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Happy 100th Birthday, Maria Martin!

Posted by Johannes Feigl on 24 February 2015

Happy 100th Birthday, Maria Martin!

Watch a 15-minute interview/documentary with Maria Martin, which was conducted in the Frank Martin House in 2011:

John Neumeier choreographs Das Lied von der Erde

Posted by Johannes Feigl on 23 February 2015

John Neumeier has always anchored his work in his profound musicality but it is probably in the music of Gustav Mahler that he has found the most profound echo of his own preoccupations, of his artistic universe. Invited to create a new choreography for the Opera Ballet, he pursues his exploration of this composer’s work and tackles the grandiose Das Lied von der Erde, translating into dance its emotions and mysteries.

John Neumeier’s new choreography for Gustav Mahler’s The Song of the Earth will be premièred on 24 February at the Palais Garnier in Paris. Further performances take place on 24 – 28 February and 2 – 6 and 9 – 12 March. The music will be performed by the Paris Opera Orchestra (cond. Patrick Lange) and tenors Burkhard Fritz / Nikolai Schukoff and baritones Paul Armin Edelmann / Oddur Jönsson.

Watch an interview with ballet dancer and choreographer Brigitte Lefèvre on The Song of the Earth:

“Awake! Awake Jerusalem!” Lentz and Boulez in Sydney

Posted by Johannes Feigl on 20 February 2015

Georges Lentz (c) Stanley Ciccone Inspired by the mystical visions of Blake and the grim world about us, Lentz's work has a certain apocalyptic force about it, but it's not in any way negative or intimidating. Instead, he carves these great chunks of sound from the madding crowd on stage in a way that is strangely gripping and coherent. I was deeply moved. (Harriet Cunningham, The Sydney Morning Herald, 19.01.2015)

Harriet Cunningham of The Sydney Morning Herald has reviewed Wednesday night’s performance of Georges Lentz’ Jerusalem (after Blake) and Pierre Boulez’ Rituel in memoriam Bruno Maderna.

Read the full review on The Sydney Morning Herald.

Read Georges Lentz’ work introduction to Jerusalem (after Blake).

A Day for Pierre Boulez

Posted by Johannes Feigl on 20 February 2015

Boulez (c) Universal Edition, Alfred Schlee

A Day for Pierre Boulez should be one of the essential classical musical experiences of the summer.

Tom Service of The Guardian has reviewed this year’s programme of the Lucerne Festival in Summer, which will be running from 14 August until 13 September.

Lucerne is where Boulez has arguably contributed the most to the future of new music in recent years, in his coaching and commissioning of composers, his tutelage of conductors, and above all his performances of the music he knows and loves the best with groups of astonishingly talented young musicians. (Tom Service, The Guardian, 19.02.2015)

Read the full article on The Guardian.

Before and After Boulez

Posted by Johannes Feigl on 16 February 2015

Pierre Boulez (c) Eric Marinitsch

Pierre Boulez’ Rituel in memoriam Bruno Maderna will be performed together with the Australian première of Georges Lentz’ Jerusalem (after Blake) and Debussy’s La Mer on 18 February as part of the Sydney Opera House's Pierre Boulez Composer Weekend. David Robertson conducts the Sydney Symphony Orchestra.

 

Watch and listen to Haas‘ “I can’t breathe“

Posted by Johannes Feigl on 12 February 2015

The recording of the world première of Georg Friedrich Haas’ I can’t breathe | in memoriam Eric Garner by Marco Blaauw can now be streamed on the website of the Kölner Philharmonie:

Marco Blaauw (c) Jose Verhaegh

Georg Friedrich Haas in conversation

Posted by Johannes Feigl on 10 February 2015

Georg Friedrich Haas recently gave an exclusive interview to composer Vincent Ho of Musical Toronto for the Winnipeg Music Festival, which ran from 31 January to 6 February.

In the interview, the composer focuses on his works Traum in des Sommers Nacht, Open Spaces II and his String Quartet No. 6, all of which were performed at this year’s Winnipeg Music Festival:

And the Grammy goes to…

Posted by Johannes Feigl on 09 February 2015

Congratulations to Pierre Boulez for being awarded a Grammy Lifetime Achievement Award.

Martha Gilmer, a close colleague of Pierre Boulez, accepted the award on his behalf at yesterday’s ceremony.

