Georg Philipp Telemann: Fantasien

  • for violin solo
  • Composer: Georg Philipp Telemann
  • Table of contents:
    Vorwort
    Hinweise zur Interpretation
    Preface
    Notes on Interpretation
    Préface
    Notes sur l’interpretation
    Facsimile
    Fantasia I in B (TWV 40:14)
    Fantasia II in G (TWV 40:15)
    Fantasia III in f (TWV 40:16)
    Fantasia IV in D (TWV 40:17)
    Fantasia V in A (TWV 40:18)
    Fantasia VI in e (TWV 40:19)
    Fantasia VII in Es (TWV 40:20)
    Fantasia VIII in E (TWV 40:21)
    Fantasia IX in h (TWV 40:22)
    Fantasia X in D (TWV 40:23)
    Fantasia XI in F (TWV 40:24)
    Fantasia XII in a (TWV 40:25)
    Kritische Anmerkungen
    Critical Notes
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Printed product

Georg Philipp Telemann: Fantasies for violin | UT50415

  • Edition type: urtext edition
  • Series: Wiener Urtext Edition
  • Grade: 4-7
  • Format: 23.1 × 30.3 cm
  • ISBN: 978-3-85055-781-8
  • ISMN: 979-0-50057-402-6
€10.95
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Description

Telemann’s "Fantasias for Solo Violin" and his "Fantasias for Solo Flute" constitute a varied collection of twelve pieces, half of which follow the model of the ‘sonata da chiesa’ and the other half the model of the ‘sonata da camera’.
In these pieces Telemann presents an abundance of different stylistic elements and features of his time which make this collection an extensive compendium of late Baroque violin music.

Sample Pages

Contents

  • Vorwort
  • Hinweise zur Interpretation
  • Preface
  • Notes on Interpretation
  • Préface
  • Notes sur l’interpretation
  • Facsimile
  • Fantasia I in B (TWV 40:14)
  • Fantasia II in G (TWV 40:15)
  • Fantasia III in f (TWV 40:16)
  • Fantasia IV in D (TWV 40:17)
  • Fantasia V in A (TWV 40:18)
  • Fantasia VI in e (TWV 40:19)
  • Fantasia VII in Es (TWV 40:20)
  • Fantasia VIII in E (TWV 40:21)
  • Fantasia IX in h (TWV 40:22)
  • Fantasia X in D (TWV 40:23)
  • Fantasia XI in F (TWV 40:24)
  • Fantasia XII in a (TWV 40:25)
  • Kritische Anmerkungen
  • Critical Notes

Reviews

This well laid out edition comes with a really useful guide to a stylistic interpretation, including notes on fingering, bowing, dynamics, articulation, ornaments and vibrato. (...) a great introduction to Bach's iconic works, and (...) fun to play.
Stringendo Magazine Volume 40 No.1, April 2018 (Susan Pierotti)

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