Alessio Elia
Implicate Inklings
Short instrumentation: 3 3 3 3 - 4 3 3 1, perc(3), hp, pno, str
Duration: 26'
Solos:
clarinet in Bb
Instrumentation details:
1st flute
2nd flute
3rd flute
1st oboe
2nd oboe
3rd oboe
1st clarinet in Bb
2nd clarinet in Bb
3rd clarinet in Bb
1st bassoon
2nd bassoon
3rd bassoon
1st horn in F
2nd horn in F
3rd horn in F
4th horn in F
1st trumpet in Bb
2nd trumpet in Bb
3rd trumpet in Bb
1st tenor trombone
2nd tenor trombone
bass trombone
bass tuba
1st percussion
2nd percussion
3rd percussion
harp
piano
violin I
violin II
viola
violoncello
double bass
Implicate Inklings
Translation, reprints and more
Alessio Elia
1. Klarinette in B (Implicate Inklings) Available digitallyType: Solostimme(n)
Sample pages
Video
Work introduction
The "Implicate Inklings" Concerto for Clarinet and Orchestra is an exploration into the realm of invisible sound, that is, those sounds not written in the score but which emerge as acoustic phenomena from a special orchestration.
The title refers to David Bohm's holographic theory which asserts that the world is an explicit manifestation of an implicit hidden order. Likewise in this piece each section has latent qualities which manifest themselves in the following sections. It is a world of sound that opens up to listening, each time with unexpected sounds.
The piece, written for the clarinet player Csaba Klenyán and Concerto Budapest Orchestra conducted by Zoltán Rácz, is dedicated to the memory of the Italian writer and poetess Adriana Feoli Keseru.
Review by Szábolcs Molnár on Magyar Narancs, year XXXI, no. 19 – 9 May 2019