A Day for Pierre Boulez should be one of the essential classical musical experiences of the summer.
Tom Service of The Guardian has reviewed this year’s programme of the Lucerne Festival in Summer, which will be running from 14 August until 13 September.
Lucerne is where Boulez has arguably contributed the most to the future of new music in recent years, in his coaching and commissioning of composers, his tutelage of conductors, and above all his performances of the music he knows and loves the best with groups of astonishingly talented young musicians. (Tom Service, The Guardian, 19.02.2015)
Read the full article on The Guardian.
Pierre Boulez’ Rituel in memoriam Bruno Maderna will be performed together with the Australian première of Georges Lentz’ Jerusalem (after Blake) and Debussy’s La Mer on 18 February as part of the Sydney Opera House's Pierre Boulez Composer Weekend. David Robertson conducts the Sydney Symphony Orchestra.
Congratulations to Pierre Boulez for being awarded a Grammy Lifetime Achievement Award.
Martha Gilmer, a close colleague of Pierre Boulez, accepted the award on his behalf at yesterday’s ceremony.
On 7 February at 20:00 Czech radio station Vltava will broadcast a recording of the first performance of the new critical edition of Janáček’s The Makropulos Case, which was premièred at the Janáčkovo divadlo on 21 November 2014. Listen live.
If you want to browse through the study score while listening to the performance, you can do so: we’ve uploaded an excerpt of the score to Universal Edition.
Under the auspices of Universal Edition, the new edition of The Makropulos Case incorporates all the surviving sources for the first time, realising Janáček’s intentions on a well-founded scholarly basis. The autograph full score was compared with three copies made under the composer’s supervision. In addition, the new edition includes valuable notes on practical performance by the renowned Janáček conductor Sir Charles Mackerras.
But when I saw the compositions he showed me – songs in a style between Hugo Wolf and Brahms – I recognized at once that he was a real talent. (Arnold Schönberg, Los Angeles, 1949)
More voice recordings of Schönberg are available on the website of the Arnold Schönberg Center.
Harrison Birtwistle’s 9 Settings of Celan will be performed tonight by Katrien Baerts and the Klangforum Wien (cond. Bas Wiegers) in the frame of the “Wort | Ton | Gestalt: Harrison Birtwistle and Paul Celan” symposium at the Essl Museum in Klosterneuburg.
Download a pdf of the full programme of the symposium.
Tonight the Canadian première of Georg Friedrich Haas’ Open Spaces II | in memory of James Tenney will be performed together with other works by Zosha Di Castri, Matthew Patton and Christopher Rouse at the Winnipeg New Music Festival. Alexander Mickelthwate conducts the Winnipeg Symphony Orchestra.
The concert will be followed by a Q&A session with composers Georg Friedrich Haas, John Luther Adams and Matthew Patton.
We recently met conductor Pablo Heras-Casado in Salzburg to talk about the influence that his mentor Pierre Boulez had on him.
The full interview will be published in mid-March in the very first issue of our MusikSalon, which will be dedicated exclusively to Pierre Boulez.
Visit our #Boulez90 blog to keep track of the latest news on Pierre Boulez and MusikSalon.
Tutuguri is vast – over two hours of music in this performance – and explosively violent. (Andrew Clements, 01.02.2015, The Guardian)
The UK première of Wolfgang Rihm’s Tutuguri was performed by Kent Nagano, the BBC Symphony Orchestra and Leigh Melrose (in the role of the speaker) on 31 January at the Barbican.
Last but not least, we’ve uploaded the study score of the first scene for you, which you can view here.
“Fold by fold” – this is the English translation of the French title; the text was written by Stéphane Mallarmé – is a milestone in recent music history: in this work, Mallarmé – the revolutionary innovator of French poetry – meets Pierre Boulez, whose treatment of the text and instruments reveals him to be just as much a revolutionary innovator of music. Pli selon pli is therefore not just a “Portrait de Mallarmé”, but also one of Pierre Boulez. (Bálint András Varga)
On 3 February Matthias Pintscher, soprano Marisol Montalvo, the ensemble intercontemporain and the Orchestre du Conservatoire de Paris present an evening with Pierre Boulez’ Pli selon pli and Edgard Varèse’s Amériques at the Philharmonie de Paris.
Find out more on the website of the Philharmonie de Paris.
Watch an excerpt of Boulez conducting Pli selon Pli:
Charles Dutoit’s performance with the Royal Philharmonic Orchestra, the final work in a Hungarian-themed evening, was a fine reminder of [Bluebeard’s Castle’s] power to haunt and disturb by musical means alone. (Tim Ashley, The Guardian, 28.01.2015)
The full Aldeburgh Festival 2015 programme has been announced earlier this week. Find out more on our #Boulez90 blog.