Franz Schreker: Der ferne Klang

Franz Schreker Der ferne Klang
Der ferne Klang

Franz Schreker: Der ferne Klang

Year of composition:
1903-1910
Subtitle:
Opera in 3 acts
Composer:
Franz Schreker
Librettist:
Franz Schreker
Piano reduction:
Ferdinand Rebay; Alban Berg
Roles:
Der alte Graumann, bass Seine Frau, mezzo-soprano Grete, soprano Fritz, tenor Der Wirt, bass Ein Schmierenschauspieler, baritone Dr. Vigelius, high bass Ein altes Weib, mezzo-soprano or high alto Greta, soprano Mizi, soprano Milli, mezzo-soprano Mary sopr
Choir:
SATB
Instrumentation:
3 3 3 3 - 4 3 3 1 - timp(2), perc(3), glock, hp(2), cel, str - behind the scene: Venetian music (fl, cl, 2 hn, timp, tamb, hp, 3 mand, 2 guit, str.quin), on the stage: Gipsy music (cl, cimb, str.quin), behind the scene: pno
Instrumentation details:
1st flute
2nd flute (+picc)
3rd flute (+picc)
1st oboe
2nd oboe
3rd oboe (+c.a)
1st clarinet in A (+cl(Bb))
2nd clarinet in A (+cl(Bb))
bass clarinet in Bb (+cl(Eb))
1st bassoon
2nd bassoon
contrabassoon
1st horn in F
2nd horn in F
3rd horn in F
4th horn in F
1st trumpet in C
2nd trumpet in C
3rd trumpet in C (+bass tpt)
1st trombone
2nd trombone
3rd trombone
bass tuba (+cb.tuba)
timpani
1st percussion
2nd percussion
3rd percussion
glockenspiel
1st harp
2nd harp
celesta
violin I
violin II
viola
violoncello
contrabass
venetian music (cont.aind the scene): flute
clarinet in A (+cl(Bb))
1st horn in F
2nd horn in F
timpani
tambourine
harp
1st mandolin
2nd mandolin
3rd mandolin
1st guitar
2nd guitar
1st violin
2nd violin
viola
violoncello
contrabass
gypsy music (on the stage): clarinet in D (+cl(Eb))
cimbalom
1st violin
2nd violin
viola
violoncello
contrabass
piano (cont.aind the scene)
Scenery:
5
Duration:
140’
Dedication:
Herrn k.k. Hofopernkapellmeister Bruno Walter in Dankbarkeit zugeeignet.
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Audiosamples

Der ferne Klang
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The complete perusal score (PDF-preview)

Work introduction

Der Schatzgräber was regarded as one of the most-performed operas of the Weimar Republic and brought Schreker his greatest success on stage. There is evidence of 385 performances in 50 different cities between its premiere in 1920 and 1932. Branded by the National Socialists as “degenerate”, the opera faded into obscurity and only experienced its renaissance towards the end of the 20th century. Schreker wrote the libretto himself, inspired by the encounter with a young girl who sang him folk songs and ballads accompanied by the lute. The immense success on stage must have been helped by the fairy tale character of the text, but it was particularly due to the music: without ever seeming trivial, Schreker’s music for the Schatzgräber is plainer and harmonically simpler than in his earlier operas. None of his other operas achieved this level of folksiness. The comparatively transparent orchestral language and the entirely tonal, yet still chromatic harmony was reconciled with even the most conservative minds that were overstrained by the opulent sound of his other operas.

The storyline in the work has a mediaeval fairy tale setting and recounts the tale of an ailing queen whose jewellery has disappeared – the source of her beauty and fertility. Following the advice of his court jester, the worried king employs the travelling singer Elis as a “special investigator”, whose magical lute is able to find hidden treasure. Elis and Els meet in an inn. Els, a typical Schreker femme fatale, is paired off by her father, but she dislikes her prospective husband intensely and therefore arranges for him to be murdered by her servant Albi the day before their wedding. Before the deed, however, he has to steal the queen’s jewellery as a wedding present. Elis gives Els an emerald necklace that he found in the forest. They fall in love. When Els’ bridegroom is found murdered, suspicion falls on Elis. He only avoids execution because the king requires his help in order to track down the queen’s jewellery. Elis has no idea that this is the jewellery that he has given Els. In order to prevent Elis finding her with the queen’s jewels, Els asks Albi to steal his magical lute. After an intoxicating night together, she gives Elis the jewellery on the condition that he never asks her about how she received it. While Elis is celebrated at the king’s court, Albi confesses that he murdered Els’ lover and stole the lute. Els is going to be put to death, but the jester reminds the king about his promise. He takes Els as his wife. When she is dying, the jester fetches Elis, who sings a final song for her. She dies in his arms.

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Special prints

Der ferne Klang

Franz Schreker: Der ferne Klang

piano reduction
, 140’
Instr.: 3 3 3 3 - 4 3 3 1 - timp(2), perc(3), glock, hp(2), cel, str - behind the scene: Venetian music (fl, cl, 2 hn, timp, tamb, hp, 3 mand, 2 guit, str.quin), on the stage: Gipsy music (cl, cimb, str.quin), behind the scene: pno

Der ferne Klang

Franz Schreker: Der ferne Klang

score
, 140’
Instr.: 3 3 3 3 - 4 3 3 1 - timp(2), perc(3), glock, hp(2), cel, str - behind the scene: Venetian music (fl, cl, 2 hn, timp, tamb, hp, 3 mand, 2 guit, str.quin), on the stage: Gipsy music (cl, cimb, str.quin), behind the scene: pno

Next performances

21 Oct

Der ferne Klang

Großes Haus, Lübeck (DE)

World première

Location:
Frankfurt am Main
Date:
18.08.1912
Conductor:
Ludwig Rottenberg

Video

Ingo Metzmacher on Franz Schreker

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