Arvo Pärt: Salve Regina

Arvo Pärt Salve Regina
Salve Regina

Arvo Pärt: Salve Regina

Year of composition:
Scored for:
for mixed choir and organ
Arvo Pärt
Table of contents:
Salve Regina für Chor (SATB) und Orgel
Auftragswerk des Domkapitels der Kathedralkirche des Bischofs von Essen/Deutschland Uraufführung am 22. Mai 2002 im Rahmen eines feierlichen Gottesdienstes in der Hohen Domkirche zu Essen anlässlich des 1150-jährigen Bestehens von Stadt und Stift Essen und des 75. Geburtstages des Diözesanbischofs Dr. Hubert Luthe Mädchenchor am Essener Dom, Ltg. Prof. Raimund Wippermann Essener Domsingknaben, Ltg. Domkapellmeister Georg Sump Domchor Essen, Ltg. Domkantor Wolfgang Endrös Domorgani
für Hubert Luthe Bischof von Essen
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Salve Regina
Salve Regina

Work introduction

Beatus Petronius and Statuit ei Dominus were commissioned in 1990 to commemorate the 600th anniversary of the Basilica San Petronio, the principal church of Bologna. San Petronio is one of the few churches to be equipped with two church organs. Arvo Pärt thus wrote both pieces for two choirs and two organs. However, the pieces can be performed together or separately. The two pieces are written in contrasting styles, arranged as antiphonal songs.

Salve Regina, on the other hand, was commissioned by the Essen Cathedral Chapter to mark the 75th birthday of Bishop Dr Hubert Luthe.  Salve Regina is written for choir and organ, and develops from a unison choral song into a polyphony of up to eight voices, accompanied by a quiet instrumental pulse.  As in most of Pärt's works, the parameters of the text have a decisive influence on the structure of the composition. The rhythm of the Salve Regina text led Pärt to a sober 3/4 beat, elegant in its simplicity.

When Enzo Restagno invited Pärt to contribute to the MITO Festival celebrating the 150th anniversary of the unification of Italy, Pärt suggested a combined performance of these three closely related festive works for choir and orchestra. He retained the well-defined structural proportions of Beatus Petronius and Statuit ei Dominus in the orchestral version, dividing both choir and orchestra each into two sections. The addition of a string orchestra on one side and a wind section on the other clearly emphasises the antiphonal character of both pieces.

The new version of Salve Regina for choir and orchestra moves the original organ part to the string orchestra. The only additional instrument is the celesta, which brings a bell-like tone.


Beatus Petronius

Beatus Petronius
pro nobis intercedat,
quo beato previo,
vero dato premio,
omnis pestis cedat.


Statuit ei Dominus

Statuit ei Dominus

testamentum pacis,

et principem fecit eum;

ut sit illi

sacerdotii dignitas

in aeternum.

Alleluja, alleluja.


Salve Regina

Salve, Regina, mater misericordiae;

vita, dulcedo et spes nostra, salve.

Ad te clamamus, exsules filii Evae.

Ad te suspiramus, gementes et flentes

In hac lacrimarum valle.


Eia ergo, advocata nostra,

Illos tuos misericordes oculos ad nos converte.

Et lesum, benedictum fructum ventris tui,

Nobis post hoc exsilium ostende.

O clemens, o pia, o dulcis Virgo Maria.


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World première

Dom, Essen (DE)
Main soloists:
Jürgen Kursawa, Org

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