett will perform movements 1, 3 and 5 from Berg’s Lyric Suite.
The Gesellschaft der Musikfreunde in Wien will be celebrating the 300th anniversary of the birth of Carl Philipp Emanuel Bach on 23 April at the Musikverein Vienna.
Carl Philipp Emanuel Bach’s works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia ‘C. P. E. Bachs Empfindungen’ in F sharp minor of 1787 is characterised by the composer's highly expressive late style.
Wiener Urtext Edition has released a new two-volume edition of C. P. E. Bach’s complete works for harpsichord (piano) obbligato and violin, two of which will be performed at the Musikverein. Find out more about Bach’s works for violin and harpsichord here.
In part one, radio host Ben Eshmade introduces listeners to the Barbican’s Birtwistle at 80 celebration and speaks to Harrison Birtwistle’s peers and collaborators about the composer’s life and work, as well as the great man himself.
You can listen to the Podcast here and on the Barbican’s SoundCloud page: