ARTE will broadcast Adam’s Passion this Sunday, 27 September 2015. The joint piece of Arvo Pärt and Robert Wilson premièred earlier this year, on 12 May at the Noblessner Foundry in Tallinn.
Before Adam’s Passion, the The Lost Paradise will be shown, a 55-minute documentary that focuses on the preparation process of the piece. At the same time, The Lost Paradise offers a profound and intimate insight into Arvo Pärt’s world, following his life in Estonia and on business trips to Vatican and Japan over more than a year.
The broadcast starts at 23:25 CET/CEST.
“Die Hofer Symphoniker unter der Leitung von Arn Goerke geben in fordernden Dynamik dem Musikdrama angemessene Klänge, und dies im Wechsel von subtiler Kammermusik und dröhnendem Aufschrei. Insbesondere die Klangmagie der leisen Intensität macht diese Aufführung von der musikalischen Seite her so bewegend.” (Boris Gruhl, nmz, 22.09.2015)
Alban Berg’s Wozzeck premièred almost 90 years ago, on 14.12.1925 – congratulations to the Theater Hof for their successful new staging of the opera, a work that has lost nothing of its relevance.
Further performances will take place until 25 October, find out more on the website of the Theater Hof.
Which aesthetic-philosophical discourses exist at the moment? Is talking about music part of the compositional process?
In the eighth and final Salongespräch of impuls neue music, composers Wolfgang Rihm and Pascal Dusapin and host Uli Aumüller will address the topic of musical beauty.
The event takes place on 21 September at the Institut Francais in Berlin.
On the day before the talk, Wolfgang Rihm’s Musik für 3 Streicher will be performed at the Philharmonie in the frame of the Musikfest Berlin. The composer will be present at the concert.
Find out more on the website of impuls neue musik.
Yesterday, Arvo Pärt rehearsed chamber works with the string quartet of the Orchestre de Paris at La Philharmonie de Paris. The rehearsals continued into the night with the choeur de l'Orchestre and the Orchestre de Paris.
Paavo Järvi and the Orchestre de Paris will honour the composer on 19 and 20 September with their “week-end Arvo Pärt” at the Philharmonie 1. Find out more here:
Today marks the 70th anniversary of the death of Anton Webern, who died in a tragic moment of music history a few months after the war on 15 September 1945.
In his Penser la Musique Aujourd’hui, Pierre Boulez reflected on how young composers who came to maturity after World War II turned to Anton Webern as THE pivotal figure of the pre-war “avant-garde” (more than Schoenberg or Berg, and certainly far more than Stravinsky or Bartók): “It is obvious that Webern – who emerged very early on as the chief landmark in defining our own personalities – stands at the centre of these “explorations’”.
There’s still plenty of time to join Karlheinz Essl in his WebernUhrWerk project, find out more here.
Happy Birthday David Sawer!
Coachman Chronos – Sawer’s latest work – will be premièred on 3 October at the Science Museum London by the Aurora Orchestra.
Watch an interview in which David Sawer, conductor Nicholas Collon and others talk about “Objects at an Exhibition”, a project by the Science Museum London and the Aurora Orchestra:
Arvo Pärt turns 80 today, 11 September – Universal Edition wishes him a very Happy Birthday!
We’ve recently talked to music journalist Michael Stallknecht, record producer Manfred Eicher, director Dorian Supin, conductors Tõnu Kaljuste and Paul Hillier, and others about Arvo Pärt and his music – the interviews are to be found on our MusikSalon.
It’s been an eventful year – if you want to get an overview of the many festivities, concerts, CD presentations etc., you might want to take a look at our #ArvoPart80 blog.
The video for ECM New Series’ “Arvo Pärt: Musica Selecta – A Sequence by Manfred Eicher” is out, you can watch it here:
“[The Sonnets] show Wellesz’s music at that time to be closest to Berg’s, but still retaining echoes of Brahms, Mahler and even Richard Strauss.” (Andrew Clements, The Guardian, 9 September 2015)
Five out of five stars from Andrew Clements for Renée Fleming’s and the Emerson Quartet’s recording of Berg’s Lyric Suite and Egon Wellesz’ Sonnets after Elizabeth Barrett Browning.
“We listen to Feldman listening. We hear what he hears…we watch him compose in real-time.”
This is going to be a CD not to miss – Ivan Ilić plays Morton Feldman:
“Eine Akademie kann heute nur der Ort des Un-Akademischen sein!” (Wolfgang Rihm)
News from Lucerne: the Lucerne Festival has announced that from summer 2016, Wolfgang Rihm will be the new artistic director of the Lucerne Festival Academy.
On 11 September, Arvo Pärt’s 80th birthday, Helga Davis presents Toomas Siitan’s 24-hour playlist A World Apärt, a programme that originally streamed on 24 September 2014.
This year, the marathon will culminate with a live webcast of the New Juilliard Ensemble performing chamber works at the Metropolitan Museum of Art’s Temple of Dendur. Among the works performed will be Fratres, Spiegel im Spiegel and Wallfahrtslied.
“- Welche Bedeutung hat oder hatte Schönberg für Sie?
- Von ihm ging ich aus. Er, Alban Berg und Anton Webern waren für mich musikalisch Grundnahrung in frühester Zeit.“ (Wolfgang Rihm and Tobias Schwartz, Der Tagesspiegel, 3 September 2015)
Composer Wolfgang Rihm talks to Der Tagesspiegel about Arnold Schönberg, twelve-tone technique and sensuous mathematicians.
The interview was held on the occasion of the opening of the Musikfest Berlin.