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The Arditti Quartet turns 40

Posted by Johannes Feigl on 07 March 2014 (comments: 0)

The Arditti Quartet with composer Luke Bedford at Wien Modern on 28 October 2013.
Exactly 40 years ago, on 7 March 1974, the Arditti Quartet performed their first concert ever at the Royal Academy of Music in London. Since then, they have given more than 2000 concerts and premièred a significant amount of works from the UE catalogue, the latest of which were Wolfgang Rihm’s Epilog at the Eclat Festival and Luke Bedford’s Wonderful Four-Headed Nightingale at Wien Modern.

Irvince Arditti (c) Robin D’amoreIrvine Arditti, the founder of the quartet, has talked to Karsten Witt about the Arditti Quartet’s long and rich history. You can find the full conversation here.

The first major event to celebrate the Quartet’s anniversary takes place on 26 April at the Barbican.

Congratulations from all of us!

dark dreams in Vienna

Posted by Johannes Feigl on 07 March 2014 (comments: 0)

dark dreams, Musikverein

Tonight at the Musikverein, Vienna: the Berliner Philharmoniker and Sir Simon Rattle with their sold-out performance of Brahms, Debussy and the Austrian première of Georg Friedrich Haas’ highly acclaimed dark dreams.

Read the New York Times’ review of dark dreams.

View the full study score:

Arvo Pärt’s messenger pigeon has landed in Zurich

Posted by Johannes Feigl on 06 March 2014 (comments: 0)

The Zurich Chamber Orchestra with Anu Tali, Nastja and Mikhail Khodorkovsky, Nora and Arvo Pärt and Sergej Nakariakov (from left to right) at the Tonhalle (c) Thomas Entzeroth

Arvo Pärt composed his Symphony No. 4 ‘Los Angeles’ in 2008 and dedicated it to the imprisoned Russian Kremlin critic Mikhail Khodorkovsky. The two of them met for the first time on 4 March 2014 at the performance of the concert given by the Zurich Chamber Orchestra. The Estonian Anu Tali conducted the orchestra. A further highlight of the evening was the appearance of the world-famous trumpeter Sergej Nakariakov.

From the Zurich Chamber Orchestra’s press release:

Just after Putin released Mikhail Khodorkovsky in December 2013, Moritz Reissenberger, librarian and member of the artistic department of the orchestra, discovered the personal dedication to Khodorkovsky in Pärt’s score.

Nastja and Mikhail Khodorkovsky, Anu Tali, Arvo and Nora Pärt, Sergej Nakariakov (from left to right) at the Tonhalle (c) Thomas Entzeroth“With my work I seek to hold out my hand to the prisoner and with him, to all those who are imprisoned, deprived of their rights, in Russia. I dedicate my 4th Symphony to Mikhail Khodorkovsky and wish him peace of mind, in spite of the situation in which he finds himself, all else is beyond my power. I do not know if Mikhail Khodorkovsky will ever hear my composition. Nevertheless, I hope that my messenger pigeon will one day reach distant Siberia.”

Johannes Maria Staud: On Comparative Meteorology

Posted by Johannes Feigl on 03 March 2014 (comments: 0)

Johannes Maria Staud (c) Mateo TaibonThe New York Times has reviewed last week’s performance of Johannes Maria Staud’s On Comparative Meteorology, describing it as a “colorful and highly engaging work [that] conjures moments of Surrealism, impish humor and foreboding — sometimes all at once.” The concert was performed by the Vienna Philharmonic Orchestra (cond. Franz Welser-Möst) at Carnegie Hall.

Read the full review here.

You can listen to a recording of the concert at WQXR.

Saxordionphonics on the radio

Posted by Johannes Feigl on 28 February 2014 (comments: 0)

Vykintas Baltakas (c) Marion Kalter
The recording of the world première of Vykintas Baltakas’ Saxordionphonics for saxophone, accordion and chamber orchestra will be broadcast by WDR 3 on 2 March at 11.05 p.m. Listen live.

Baltakas on Saxordionphonics:

Vykintas Baltakas with Marcus Weiss, Teodoro Anzellotti, Emilio Pomàrico and the WDR SO Köln	at the world première of Saxordionphonics.The work is founded on two structural principles. The first is a strictly rhythmical construct of two to three permuting notes which paces through the entire piece, forming a structural basis, with temporal distensions and condensations, dynamic and colorific variations. The other is a freer level which reacts musically to the first. It is especially scored for solo instruments; it is here where the musical development takes place, the relationship between the levels playing a dramaturgical part. They influence each other, the stronger one transforming the weaker one, when they are not actually rivalling.

Read the full work introduction.

View the study score of Saxordionphonics:

Website Vykintas Baltakas.

 

Narey Park: piano music from Korea and Austria at the Schönberg Center

Posted by Johannes Feigl on 25 February 2014 (comments: 0)

Narey Park, Schönberg CenterThe Korean pianist Narey Park will perform six piano pieces from Korea and Austria on 27 February at the Arnold Schönberg Center in Vienna. Among the works performed will be three Austrian premières of works from Korean composers and Arnold Schönberg’s 3 Piano Pieces op. 11.

View the full programme.

The event is hosted by the SNU (Seoul National University) Composers in Europe.

dark dreams in Berlin

Posted by Johannes Feigl on 25 February 2014 (comments: 0)

The New York Times has reviewed Georg Friedrich Haas’ dark dreams. Read the full review online.

The world première will be followed by national premières in Belgium, Luxembourg and Austria in March; the United States première will take place on 6 October at Carnegie Hall.

The composer on dark dreams:

“The high level of both orchestra and conductor, and Simon Rattle’s high opinion of in vain, initially rather paralyzed than encouraged me. […] I didn’t intend to have a contrabassoon solo – but it soon became clear that it had to be there. There was this incredible performer [Sophie Dartigalongue], so that the possibility for the solo was created.”

View the full study score of dark dreams:

Georg Friedrich Haas: dark dreams
for orchestra | 23'
national premières: 03.03.2014, Laeiszhalle, Hamburg; 04.03.2014, Palais des Beaux-Arts, Brussels; 05.03.2014, Philharmonie, Luxembourg; 06.03.2014, Philharmonie, Köln; 07.03.2014, Musikverein, Vienna; 06.10.2014, Carnegie Hall, New York; Berliner Philharmoniker, cond. Simon Rattle

Jay Schwartz’ Delta reviewed

Posted by Johannes Feigl on 24 February 2014 (comments: 0)

Jay Schwartz: Delta – Music for Orchestra IV, world première (c) Universal Edition, Sarah Laila StandkeHere are some excerpts from [German] reviews of Jay Schwartz’ Delta – Music for Orchestra IV, which was premièred on 8 February by the RSO Stuttgart (cond. Johannes Kalitzke):

„Durch die Glissandi und die sich steigernde Dynamik setzt sich in Delta eine Orchester–Maschine, wie ein riesiges sich langsam immer weiter ausschwingendes Pendel, in Bewegung. Dadurch entsteht ein faszinierender Sogeffekt wie in einem gigantischen sich weitendem Trichter, der seinen Ausgang in dem einem Ton D, wie Delta, des Anfangs genommen hat.” (Bernd Künzig, SWR)

„Vollends Jay Schwartz music for orchestra IV – ein Stück wie ein Raumschiff, das sich in Slow Motion bewegt. […] Eine kollektive Levitation – grandios.” (Otto Paul Burkhardt, Südwest Presse)

„Der suggestiven Wirkung, die ausgerechnet das glasklar konstruierte Orchesterstück Delta von Jay Schwartz entwickelt, konnte sich wohl kaum jemand entziehen.” (Südkurier)

„Selbst in einer Dauer von 25 Minuten entfachen die unaufhörlichen Glissandi Sogwirkung.”(Elisabeth Schwind, Cannstatter Zeitung)

„In Delta von Jay Schwartz befinden sich [die Musiker] immerhin mitten in einer riesigen Klangwoge, die sich wirkungsvoll aufbäumt... In seinem Mut zu monumentalem Pathos ist Delta ein fast reaktionäres Werk; schön (und extrem gut gearbeitet) ist es aber trotzdem – und auf subtile Weise ebenfalls ein trotziges Nein.” (Susanne Benda, Stuttgarter Nachrichten)

View the full study score of Delta – Music for Orchestra IV.

Haas, Rattle, and the Berlin Philharmonic rehearsing dark dreams

Posted by Johannes Feigl on 24 February 2014 (comments: 0)

Simon Rattle, Georg Friedrich Haas, Berliner Philharmoniker (c) Universal Edition, Wolfgang Schaufler
Simon Rattle, Georg Friedrich Haas, Berliner Philharmoniker (c) Universal Edition, Wolfgang SchauflerSimon Rattle, Georg Friedrich Haas and the Berlin Philharmonic at the rehearsals of dark dreams at the Philharmonie Berlin.

dark dreams was premièred on 20 February 2014, a video recording of a full performance of the piece is currently in processing and will soon be available at the Berlin Philharmonic’s Digital Concert Hall.

