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UE newsletter: September 2016

Posted by Johannes Feigl on 14 September 2016

We just sent out our latest newsletter:

– The St. Louis Symphony Orchestra presents Weill’s and Brecht’s The Lindbergh Flight in St. Louis.

– The Zuger Sinfonietta premières Paul Leonard Schäffer’s instrumentation of Alban Berg’s 7 Early Songs for chamber orchestra.

– Belgian première of the new critical edition of The Makropulos Affair at the Opera Vlaanderen.

View the full newsletter

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Hannigan conducts and sings Berg

Posted by Johannes Feigl on 23 August 2016

Barbara Hannigan (c) Musacchio and Ianniello

When listening, one completely forgets that these single movements are in fact interludes and extracts from an opera. The captivating beauty of Berg’s absolute music belies the underlying substance of the opera.(Willi Reich on Lulu-Suite)

Tonight conductor and soprano Barbara Hannigan will sing with and conduct the Mahler Chamber Orchestra in performances of Alban Berg’s Lulu-Suite and works by Debussy, Sibelius, Haydn and Gershwin at the KKL Luzern.

Find out more on the website of the Lucerne Festival

UE newsletter: Jenůfa, The Cunning Little Vixen and Wozzeck

Posted by Johannes Feigl on 22 Juni 2016

Newsletter June

Our latest newsletter – an opera special with features on current productions of The Cunning Little Vixen, Wozzeck and Jenůfa – is out now.

View our newsletter

Alban Berg monument unveiled

Posted by Johannes Feigl on 20 Juni 2016

Alban Berg Monument, model

The Alban Berg monument will be unveiled today at 22:00 at the Herbert von Karajan-Platz in front of the Wiener Staatsoper.

phil Blech and the Arnold Schoenberg Chor will perform works by Strauss, Mahler, Schönberg and Berg, Reinhold Mitterlehner, Thomas Drozda, Andreas Mailath-Pokorny, Wolf. D. Prix and Peter Wolf will give speeches. 

Find out more on the Alban Berg Stiftung’s event page

Inside the Score: Alban Berg’s Lyric Suite

Posted by Johannes Feigl on 28 April 2016

Inside the Score

This lecture-recital, accompanied by projections from the stage, will read between the ledger lines and unlock the secrets behind one of the Second Viennese School’s most passionate scores.

On Tuesday, 10 May, writer and broadcaster Gavin Plumley, the Quatuor Tana and soprano Julia Sitkovetsy will present Inside the Score, a lecture-recital that explores Alban Berg’s Lyric Suite.

Tickets are still available – or you can watch the live stream from the comfort of your own home.

Inside the Score: Berg’s Lyric Suite

 

80 years “In Memory of an Angel”

Posted by Johannes Feigl on 19 April 2016

Alban Berg (c) Universal Edition

It’s been 80 years to the day since the world première of Alban Berg’s Violin Concerto “In Memory of an Angel”.

Alban Berg: Violinkonzert – listening labIn February 1935 Alban Berg was approached by the American violinist Louis Krasner with a request to write a violin concerto. The resulting concerto – the last work that Berg completed – was first performed on 19 April 1936 by Krasner and the Casals-Orchestra in Barcelona.

The first issue of the Universal Edition listening lab is dedicated to Berg’s Violin Concerto:

Find out more about our listening lab

Lulu at the Met

Posted by Johannes Feigl on 04 März 2016

(c) Lulu - Metropolitan Opera

On 5 March at 19:05 on Deutschlandradio Kultur: listen to Alban Berg’s Lulu, recorded on 21 November 2015 at the New York Metropolitan Opera.

The programme also features an interview with Friedrich Cerha, in which the composer talks about his realization of the opera’s third act.

Listen live

Rave reviews for Lulu at the Met

Posted by Johannes Feigl on 09 November 2015

Lulu (c) Ken Howard, Metropolitan Opera

William Kentridge’s production of Lulu at the Metropolitan Opera is receiving rave reviews: find a selection below:

What’s most impressive of all, though, is that Lulu has found a worthy partner in the Met’s provocative and visually stunning new staging. If there’s such a thing as a gold standard for opera, this is it. (James Jorden, Observer, 6 November 2015)

Lulu will never be a crowd-pleaser, but what happened on the Met stage on Thursday was an even rarer commodity in many opera houses: serious art, on many levels. (Anne Midgette, The Washington Post, 6 November 2015)

The Met’s terrific cast is headed by the charismatic German soprano Marlis Petersen as Lulu. Having been a sought-after Lulu for nearly two decades, Ms. Petersen will retire the role from her repertory at the end of this run, which makes it all the more imperative to see her now. (Anthony Tommasini, The New York Times, 6 November 2015)

So, we’re agreed: this is a monster show, and everyone needs to know. (Seth Colter Walls and Jason Farago, The Guardian, 6 November 2015)

Lulu at the Met

Lulu (c) Ken Howard, Metropolitan Opera

 

 

Wozzeck in Chicago: “See this show.”

