Here in Amsterdam, the final rehearsal of the critical edition of Alexander Zemlinsky’s Die Seejungfrau at the Concertgebouw went well. We are looking forward to today's performance, where Vladimir Jurowski will conduct the Koninklijk Concertgebouworkest.
View the full score of the new critical edition of Zemlinsky's Seejungfrau
Some impressions of the performance of Arvo Pärt's Passio on 26 March 2013 at the Westerkerk in Amsterdam – including standing ovations.
His orchestration will be the same as Schreker's Chamber Symphonie (23 musicians) that was composed more or less in the same period (1916).
The opera will be premiered on 12th September 2013 in Linz/Austria (a production of EntArteOpera).
Happy Birthday Cristóbal Halffter!
Video language: German with English subtitles
The Mexican composer Victor Ibarra, who has won the main prize of the 2nd Mauricio Kagel Composition Competition has come to Vienna on invitation of the University of Music and Performing Art, to lead a workshop on his awarded piano piece Cuatro observaciones sobre lo imaginario.
Ibarra's fascinating piano piece will be published in July by UE as part of the 2nd volume of the piano series K2013 that include all winners of the renowned competition.
Michael Haas’ book Forbidden Music will be published next month by Yale University Press. Michael Haas was producer of London/Decca's recording series Entartete Musik and is presently research director of the Jewish Music Institute for Suppressed Music, SOAS, University of London
“This is not a book about Nazis but about the composers who were lost, and the musical trends they established before being banned, murdered and exiled. It also examines the tragic postwar developments that kept them on the margins long after the fall of Hitler’s Reich. As such, this book lays out how Jews saw themselves, and how they were seen by non-Jews. It tries to contextualise the discrepancy that often emerges from these different perceptions and to evaluate the music written by Jewish composers, much of which remains unjustly neglected.” – from Forbidden Music by Michael Haas
Renée Fleming, soprano and musical ambassador, on Forbidden Music:
“After working with me as producer on several recordings, Michael Haas led me to this rich and largely unknown body of repertoire. Forbidden Music by Michael Haas shines a spotlight on musical treasures that would otherwise have been forgotten, a legacy of fascinating works, careers, and lives thwarted by history. Haas's diligent research, and interviews with survivors and primary sources, have rescued a generation of musical invention and brilliance from obscurity. His work has directly led to artists like me performing and recording previously unknown works as well. Now Forbidden Music will aid new artists and audiences, incorporating a generation of lost music into the mainstream repertoire. We owe Michael Haas’s scholarship and dedication a debt of thanks.”
In his recent review of Pierre Boulez's recording of Gustav Mahler's Das klagende Lied and Alban Berg's Lulu-Suite with the Wiener Philharmoniker, Andrew Clements concludes that Boulez's rendition of Das klagende Lied has “both spaciousness and finely focused detail”, and that the Lulu-Suite is “even more remarkable, for there's an emotional breadth to Boulez's approach now that just wasn't there in his earlier, pioneering performances.”
Tomorrow, 28 February 2013, the world première of Georg Friedrich Haas’ … wie stille brannte das Licht for soprano and piano takes place at the Philharmonie Luxembourg. The concert starts at 20:04 and you can listen to a live transmission of it here.