World première recording of the critical edition of The Makropulos Case

Posted by Johannes Feigl on 06 February 2015

The Makropulos Affair, rehearsal (c) Patrik Borecky

On 7 February at 20:00 Czech radio station Vltava will broadcast a recording of the first performance of the new critical edition of Janáček’s The Makropulos Case, which was premièred at the Janáčkovo divadlo on 21 November 2014. Listen live.

If you want to browse through the study score while listening to the performance, you can do so: we’ve uploaded an excerpt of the score to Universal Edition.

Under the auspices of Universal Edition, the new edition of The Makropulos Case incorporates all the surviving sources for the first time, realising Janáček’s intentions on a well-founded scholarly basis. The autograph full score was compared with three copies made under the composer’s supervision. In addition, the new edition includes valuable notes on practical performance by the renowned Janáček conductor Sir Charles Mackerras.

Listen to Schönberg talk about Berg

Posted by Johannes Feigl on 05 February 2015

But when I saw the compositions he showed me – songs in a style between Hugo Wolf and Brahms – I recognized at once that he was a real talent. (Arnold Schönberg, Los Angeles, 1949)

More voice recordings of Schönberg are available on the website of the Arnold Schönberg Center.

Wort | Ton | Gestalt: Harrison Birtwistle and Paul Celan

Posted by Johannes Feigl on 04 February 2015

Wort | Ton | Gestalt: Harrison Birtwistle and Paul CelanHarrison Birtwistle’s 9 Settings of Celan will be performed tonight by Katrien Baerts and the Klangforum Wien (cond. Bas Wiegers) in the frame of the “Wort | Ton | Gestalt: Harrison Birtwistle and Paul Celan” symposium at the Essl Museum in Klosterneuburg.

Download a pdf of the full programme of the symposium.

Open Spaces II | in memory of James Tenney

Posted by Johannes Feigl on 04 February 2015

Winnipeg New Music Festival

Tonight the Canadian première of Georg Friedrich Haas’ Open Spaces II | in memory of James Tenney will be performed together with other works by Zosha Di Castri, Matthew Patton and Christopher Rouse at the Winnipeg New Music Festival. Alexander Mickelthwate conducts the Winnipeg Symphony Orchestra.

The concert will be followed by a Q&A session with composers Georg Friedrich Haas, John Luther Adams and Matthew Patton.

Pablo Heras-Casado on Pierre Boulez

Posted by Johannes Feigl on 02 February 2015

Pablo Heras-Casado (c) Universal Edition, Wolfgang Schaufler

We recently met conductor Pablo Heras-Casado in Salzburg to talk about the influence that his mentor Pierre Boulez had on him.

The full interview will be published in mid-March in the very first issue of our MusikSalon, which will be dedicated exclusively to Pierre Boulez.

Visit our #Boulez90 blog to keep track of the latest news on Pierre Boulez and MusikSalon.

★★★★☆: UK première of Rihm’s “percussion epic” Tutuguri

Posted by Johannes Feigl on 02 February 2015

Wolfgang Rihm (c) Universal Edition, Eric Marinitsch

Tutuguri is vast – over two hours of music in this performance – and explosively violent. (Andrew Clements, 01.02.2015, The Guardian)

The UK première of Wolfgang Rihm’s Tutuguri was performed by Kent Nagano, the BBC Symphony Orchestra and Leigh Melrose (in the role of the speaker) on 31 January at the Barbican.

Andrew Clements gave a four star review, which you can read on The Guardian. Tune in to BBC Radio 3 to listen to a recording of the première. The recording will be online until 2 March.

Last but not least, we’ve uploaded the study score of the first scene for you, which you can view here.

Boulez / Varèse

Posted by Johannes Feigl on 02 February 2015

Boulez/Varèse: ensemble intercontemporain“Fold by fold” – this is the English translation of the French title; the text was written by Stéphane Mallarmé – is a milestone in recent music history: in this work, Mallarmé – the revolutionary innovator of French poetry – meets Pierre Boulez, whose treatment of the text and instruments reveals him to be just as much a revolutionary innovator of music. Pli selon pli is therefore not just a “Portrait de Mallarmé”, but also one of Pierre Boulez. (Bálint András Varga)

On 3 February Matthias Pintscher, soprano Marisol Montalvo, the ensemble intercontemporain and the Orchestre du Conservatoire de Paris present an evening with Pierre Boulez’ Pli selon pli and Edgard Varèse’s Amériques at the Philharmonie de Paris.

Find out more on the website of the Philharmonie de Paris.

Watch an excerpt of Boulez conducting Pli selon Pli: