We’ll be sending out our latest newsletter today at 13:00 – it focuses on the current productions of Berg’s Lulu at the Dutch National Opera in Amsterdam and the Bayerische Staatsoper in Munich.
Gert Korentschnig of the Austrian newspaper Kurier has written an extensive [German] review of both productions – read the full article online on Kurier.
Dmitri Tcherniakov’s current production of Lulu at the Bayerische Staatsoper has received ★★★★★ from BR Klassik.
Read the [German] review on BR Klassik.
Watch a trailer for the production on YouTube:
“It’s almost as if ink becomes the black blood that is spilled throughout the production.”
Watch a behind-the-scenes interview with director William Kentridge on the stage design and the expressionistic woodcuts that are used in Kentridge’s production of Lulu, which premières on 1 June at the Dutch National Opera:
Listening Lab has won the Best Print Award at the Music Teacher Awards for Excellence held on the 12th March in London.
The Listening Lab series provides music educators with practical and inspiring approaches for children, young people and adults to connect with contemporary music allowing for a deeper understanding of the work.
The series so far (by Constanze Wimmer / Helmut Schmidinger and Veronika Großberger / Johannes Voit) has also received recommendations from the Association of German School Musicians.
For more information and sample pages go to:
But when I saw the compositions he showed me – songs in a style between Hugo Wolf and Brahms – I recognized at once that he was a real talent. (Arnold Schönberg, Los Angeles, 1949)
More voice recordings of Schönberg are available on the website of the Arnold Schönberg Center.
All five operas, significantly perhaps, were first performed within a relatively short period – 1887 to 1925 – when the nature of marriage as an institution was under scrutiny right across the arts: think of the plays of Ibsen, Strindberg, Chekhov and Shaw, and the fiction of Henry James, Proust and DH Lawrence. (Tim Ashley, The Guardian, 6.1.2015)
In his final opera guide, Tim Ashley of The Guardian picked five operas that explore marital hell. Three of these picks are UE works: Leoš Janáček’s Katya Kabanova, Béla Bartók’s Bluebeard’s Castle and Alban Berg’s Wozzeck.
Read the full article on The Guardian.
Walk up, walk up! and spend a pleasant hour,
Fair ladies, noble gentlemen, with me;
Inside my tent you'll thrill – and chill – to see
The beasts I have in my menagerie
Tamed by superior force of human power.
Barbara Hannigan gives everything she’s got and then some to the title role. Charles Workman is the finely lyrical Alwa; Dietrich Henschel, never bettered, the troubled Schoen. It’s nicely conducted by Paul Daniel, too.
Read Tim Ashley’s review of the DVD on The Guardian.
Opera News has announced that Teresa Stratas will be among five recipients of the tenth annual Opera News Awards. Congratulations!
To the right: Teresa Stratas in the première of Boulez’ and Chéreau’s production of Lulu (in Friedrich Cerha’s orchestration).
Under the title “Treibhaus Wien” [greenhouse Vienna], the world premières of Klaus Simon’s chamber arrangements of Gustav Mahler’s Symphony No. 5 and Alban Berg’s Passacaglia will be performed together with Alban Berg’s 4 Pieces for clarinet and chamber ensemble at the E-Werk in Freiburg.
Find out more on the website of the Holst-Sinfonietta.
Gustav Mahler: Symphony No. 5
world prem. for chamber ensemble | 65'
Alban Berg: Passacaglia
world prem. for chamber ensemble | 5'
Alban Berg: 4 Pieces op. 5
for clarinet and chamber ensemble | 8'
25.11.2014, E-Werk, Freiburg; Julien Laffaire, cl; Holst-Sinfonietta, cond. Klaus Simon
“If the evening began poignantly, it ended, as a powerful performance of Berg’s opera must, in utter devastation.”
Have a look at our study score.
Pianist Richard Uttley will present his latest recording Ghosts & Mirrors on Wednesday 15 October at 8pm at The Forge in Camden.
At the CD launch, Uttley will play a selection of the pieces from the disc and will be joined onstage by Nat Urazmetova, a London-based visual artist who created the artwork for the disc and will mix live visuals in response to the music.
Included on the CD are the Luciano Berio’s 6 Encores and the first recording of Alban Berg’s/Marvin Wolfthal’s Lulu Fantasy, a paraphrase of Alban Berg’s great opera Lulu in the spirit of Liszt’s virtuoso opera arrangements (it was also Richard Uttley who performed the UK première of the piece).
The pianist on working with Nat Urazmetova:
I wanted to work with Nat as the aesthetic of her work is the closest thing I could find to a visual representation of my feelings on the atmosphere and concerns of the works I chose to record for Ghosts & Mirrors. Themes explored by the music include hauntings, rebirth, symmetry and warping – all of which are expressed either directly or obliquely by Nat’s images.
Read the full text on his blog.
Star violinist Arabella Steinbacher and the NDR Sinfonieorchester (cond. Thomas Hengelbrock) will perform Alban Berg’s Violin Concerto “To the Memory of an Angel” tonight at the Laeiszhalle in Hamburg. Watch the whole concert on the website of Arte – the broadcast begins at 20:00:
Read a German interview with Steinbacher on the Violin Concerto on Arte.
The Violin Concerto is part of Universal Edition’s Listening Lab – Materials for communicating music series. Here are sample pages of the bilingual publication:
World War I and its impact on the world of music are the subjects of an upcoming TV documentary that will be seen in two years on ARD and ARTE. Last week a film crew visited us on the premises of Universal Edition for the documentary, promotion manager Wolfgang Schaufler was interviewed on how the war affected UE composer Alban Berg and his opera Wozzeck.
The Alban Berg Foundation and Universal Edition are proud to present the recent publication of the critical complete edition of
Alban Berg: Lulu, Particell of Act 3
The official presentation will take place on 25 April at the Palais Mollard at the Austrian National Library and starts at 11 a.m. The Hugo Wolf Quartett will perform movements 1, 3 and 5 from Berg’s Lyric Suite.
On Sunday, 6 April, 4pm, arte and the Lucerne Festival offer a live stream of the Lucerne Festival’s memorial concert for Claudio Abbado, who sadly passed away earlier this year. Soloists Bruno Ganz and Isabelle Faust, as well as the Lucerne Festival Orchestra and Andris Nelsons will honour the conductor.
From the Lucerne Festival’s website:
“Opening the program will be the first movement from Schubert’s Unfinished Symphony, which Claudio Abbado conducted during his last performance in Lucerne in August 2013 — the final concert of his career. Therefore no one will take Abbado’s place on the podium for that selection, for the musicians wish to perform this music in his spirit, without any other conductor. Following this, Bruno Ganz, who visited Abbado just a few days before his death and read him verses by Hölderlin, will recite one of these poems. The program continues with Alban Berg’s Violin Concerto, which is dedicated ‘to the memory of an angel.’ The soloist will be Isabelle Faust, who recorded this very work with Claudio Abbado in 2011. To conclude the concert, they will perform the finale from Gustav Mahler’s Third Symphony, which the composer originally planned to title ‘What love tells me.’ The works by Berg and Mahler will be conducted by Andris Nelsons, who will also lead the Lucerne Festival Orchestra’s four concerts this summer.”