Congratulations to Vykintas Baltakas, who has taken up an offer by the Maastricht Academy of Music to teach composition, starting in September.
The motivation behind this composition was the tragic death of Anton Webern on 15 September 1945.
After hearing about Anton Webern’s death on 15 September 1945, Krenek processed his shock and grief in January 1946 in his American exile.
Find a making-of video and a link to a live stream of Lulu by clicking the image to the right or by using one of the links below:
From the programme:
“Our final work is the incredible Psalmus Hungaricus, composed by Zoltan Kodaly in 1923 and rarely heard in the Hungarian language (as it will be tonight) outside of its native country. We are excited to have the internationally acclaimed opera and lieder singer, David Hamilton, as our tenor soloist, the well-known actor and director Raymond Hawthorne as the narrator of the poems in English and the children’s choir from Holy Trinity Cathedral, Auckland.”
We’ll be sending out our latest newsletter today at 13:00 – it focuses on the current productions of Berg’s Lulu at the Dutch National Opera in Amsterdam and the Bayerische Staatsoper in Munich.
Gert Korentschnig of the Austrian newspaper Kurier has written an extensive [German] review of both productions – read the full article online on Kurier.
The London Sinfonietta has announced that it will release an app based on Steve Reich’s Clapping Music:
From the London Sinfonietta’s press release:
“We are hugely excited to announce that the London Sinfonietta will launch a gaming app in June, based on Steve Reich's Clapping Music.
Improve your rhythm by learning how to play his work through the touch of your iPhone. High scorers on the game will be auditioned to perform the piece live with the London Sinfonietta in special events.
We are working with the award-winning Touchpress and Queen Mary University of London on the project, one of 12 pioneering partnerships funded by the Digital R&D Fund for the Arts.
Visit www.clappingmusicapp.com for more information.”
Tonight at the Teater Republique in Kopenhagen: conductor Benjamin Schneider and the Ensemble Modern present the Danish première of Wolfgang Rihm’s Sextett for clarinet, horn and string quartet at the Klang Copenhagen Avantgarde Music Festival.
This concert will be followed by a performance of Pierre Boulez’ Troisième Sonate by pianist Jonas Olsson.
The Gustav Mahler Jugendorchester has published part 3 of their “Rihm in Salzburg” video series, watch it on YouTube:
The show was conceived by Gerard McBurney as part of Chicago Symphony Orchestra’s acclaimed Beyond the Score series, keypieces from the Boulez’ oeuvre will be performed live together with the showing of rare archival footage and new interviews with the composer and conductor.
His opera, Bluebeard’s Castle, is as psychologically penetrating and daring as anything by Schoenberg, but jump forward two decades to the mid-Twenties and the lushness has been purged away. The music is still intense but the intensity is channelled through angular lines, grinding dissonances, and a pitiless counterpoint as severely rational as Schoenberg’s so-called ‘12-note’ music. (Ivan Hewett, The Telegraph, 27 May 2015)
Ivan Hewett of The Telegraph has reviewed David Cooper’s biography of Béla Bartók.
Dmitri Tcherniakov’s current production of Lulu at the Bayerische Staatsoper has received ★★★★★ from BR Klassik.
Read the [German] review on BR Klassik.
Watch a trailer for the production on YouTube:
About “Rihm in Salzburg”: In 2014, the Gustav Mahler Jugendorchester commissioned the Piano Concerto No 2 by Wolfgang Rihm, together with the Salzburg Festival and the National Symphony Orchestra of Washington DC. The world première took place at the Salzburg Festival on 25 August 2014, with Tzimon Barto on piano and Christoph Eschenbach – to whom the piece was also dedicated – as conductor.
Watch episode 1:
Our latest newsletter is out now – in case you didn’t receive it: you can now view the full study score of Luciano Berio’s Un re in ascolto on our website.
Paul Esterhazy’s new production of the azione musicale in 2 parts will première on 23 May at the Staatstheater Kassel.
Learning about this period of cultural barbarism appalled and saddened me in equal measure, and as I explored the banned music, I realised there was so much that deserved better exposure. So I decided to devise a show based on the 1938 Degenerate Music exhibition that would showcase some of the extraordinary richness suppressed by the Nazis. (Peter Brathwaite, The Guardian, 27 November 2014)
Devised by Peter Brathwaite, the show is a critical song-based reconstruction of the infamous Düsseldorf exhibition of 1938, intended by the Nazi government to alert the German public to “inferior and ultimately dangerous” forms of music.
You can find an article on The Guardian on Brathwaite’s Degenerate Music Project.