The opera, which stars Willard White as Dreieinigkeitsmoses and Measha Brueggergosman as Jenny Hill, will still be performed three more times this month: on 13, 15 and 17 October.
Read Cristina Iacoboni’s (Italian) review on Online Merker.
A trailer is available on YouTube:
London’s Wigmore Hall celebrates the imminent ninetieth birthday of Friedrich Cerha with a day devoted to the composer’s works.
On 10 October Friedrich Cerha Day presents a major retrospective of the composer’s chamber works performed by close colleagues and musicians steeped in his multi-faceted art. Among the performers will be the Boulanger Trio, who you can see together with the composer pictured above.
Our latest newsletter is out now:
- Wolfgang Rihm’s Duo Concerto in New York, Dresden & Singapore
- Ronnefeld’s Nachtausgabe reopens at the Semperoper Dresden
“In a world which increasingly emphasises speed, clarity can perhaps be best achieved when time stands still.” (David Sawer)
If you want to find out more about the composer, we’ve prepared an interview with David Sawer on our MusikSalon.
“And then, by a lucky accident, I switched on my car radio while driving home. I was so struck by the beauty and opulence of what I heard that I was afraid to turn it off for fear of not learning what the piece was; its loss would have haunted me like the lost chord.”
Read James Conlon’s full text on Alexander Zemlinsky on our MusikSalon.
opernwelt’s annual survey is out:
Congratulations to Georg Nigl, who has been selected “singer of the year 2015” in Andrea Breth’s “performance of the year” of Jakob Lenz at the opera Stuttgart.
Also congratulations to Marlis Petersen who won “singer of the year” for her title role in Berg’s Lulu at the Bayerische Staatsoper.
You can watch the trailer for the production here:
In 2012, we conducted an interview with Ingo Metzmacher on Franz Schreker. You can watch the video here:
An English transcript of the interview is available on our MusikSalon.
ARTE will broadcast Adam’s Passion this Sunday, 27 September 2015. The joint piece of Arvo Pärt and Robert Wilson premièred earlier this year, on 12 May at the Noblessner Foundry in Tallinn.
Before Adam’s Passion, the The Lost Paradise will be shown, a 55-minute documentary that focuses on the preparation process of the piece. At the same time, The Lost Paradise offers a profound and intimate insight into Arvo Pärt’s world, following his life in Estonia and on business trips to Vatican and Japan over more than a year.
The broadcast starts at 23:25 CET/CEST.
“Die Hofer Symphoniker unter der Leitung von Arn Goerke geben in fordernden Dynamik dem Musikdrama angemessene Klänge, und dies im Wechsel von subtiler Kammermusik und dröhnendem Aufschrei. Insbesondere die Klangmagie der leisen Intensität macht diese Aufführung von der musikalischen Seite her so bewegend.” (Boris Gruhl, nmz, 22.09.2015)
Alban Berg’s Wozzeck premièred almost 90 years ago, on 14.12.1925 – congratulations to the Theater Hof for their successful new staging of the opera, a work that has lost nothing of its relevance.
Further performances will take place until 25 October, find out more on the website of the Theater Hof.
Which aesthetic-philosophical discourses exist at the moment? Is talking about music part of the compositional process?
In the eighth and final Salongespräch of impuls neue music, composers Wolfgang Rihm and Pascal Dusapin and host Uli Aumüller will address the topic of musical beauty.
The event takes place on 21 September at the Institut Francais in Berlin.
On the day before the talk, Wolfgang Rihm’s Musik für 3 Streicher will be performed at the Philharmonie in the frame of the Musikfest Berlin. The composer will be present at the concert.
Find out more on the website of impuls neue musik.
Yesterday, Arvo Pärt rehearsed chamber works with the string quartet of the Orchestre de Paris at La Philharmonie de Paris. The rehearsals continued into the night with the choeur de l'Orchestre and the Orchestre de Paris.
Paavo Järvi and the Orchestre de Paris will honour the composer on 19 and 20 September with their “week-end Arvo Pärt” at the Philharmonie 1. Find out more here:
Today marks the 70th anniversary of the death of Anton Webern, who died in a tragic moment of music history a few months after the war on 15 September 1945.
In his Penser la Musique Aujourd’hui, Pierre Boulez reflected on how young composers who came to maturity after World War II turned to Anton Webern as THE pivotal figure of the pre-war “avant-garde” (more than Schoenberg or Berg, and certainly far more than Stravinsky or Bartók): “It is obvious that Webern – who emerged very early on as the chief landmark in defining our own personalities – stands at the centre of these “explorations’”.
There’s still plenty of time to join Karlheinz Essl in his WebernUhrWerk project, find out more here.