Georg Friedrich Haas’ 70 minute work for 24 instruments, in vain, is one of the most celebrated works in the composer’s catalogue.
It has been a highly praised in the New York Times (Vivienne Schweitzer wrote of “waves of opulently strange, beautiful sounds”); it was the central part of an 8-hour ‘symposium’ concert by Klangforum Wien; and has already been performed 31 times since its world première in 2000.
Now, in a kind of pan-Alpine derby, the work is being performed twice in the same evening at two different major festivals (Saturday 13 Aug).
Listen to an excerpt of in vain on this page.
The Lucerne concert is part of a special focus on Haas this year, as part of which his opera Nacht (night is the central theme of the festival this year) can be heard (17 Sept) as well as his string quartets, including the world première of the String Quartet No 7 by the Arditti Quartet (10 Sept), and various ensemble works.
See all forthcoming performances of works by Georg Friedrich Haas in our online calendar.
Our week of world premières continues, following yesterday’s new work by Vykintas Baltakas.
On Saturday, Georg Friedrich Haas’ new work for chamber orchestra, chants oubliés, is part of a portrait concert given by the Munich Chamber Orchestra, which is joined by Teodoro Anzelotti and Kelvin Hawthorne.
The work is performed in complete darkness, preferably with all doors and even the emergency lighting covered up. It is at first a very disconcerting thing, simply because we very rarely experience total darkness.
What might seem like a gimmick though has a dramatic effect on the musician’s performance – playing as they are required to do from memory and communicating purely through the music itself – as well as on our perception of the music.
The performance is given by the Kairos Quartett, long time champions of Haas’ string quartets and veterans of this unique work – performed as it is in absolute darkness.
Georg Friedrich Haas’ new work for six microtonally-tuned pianos, limited approximations, can be heard on SWR2 Radio tonight (02.02.2011, 23:03 CET). The work was given its world première at the Donaueschingen Festival last autumn, where the SWR Symphony Orchestra awarded it the Composition Prize 2010.
See more radio broadcasts here.