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Fennessy’s Hirta Rounds in Munich

Posted by Johannes Feigl on 02 Juli 2015

David Fennessy (c) Tanya KiangKomponist und Musiker agieren auf Augenhöhe. (Rita Argauer, Süddeutsche Zeitung, 30 June 2015)

The Süddeutsche Zeitung has published a preview for tonight’s world première of Hirta Rounds by David Fennessy at the Prinzregententheater. The piece was written for the Münchener Kammerorchester with the stipulation that it be unconducted.

Read the full preview

View the full score of Hirta Rounds:

The New Yorker reviews the Ojai Music Festival

Posted by Johannes Feigl on 01 Juli 2015

Ojai Music Festival

Songbirds softened the severities of Boulez’s Improvisations sur Mallarmé, as if Messiaen, Boulez’s bird-loving teacher, were providing commentary.

Alex Ross has reviewed The Ojai Music Festival for The New Yorker.

Read the full text online

Irish première of Prologue (Silver are the tears of the moon)

Posted by Johannes Feigl on 26 Juni 2015

Tonight sees the Irish première of David Fennessy’s Prologue (Silver are the tears of the moon) at the National Concert Hall in Dublin. The work is part of a trilogy that was inspired by Werner Herzog’s Conquest of the Useless.

Watch an interview with the composer:

View the full study score and listen to an audio excerpt.

Day of the Giants in Johannesburg

Posted by Johannes Feigl on 25 Juni 2015

Pierre Boulez (c) Universal Edition, Eric Marinitsch

Join Jill Richards and Waldo Alexander in their celebrations of the 90th birthday of Pierre Boulez: the “Day of the Giants” – an informal, informative and interactive day of fun and music – takes place on 28 June from 11:00 until 17:00 at the Goethe-Institut in Johannesburg.

On the programme: Boulez’ Anthèmes (with live electronics), Domaines, Deuxième Sonate as well as John Cage’s 4′33″ and four new compositions in response to the works of Pierre Boulez.

Find the full programme on the Facebook event page.

Nicolas Hodges plays Birtwistle

Posted by Johannes Feigl on 22 Juni 2015

Birtwistle: slow frieze, antiphoniesNicolas Hodges presents a recording of Birtwistle’s major works from the 1990s. Among them is the first recording of the revised version of Antiphonies, performed by pianist Nicolas Hodges and the WDR Sinfonieorchester Köln under Stefan Asbury.

Bálint Varga on Antiphonies:

This work is not a “piano concerto” in the way the term is usually understood; it is a struggle between the solo instrument – perhaps a struggle for survival – and the menacing, often demonic powers of the orchestra.

The winds and percussion dominate the sonic character while the strings, except for one short melodic fragment, remain in the background. Slow forte sections unleash the full orchestra, between moments of Impressionistic calm, where the piano part seems like an improvisation, a fantasia - until the struggle resumes …

Find out more on the website of Nicolas Hodges.

Listen to the music of Jay Schwartz

Posted by Johannes Feigl on 22 Juni 2015

Jay Schwartz (c) Universal Edition, Eric Marinitsch

We’ve prepared a short playlist of the music of Jay Schwartz for you – the composer will be celebrating his 50th birthday on 26 June.

Find out more about Jay Schwartz.

BBC Radio 3 Composer of the Week: Arvo Pärt

Posted by Johannes Feigl on 22 Juni 2015

Arvo Pärt, Torino (c) Universal Edition, Eric Marinitsch

The Estonian composer Arvo Pärt is nothing short of a musical phenomenon. He can lay claim to being the most popular of contemporary composers.

Arvo Pärt is this week’s BBC Radio 3 Composer of the Week. Donald Macleod presents the series, the first three episodes carry the titles The Soundtrack of an Age, The Soundworld of the Composer and Silence Is Like Fertile Soil.

Find out more on BBC Radio 3

Bluebeard at the Wiener Festwochen

Posted by Johannes Feigl on 19 Juni 2015

Herzog Blaubarts Burg - Foto: Bernd Uhlig

The Gustav Mahler Jugendorchester and Kent Nagano will be performing Bluebeard´s Castle by Béla Bartók at the Wiener Festwochen: Andrea Breth’s production premières tonight with follow-up performances on 21, 23 and 25 June:

Read a (German) interview with director Andrea Breth on Kurier.

We are happy to say that the opera in 1 act will also be performed tonight at the Xinghai Concert Hall in Guangzhou. Find out more on their website.

Wilson’s Man-o'-War in Dublin

Posted by Johannes Feigl on 19 Juni 2015

Ian Wilson (c) Steve Rogers

Tonight the RTÉ National Symphony Orchestra and conductor Gavin Maloney present the Irish première of Ian Wilsons Man-o'-War at the National Concert Hall in Dublin.