Night calligraphy: Wolfgang Rihm and Matthias Pintscher in Vilnius

Posted by Johannes Feigl on 24 February 2014 (comments: 0)

On 27 February the Lithuanian Ensemble Network (curator: Vykintas Baltakas) hosts a double portrait in their “portraits of composers” concert series that focuses on the music of Matthias Pintscher and Wolfgang Rihm. Among the pieces performed at the St. Catherine’s Church in Vilnius will be three Lithuanian premières: Rihm’s Am Horizont, Erscheinung and Ländler. Vykintas Baltakas conducts the Christopher Chamber Orchestra.

Further information is available on the website of the Lithuanian Ensemble Network. The evening’s programmeis available on issuu.

View the full scores of Ländler and Erscheinung.

Wolfgang Rihm: Am Horizont
for violin, violoncello and accordion | 5'
Wolfgang Rihm: Erscheinung
for 9 strings and piano ad lib. | 14'
Wolfgang Rihm: Ländler
for 13 strings | 10'
Wolfgang Rihm: Nature Morte – Still Alive
for 13 strings | 9'
Wolfgang Rihm: Vier Male
for clarinet in A | 16'
27.02.2014, St. Catherine’s Church, Vilnius; Andrius Ziura, clar; The Christopher Chamber Orchestra, cond. Vykintas Baltakas

Andrew Clements reviews Birtwistle: ★★★★★

Posted by Johannes Feigl on 21 February 2014 (comments: 0)

Harrison Birtwistle: The Moth RequiemAndrew Clements of The Guardian has reviewed an “outstanding” new recording of choral works by Sir Harrison Birtwistle. The recording includes the eponymous Moth Requiem, Three Latin Motets from The Last Supper, Carmen Paschale, Lullaby, On the Sheer Threshold of the Night, all of which have been recorded for the first time. The album has been recorded by Roderick Williams, the BBC Singers and the Nash Ensemble (cond. Nicholas Kok).

Read the full review on The Guardian.

Through His Teeth #15: Shipping an opera

Posted by Johannes Feigl on 21 February 2014 (comments: 0)

Are they're off! The music of Luke Bedford's new opera is now on its way to London. We've added some photos to our Facebook page.

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Métamorphoses in Ferrara

Posted by Johannes Feigl on 19 February 2014 (comments: 0)

Sasha Waltz & Guests’ choreography Métamorphoses will be performed at the Teatro Comunale Ferrara on 21 February. Among the pieces performed during Métamorphoses will be Georg Friedrich Haas’ String Quartet No. 2 and Open Spaces for 12 string instruments and 2 percussionists; Titus Engel conducts the Mahler Chamber Orchestra.

Find out more at sasha waltz & guests.

Happy Birthday György Kurtág

Posted by Johannes Feigl on 19 February 2014 (comments: 0)

György Kurtág: Rückblick

Kurtág (c) Universal Music Publishing Editio Musica Budapest, Judit Kurtág Last December Kurtág received Royal Philharmonic Society Gold Medal at the Queen Elizabeth Hall in London. Earlier that year, Tom Service wrote a guide to the music of Kurtág, which you can read on The Guardian. One of his readers described the composer (together with Pierre Boulez, who is one year his elder) as “the last surviving link[s] to the great composers born in the 1920s.”

Happy Birthday György Kurtág!

Mahler in Miniature - UK première of Simon’s The Youth’s Magic Horn

Posted by Johannes Feigl on 17 February 2014 (comments: 0)

Gustav MahlerTonight, 17 February, the UK première of Klaus Simon’s arrangement of The Youth’s Magic Horn by Gustav Mahler will take place at Royal Welsh College of Music and Drama in Cardiff. Mezzo-soprano Kerri-Lynne Dietz and baritone Emmanuel Gendre share the stage with the RWCMD Orchestra (cond. Tomas Leakey).

Gustav Mahler: The Youth’s Magic Horn
for voice and ensemble or chamber orchestra | 70'
Arranger: Klaus Simon
prem.
17.02.2014, Royal Welsh College of Music and Drama, Cardiff; Kerri-Lynne Dietz, ms; Emmanuel Gendre, bar; RWCMD Orchestra, cond. Tomas Leakey