Despite the problems caused by the Corona-virus our Webshop and the contact forms on our website are fully available. You may also address your inquiries to firstname.lastname@example.org. Thank you for your understanding if our answer takes longer as usual because of the current restrictions. Your Universal Edition Team
Please, check again the information supplied by you.
We will send you an offer for a license agreement specifying ourt terms and conditions.
It is at UE discretion to grant you a permission on basis of the information supplied by you.
The transmission of your request does not represent a claim to the grant of a license.
There are traces of American jazz in the slow sections of the concerto’s first movement, whereas the con moto parts are evocative of the world of machinery – a favourite subject of cultural interest in the 1920s. The second movement is wonderfully original – swinging theatre music, now abstract, now richly suggestive, in a way Mossolov’s teacher Prokofiev would have liked. The third movement is excited and exciting, its rhythms hugely compelling, rousing and virtuosic.