The Ensemble intercontemporain (cond. Matthias Pintscher) will perform Pierre Boulez’ Messagesquisse on 9 February as part of their second Turbulences Week-End. Also on the programme: Wolfgang Rihm’s Tutuguri VI (Kreuze), conducted by Michel Cerutti and performed by students of the Conservatoire de Paris.
A recording of the concert will be broadcast by Ö1 on 9 February at 11:03am. Listen live.
View the full study score of Swan Song.
Arvo Pärt: Swan Song
Wiener Philharmoniker, cond. Marc Minkowski
Mozart Week Salzburg; recording of the world première on 29 January, Großes Festspielhaus Salzburg
Ö1 | Listen live
Sunday, 09.02.2014, 11:03
The piece will be performed today at the Brucknerhaus in Linz and on 31 January at the Musikverein, Vienna.
Arvo Pärt: Symphony No. 4 ‘Los Angeles’
for string orchestra, harp, timpani and percussion | 34'
timp, perc(2–4), hp, str
27.01.2014, Brucknerhaus, Linz
31.01.2014, Musikverein, Vienna
Bruckner Orchestra Linz, cond. Dennis Russell Davies
Congratulations to Arvo Pärt and Tõnu Kaljuste: Adam's Lament (released under the ECM New Series) has won the Grammy for Best Choral Performance. The performers on the recording are the Estonian Philharmonic Chamber Choir, Vox Clamantis, Sinfonietta Riga, Tallinn Chamber Orchestra, soloists Tui Hirv and Rainer Vilu.
In the past years we have had many losses in the world of music to mourn. Why did the date of Benjamin Britten’s death – 4 December 1976 – touch such a chord in me?
During this time I was obviously at the point where I could recognize the magnitude of such a loss. Inexplicable feelings of guilt, more than that even, arose in me. I had just discovered Britten for myself. Just before his death I began to appreciate the unusual purity of his music – I had had the impression of the same kind of purity in the ballads of Guillaume de Machaut. And besides, for a long time I had wanted to meet Britten personally – and now it would not come to that.
Celebrating the centenary of Benjamin Britten, here are the first three pages of Arvo Pärt’s autograph of Cantus in Memory of Benjamin Britten (Cantus Benjamin Britteni mälestuseks), a piece commemorating the great English composer.You can click on the images to see high resolution zoomable scans.
By the end of this day, the piece will have been performed more than 1150 times in the last 20 years, there are more than 150 entries in our performance database for 2013 alone.
On Sunday, October 27th 2013, the Church of Saint Alban Holborn in London has its annual Solemn Mass of Thanksgiving for Church Music. Each year, a different composer is chosen for this service, and this year it is Arvo Pärt. Among the pieces performed will be the Berliner Messe and The Beatitudes.
Find out more on the church’s homepage.
Arvo Pärt: Berliner Messe
for mixed choir or soloists (SATB) and organ | 25'
Arvo Pärt: Cantate Domino canticum novum
for mixed choir or soloists (SATB) and organ | 3'
Arvo Pärt: The Beatitudes
for mixed choir (SATB) and organ | 7'
Arvo Pärt: O Morgenstern from 7 Magnificat-Antiphonen
for mixed choir a cappella | 15'
Arvo Pärt: Pari intervallo
for organ | 6'
27.10.2013, Church of Saint Alban Holborn, London; Edward Batting, org; Curch of Saint Alban Holborn Choir
October is bachtrack’s contemporary music month, and it is great to see that Arvo Pärt is featured in the special on Minimalists, and that Pierre Boulez – together with Stockhausen, Berio, and others – is regarded as one of conemporary music’s “Cutting-Edge Heavyweights”: A generation of composers growing up amongst the carnage of Hitler’s Europe [that] turned their faces away from the traditional language of music, which seemed forever tainted by that world, in search of a new musical grammar.
Boulez on Boulez:
Andreas Scholl, world-famous countertenor, recently gave an interview to the Australian daily newspaper The Age, talking about his upcoming performances at the City Recital Hall in Sidney on October 4, 5, 8 and 9 with the Australian Chamber Orchestra.
On the strings: Helena Rathbone, vln; Rebecca Chan, vln; Christopher Moore, vla; Timo-Veikko Valve, vlc; Maxime Bibeau, cb
Find the full article on The Age.
The quartet is promoting its new album (which focuses on the music of Philip Glass), music by Glass, Reich, Ligeti, and Pärt will be performed on their tour.
Watch a live video of the Dublin Guitar Quartet playing Pärt’s Summa:
Visit the Dublin Guitar Quartet website.
A great opportunity to listen to Arvo Pärt’s Tabula Rasa once more – not to spoil it with too many words, here is the video, without further ado: enjoy this 3D projection video, created by Bordos.ArtWorks.
The projection took place in Târgu Mureș in Romania on 8 September 2013 during the 100 years anniversary of the Palace of Culture.
The artist about the projection:
“The story of this projection was inspired by the beautiful stained glass inside the Palace. Especially the legend of Kata Kadar who drown in a lake. During this projection we remembered her and revived her up for a moment. The great music of Arvo Pärt was a great inspiration as well.”
Find out more on their homepage.
Arvo Pärt: Fratres
for chamber ensemble | 10'
1 1 1 1 - 1 0 0 0 - perc, str(1 1 1 1 1)
15.09.2013, Leamy Concert Hall, New London; United States Coast Guard Band
Today, 11 September 2013, the composer celebrates his 78th birthday, and Tõnu Kaljuste and the Tallinn Chamber Orchestra dedicate a birthday concert to him at the end of the Nargenfestival’s Arvo Pärt days.
Arvo Pärt: Orient & Occident
for string orchestra | 7'
Arvo Pärt: Spiegel im Spiegel
for violin and piano | 10'
Arvo Pärt: Tabula rasa
for 2 violins, string orchestra and prepared piano | 27'
Arvo Pärt: Trisagion
for string orchestra | 12'
11.09.2013, Tallinn; St. John's Church, Harry Traksmann, vln; Robert Traksmann, vln; Marrit Gerretz-Traksmann, pno; Leho Karin, vlc; Tallinn Chamber Orchestra, cond. Tõnu Kaljuste
Tim Ashley of The Guardian reviews the Prom 67, which was “subtle, electrifying and attain[ed] a tragic nobility”: Paavo Järvi conducted the Orchestra de Paris, with Arvo Pärt’sCantus in Memoriam Benjamin Britten and Britten’s Violin Concerto – followed by Berlioz and Saint-Saëns – on the programme.
The full review is available on The Guardian.