Posted by Johannes Feigl on 04 November 2015

“One can't imagine a more convincing case for ‘Wozzeck’ as a masterpiece of 20th-century music theater than the highly anticipated new production that opened at Lyric on Sunday afternoon at the Civic Opera House. […] Three words for anyone unsure about whether to catch Lyric’s ‘Wozzeck’: See this show.” (John von Rhein, The Chicago Tribune, 2 November 2015)

The Chicago Tribune on the Lyric Opera’s production of Wozzeck.

Read the full review on The Chicago Tribune

Alban Berg monument to be erected in Vienna

Posted by Johannes Feigl on 03 November 2015

Modell der Alban Berg Skulptur © Markus Pillhofer

Next spring Wolf D. Prix’ Alban Berg monument will be erected at the Herbert-von-Karajan-Platz in front of the Vienna State Opera. The monument will also honour other members of the Second Viennese School as well as Gustav Mahler.

Read the [German] press release

William Kentridge brings Lulu to the Met

Posted by Johannes Feigl on 30 Oktober 2015

The Metropolitan Opera

Berg’s opera seems an indisputable candidate for the greatest opera of the 20th century. (Philip Hensher, The Guardian, 1 June 2009)

Lulu is the object of desire of all the men in the opera—but she can’t be the woman the men imagine her to be or project onto her. She can never fulfill all the desires of both being the femme fatale and the faithful, quiet wife, just as the men can never be the people that Lulu hopes they will be. And in each case, this impossibility of desire ends in disaster. (William Kentridge, www.metopera.org, 9 October 2015)

William Kentridge’s production of Alban Berg’s Lulu with Marlis Petersen in the title role premières on 5 November at the Met. Watch scenes from the prologue of the production:

The performance on Saturday 21 November will be broadcast live in more than 2000 theatres.

Learn more

Jakob Lenz: Georg Nigl is singer of the year in performance of the year

Posted by Johannes Feigl on 01 Oktober 2015

Jakob Lenz (c) Oper Stuttgart, Bernd Uhlig

opernwelt’s annual survey is out:

Congratulations to Georg Nigl, who has been selected “singer of the year 2015” in Andrea Breth’s “performance of the year” of Jakob Lenz at the opera Stuttgart.

Also congratulations to Marlis Petersen who won “singer of the year” for her title role in Berg’s Lulu at the Bayerische Staatsoper.

You can watch the trailer for the production here:

Wozzeck: a “key work of modern music theatre” in Hof

Posted by Johannes Feigl on 24 September 2015

Wozzeck, Theater Hof (c) SFF Fotodesign

Wozzeck (c) Universal Edition“Die Hofer Symphoniker unter der Leitung von Arn Goerke geben in fordernden Dynamik dem Musikdrama angemessene Klänge, und dies im Wechsel von subtiler Kammermusik und dröhnendem Aufschrei. Insbesondere die Klangmagie der leisen Intensität macht diese Aufführung von der musikalischen Seite her so bewegend.” (Boris Gruhl, nmz, 22.09.2015)

Alban Berg’s Wozzeck premièred almost 90 years ago, on 14.12.1925 – congratulations to the Theater Hof for their successful new staging of the opera, a work that has lost nothing of its relevance.

Further performances will take place until 25 October, find out more on the website of the Theater Hof.

★★★★★ for Berg and Wellesz

Posted by Johannes Feigl on 10 September 2015

Elizabeth Barrett Browning, Public Domain“[The Sonnets] show Wellesz’s music at that time to be closest to Berg’s, but still retaining echoes of Brahms, Mahler and even Richard Strauss.” (Andrew Clements, The Guardian, 9 September 2015)

Five out of five stars from Andrew Clements for Renée Fleming’s and the Emerson Quartet’s recording of Berg’s Lyric Suite and Egon Wellesz’ Sonnets after Elizabeth Barrett Browning.

Read the review on The Guardian

Lulu in Amsterdam and Munich

Posted by Johannes Feigl on 03 Juni 2015

Lulu (c) Bayerische Staatsoper

We’ll be sending out our latest newsletter today at 13:00 – it focuses on the current productions of Berg’s Lulu at the Dutch National Opera in Amsterdam and the Bayerische Staatsoper in Munich.

Gert Korentschnig of the Austrian newspaper Kurier has written an extensive [German] review of both productions – read the full article online on Kurier.