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Mauricio Sotelo’s latest composition, Muerte sin fin, will receive its world première in Spain on 29 June as part of the renowned Suma Flamenca Festival.
On 24 June Victoria Borisova-Ollas' work for orchestra Angelus will recieve its UK première in Glasgow with the BBC Scottish Symphony Orchestra under Andrew Manze.
On 22 June Rihm’s new work for orchestra – Nähe fern 1, ‘answers to Brahms’ – will be heard for the first time. James Gaffigan conducts the Lucerne Symphony Orchestra.
This is the long-awaited first opera from Luke Bedford, one of the UK’s leading young composers. The world première of Seven Angels takes place on 17 June 2011 at the CBSO Centre Birmingham.
From 8 until 22 June Wolfgang Rihm’s opera fantasy Dionysos comes to Amsterdam in the Dutch première of the work. Ingo Metzmacher conducts the Nederlands Philharmonisch Orkest in a production by Pierre Audi.
The German première of Eberhard Kloke's new version of Lulu will be given at Erfurt Theatre on 13 June in a production by Saskia Kuhlmann.
On 11 June the world première of Friedrich Cerha’s Four Paraphrases for oboe, cello and piano will take place at the Ittinger Whitsun Festival.
Johannes Maria Staud has written a solo piece entitled Celluloid for Joachim Hans, the solo bassoonist of the Sächsische Staatskapelle. World première: 7 June in Dresden.
On 4 June Georg Friedrich Haas’ new work for chamber orchestra "chants oubliés" will be given its world première by the Munich Chamber Orchestra conducted by Alexander Liebreich.
On 2 June the Vilnius Festival 2011 presents the world première of Vykintas Baltakas' Commentum for cello and piano.
We are proud to announce that the documents left by Arnold Schönberg, including manuscripts of his writing and compositions, have been included in the UNESCO Memory of the World Register.
This new edition for cello and piano contains not only 10 well-known songs from Weill’s stage works, but also a CD with an optional accompaniment track.
Now available: our new collection of nine easy to intermediate piano pieces by Franz Liszt.
Here is the first edition of the Musikblätter, which is to be published bi-annually. With this, we hope to pursue an ambitious goal: to continue the tradition of the Musikblätter des Anbruch, founded by Universal Edition in the early 20th century.
For the new issue of the Musikblätter, Pablo Heras-Casado talks to UE about the music of Kurt Weill.
Ingo Metzmacher talks about the music of Franz Schreker in an interview for the new issue of the Musikblätter.
In the new issue of our new newsletter Musikblätter, Wolfgang Rihm talks about Schönberg’s Variations Op. 31.
For the first issue of our new newsletter Musikblätter, Pierre Boulez spoke to Universal Edition about his own music.
The Teatro Massimo in Palermo is showing a new production of the London version (29 Apr–8 May). Asher Fisch conducts.
Tondo for orchestra is the first of three works that Johannes Maria Staud has composed for the Sächsische Staatskapelle Dresden during his tenure as “Capell-Compositeur” for the 2010–2011 season.