The piece was described as “extremely disturbing and technically impressive” by the Independent on Sunday, Michael Dervan of the Irish Times wrote that it “unleashes orchestral violence with the abandon of Edgard Varèse” and praised the “strong performances from the NSO”.

We’ve prepared an audio excerpt and the full digital score for you; find them here.

Arvo Pärt awarded the Austrian Decoration for Science and Art

Posted by Johannes Feigl on 17 Juni 2015

This Monday, 15 June 2015, Heinz Fischer, the president of the Republic of Austria, ceremonially presented the Austrian Decoration for Science and Art – which is the state’s highest decoration for remarkable services in this field of activity – to Arvo Pärt.

The decoration has been awarded since 1955, and the fact that the number of its recipients is strictly limited, makes it special. There can be only 72 people wearing the decoration at the same time, half of which are Austrian citizens and half foreign nationals.

Find out more on the website of the Arvo Pärt Centre.

Arvo Pärt, Heinz Fischer

Watch an excerpt from the concert that was held during the ceremony:

Boulez at 90 in Aldeburgh

Posted by Johannes Feigl on 17 Juni 2015

Aldeburgh Music

The legend of Pierre Boulez as a towering icon of the avant garde precedes him, but what I want to bring to our retrospective is my overriding impression of his humanity. Pierre is a man who is passionate, loyal and very human – an outstanding leader but also modest and generous. (Pierre-Laurent Aimard)

From today until Friday, the Aldeburgh Music Festival honours Pierre Boulez with a range of performances of the composer’s works, including A Pierre Dream: A Portrait of Pierre Boulez.

Find the full programme on the website of the Aldeburgh Festival.

Earlier this year, Universal Edition interviewed Pierre-Laurent Aimard for our digital magazine MusikSalon. You can watch the interview here or read a transcript on our MusikSalon:

David Fennessy on James Joyce and sounds

Posted by Johannes Feigl on 16 Juni 2015

Happy Bloomsday everyone!

We’ve prepared a short interview with David Fennessy on James Joyce, sounds and serendipity. Watch it here:

The Continuum Ensemble presents Swept Away

Posted by Johannes Feigl on 15 Juni 2015

Swept AwayMusic in 1920s Berlin and Vienna: cool, sleek, jazzy and very modern. A generation of young composers swept away the 19th century and established a new kind of music that was bold, astringent, accessible and topical. But by 1934, denounced by the Nazi government and their music banned, they were swept away into exile leaving their work neglected and forgotten for over seventy-five years.

Ripe for rediscovery, the exciting opera, chamber, orchestral and vocal music of Ernst Toch, Kurt Weill, Erwin Schulhoff, Mischa Spoliansky, Friedrich Hollander and others of this lost generation is performed in a festival of five concerts over three days, much of it never before performed in the U.K.

Featuring outstanding singers and soloists as well as informative pre-concert talks, the Continuum Ensemble presents Swept Away, a festival that takes place at the Kings Place from 19 to 21 June.

You can find the full programme on the website of Kings Place.

Boulez’ Répons in Paris

Posted by Johannes Feigl on 15 Juni 2015

Matthias Pintscher (c) Frank FervilleThe music is crystalline in its sheer beauty and in the mysterious network of quasi-neural connections that Boulez creates between every sound and moment in the piece. But Répons also has an awesome, torrential energy, in the streams of surreally fast music that careen throughout the ensemble, and in the collective, multi-dimensional sonic spectacular that the collective acoustic and electronic ensemble can create. (Tom Service, The Guardian, 12 June 2015)

A clearly impressed Tom Service has reviewed the Matthias Pintscher’s and the Ensemble Intercontemporain’s recent performance of Répons for The Guardian.

Read the full review

Find out more about Pierre Boulez on our #Boulez90 blog.

[R]evolution: Mosell confronts Stockhausen fearlessly

Posted by Johannes Feigl on 12 Juni 2015

Vanessa Benelli Mosell: [R]evolutionMosell confronts this music fearlessly, shaping the smaller-scale pieces (the shortest, Klavierstück III, lasts just 38 seconds) as elegantly as she can, taking their technical challenges in her stride and above all conveying the sense of cutting-edge invention and innovation that is so characteristic of Stockhausen’s early music. (Andrew Clements, The Guardian, 10 June 2015)

High praise from Andrew Clements of The Guardian for Vanessa Benelli Mosell’s album [R]evolution.

The recording features eight piano pieces by Karlheinz Stockhausen and was published earlier this month by Decca.

Read the full review