Simply put, Martin’s Le vin herbé is passionate, yes, but, unlike Wagner’s music drama, is wonderfully discreet, objective, and inward. Deep emotion is, paradoxically, generated through an essential restraint.
Professor Byron Adams, Professor in the Music Department of the University of California, Riverside, provides insight on Frank Martin’s Le vin herbé on the Boston Lyrics Opera’s blog. Find their blog here.
Under the title “Treibhaus Wien” [greenhouse Vienna], the world premières of Klaus Simon’s chamber arrangements of Gustav Mahler’s Symphony No. 5 and Alban Berg’s Passacaglia will be performed together with Alban Berg’s 4 Pieces for clarinet and chamber ensemble at the E-Werk in Freiburg.
Find out more on the website of the Holst-Sinfonietta.
Gustav Mahler: Symphony No. 5
world prem. for chamber ensemble | 65'
Alban Berg: Passacaglia
world prem. for chamber ensemble | 5'
Alban Berg: 4 Pieces op. 5
for clarinet and chamber ensemble | 8'
25.11.2014, E-Werk, Freiburg; Julien Laffaire, cl; Holst-Sinfonietta, cond. Klaus Simon
Wolfgang Rihm’s Jagden und Formen is a piece that has literally grown out of three originally independent works which here interweave with and nourish one another.
Sasha’s Waltz’s choreographic work of the same name, which transformed the work’s implicit gestures into dance, will be performed by Sasha Waltz & Guests and Ensemble Modern on 27, 29 and 30 November at the Haus der Berliner Festspiele.
Watch the trailer of Jagden und Formen:
“Richard Wagner didn’t have the last word on the Tristan legend, as the Boston Lyric Opera made amply clear on Wednesday night.
BLO’s production of Frank Martin’s mesmerizing Le vin herbé (presented in translation rather less poetically as The Love Potion) made a powerful case for the Swiss composer’s conception of the legend.”
Read the full review online.
For the first time in the history of Opera Europa, selected lectures of the conference will be streamed online, which was made possible thanks to the support of the Janáček Academy of Music and Performing Arts in Brno.
Via Sli.do, viewers will be able to ask lecturers questions in real time online, comment on their lectures and vote on questions which they’d like to see answered. To join in with the discussion just open the webpage www.sli.do click on the “join event” icon, put in the code for the event – OEBrno2014 and then write questions or vote for them to be answered.
Find the full programme on the website of the Opéra National de Bordeaux.
Further performances will take place on 20, 22 and 23 November.
The Deutsche Staatsphilharmonie Rheinland-Pfalz dedicates its composer portrait of 2014/2015 to Wolfgang Rihm, whose orchestral pieces Nähe fern 1 and Nähe fern 4 will be performed for the very first time in Germany on 14 and 15 November. Also on the programme: performances of Nähe fern 2 and 3 and Chiffre I and II. The Nähe fern compositionswill be performed togetherwith Brahms’ four Symphonies, Karl-Heinz Steffens conducts the Deutsche Staatsphilharmonie Rheinland-Pfalz.
Rihm’s compositions will be present with the orchestra throughout the year, for example at the Modern Times festival and the series Rebellion im Quadrat.
Find out more on the website of the Staatsphilharmonie Rheinland-Pfalz.
Our deepest congratulations to Wolfgang Rihm for being awarded the Robert Schumann Prize for Poetry and Music. The ceremony was held on 6 November at the Academy of Sciences and Literature in Mainz.
After Eleonore Büning gave a speech in honour of the composer, his works Harzreise im Winter, Sehnsucht und Nachtgesang and 3 Sonette von Michaelangelo were performed by baritone Hans Christoph Begemann and pianist Thomas Seyboldt.
Thanks to Sebastian Solte of bastille musique for taking and sending us the photos.
ensemble mini’s Mahler deserves attention
Congratulations to ensemble mini and conductor Joolz Gale for the great review that their recent release of Mahler’s Symphony No. 9 in Klaus Simon’s arrangement for ensemble has received. Find the full [German} review on klassik.com.
