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Universal Edition - Rehearsals for David Fennessy’s Hauptstimme at the hcmf

Rehearsals for David Fennessy’s Hauptstimme at the hcmf

Posted by Johannes Feigl on 18 October 2013

David Fennessy with the Red Note Ensemble, conductor Garry Walker, and violist Garth Knox (c) Richard GreerPhotos from another (intensive) day of rehearsals for David Fennessy’s Hauptstimme, showing the composer, violist Garth Knox, conductor Garry Walker, and the Red Note Ensemble. The piece for amplified solo viola and ensemble will be premièred on 16 November at the huddersfield contemporary music festival.

David Fennessy on Hauptstimme:

The notion of the individual and how he/she contributes or functions in a group setting as well as how that group can meaningfully make a collective statement has been central to a number of my works over the years – starting with graft for string quartet (2000), through to 13 Factories for ensemble (2009). Once again, it seems to be at the core of this new piece for solo viola and ensemble.

For much of the time, the solo viola is buried in a thick ensemble texture with the primary goal merely to be heard. Once it has achieved this, a more complex question emerges – what to say?

David Fennessy with the Red Note Ensemble, conductor Garry Walker, and violist Garth Knox (c) Richard GreerAlso on the programme: James Dillon's New York Triptych, the third and final instalment in a series of three-part pieces, and Bruno Mantovani's D'un rêve parti, a brief homage to the auld alliance.

Many, many thanks to Richard Greer for taking – and sending us – these photos!

Find a blog entry by John Harris, chief executive and artistic co-director of the Red Note Ensemble, in which he writes about the preparations for the ensemble’s concerts at the hcmf on the festival’s guest blog.

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