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love songs without words, dedicated to the ensemble recherche

Posted by Johannes Feigl on 06 Juni 2014

ensemble recherce (c) Maurice Korbel

During preparations for their 25th anniversary in 2010, the ensemble recherche came to the conclusion that “There are no love songs anymore!”. So they request such pieces for the celebration from various composer friends; more than 30 love songs were written in the process and more are in progress: one could almost speak of a new “trend”. (Kornelia Bittmann)

WERGO has recently released a two-and-a-half-hour double-CD set that features 30 love songs that are dedicated to the ensemble recherche – an ensemble that, since its founding in 1985, has premièred more than 500 works and released about 50 CDs, many of which have been awarded international prizes including the annual German Critics’ Award and the Diapason d’Or.

Their latest CD, which features works by Georg Friedrich Haas, Johannes Maria Staud and Hans Zender, has been highly praised by critics and public alike (“ensemble recherche’s amorous collection reclaims the love song from the embrace of pop music”, Andrew Clements for The Guardian) and already makes us hope for a follow-up CD.

ensemble recherche: liebeslieder; WERGO

Georg Friedrich Haas at the btzm

Posted by Johannes Feigl on 18 November 2013

ensemble recherche (c) M. KorbelFive works by Georg Friedrich Haas will be performed at the Bludenzer Tage zeitgemäßer Musik [Bludenz contemporary music days], four of which will be performed by the ensemble recherche. The festival runs from 20 to 23 November.

Georg Friedrich Haas on his various versions of „... aus freier Lust ... verbunden ...”:

Each of the work’s ten individual parts is simultaneously a solo piece; to state it differently, the ensemble piece is an interlacing of ten completely independent, autonomous solos. […] As regards pitch, the parts are bound together by an identical harmonic structure, although it is to be noted that in the solo parts “harmony” is thought of primarily as the effect of successive sound events. As for form, caesuras and units are formed in each individual part, not only independently of other instruments, but also simultaneously with them (as a sort of “solidarity”).

The full programme of the festival in Vorarlberg is available here.

Nach-Ruf ... ent-gleitend ...
for flute, oboe, clarinet, violin, viola, violoncello | 16'
„... aus freier Lust ... verbunden ...”
for bass clarinet in Bb | 11'
„... aus freier Lust ... verbunden ...”
for viola | 11'
tria ex uno
for flute, clarinet, percussion, piano, violin and violoncello | 12'
20.11.2013, Remise, Bludenz; ensemble recherche

de terrae fine
for violin solo | 17'
22.11.2013, Remise, Bludenz ; soloist of the Formalist Quartet