Feel free to view the full study score of Simon’s arrangement on Universal Edition.
From 7 to 9 November, the Oper Stuttgart honours Wolfgang Rihm with a composer weekend during which a selection of the composer’s works will be performed – among them Gesungene Zeit, his Fetzen and the Wölfli-Lieder –andfilm screenings will take place.
After the very successful première of Jakob Lenz on 25 October (a collection of [German] reviews can be found on the blog of the Oper Stuttgart), Georg Nigl returns to the stage as Lenz on 8 November.
Watch the trailer for the production on YouTube:
Wolfgang Rihm: Jakob Lenz
chamber opera | 75'
08.11.2014, Oper Stuttgart; Georg Nigl, Lenz; Henry Waddington, Oberlin; John Graham-Hall, Kaufmann; Staatsorchester Stuttgart, cond. Franck Ollu
Further performances: 13., 17., 21.11.2014; 15.12.2014
On 7 November, soloists of the ensemble intercontemporain present an evening with the music of Steve Reich and Morton Feldman. The concert takes place at the Amphithéâtre of the Cité de la musique, among the works performed will be Reich’s Music for Pieces of Wood, Violin Phase and Morton Feldman’s Why patterns?.
On 4 November Yejin Gil, artist in residence at the Impuls Festival für Neue Musik in Sachsen-Anhalt, performed a solo recital, presenting pieces by Pierre Boulez, Unsuk Chin, György Ligeti and Olivier Messiaen.
Earlier in the year, Andrew Clements of The Guardian reviewed Yejin Gil’s debut disc, which features Pierre Boulez’ Incises:
“All the seeds of that iridescent score [of sur Incises] can be heard in the piano piece, wonderfully articulated by Gil; the torrents of repeated notes in its opening section are fabulously even, the writhing, decaying chords that arrive later are perfectly weighted.” (Andrew Clements, The Guardian, 5.3.2014)
For this occasion the Moravské zemské muzeum is hosting an exhibition that is part of the Janáček Brno Festival 2014, which celebrates the composer’s 160th birthday.
From the website of the museum:
“The exhibition in the lobby of the Janáček Theatre will reflect the 90th anniversary of the first staging of the opera The Cunning Litte Vixen by Leoš Janáček. One of the most performed operas of the 20th century was first presented on November 6, 1924 in Brno City Theatre in an excellent staging carried out by the artist Eduard Milén, director Ota Zítek and conductor František Neumann. The prepared exhibition will present this staging together with the genesis of the opera. On display will be period photographs and documents, copies of Milén´s costumes as well a model of the original stage, facsimile of Těsnohlídek´s manuscript of the novel, considered as lost for a long time, or illustrations by Stanislav Lolek that stood at the cradle of this music work.”
View the first act of Jirí Zahrádka’s revised score of The Cunning Little Vixen.
Find out more about the festivities on the website of the Moravian Museum.
View the festival’s trailer on YouTube:
News from the Centro Studi Luciano Berio:
“The CSLB announces with great happiness that a street has been named after Luciano Berio in a new Milan development being built in what used to be the Fiera area, called City Life. Via Luciano Berio is in a pedestrian area in the heart of the new neighborhood, and it flows into a piazza named after Elsa Morante. An analogous street which will also flow into Piazza Morante will be dedicated to Italo Calvino. This musical and literary “crossing” was proposed by Filippo del Corno, Culture Minister of the City of Milan, and described to the press: “A writer and a composer who both had a special relationship with the city of Milan are remembered for their innovative view towards the future, and concern for the development of the city”; for the complete article click here.
Via Berio and Piazza Morante will be inaugurated on Saturday, November 8th at 11:30 am, with a program including remarks by city officials and Talia Pecker Berio; the participation of students and teachers from the Conservatory of Milan, who will perform a selection of Duets by Luciano Berio along the new street; and a reading by Carlo Cecchi of few pages by Elsa Morante in the piazza.”
Find out more on Berio on the website of the Centro Studi Luciano Berio.