Georg Friedrich Haas: 3 Liebesgedichte

Georg Friedrich Haas 3 Liebesgedichte
3 Liebesgedichte

Georg Friedrich Haas: 3 Liebesgedichte

Year of composition:
2005
Scored for:
for 6 voices (S, MS, A, T, Bar, B)
Composer:
Georg Friedrich Haas
Text author:
August Stramm
Table of contents:
Blüte
Heimlichkeit
Spiel
Commission:
Auftragskomposition der Klangspuren Schwaz
Duration:
12’
Dedication:
für Yasuko
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Audiosamples

3 Liebesgedichte
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Work introduction

For the most part, Stramm does away with syntax in his poems; he orders words to words into an expressive series of substantives, adjectives and pronouns, predominantly conditioned sonically and rhythmically, whereby neologisms may result. He may shape grammatically complete sentences but, if so, they convey nothing contextual; they formulate metaphors and images, linked together in a freely associative manner. The poems are comparable with the early atonal works of Anton Webern in that they have elements of a quasi-modernity, lasting through today, although they were written at about the same time as Webern was composing his pieces.

Jörg Drews has pointed out “ … that possibilities of a very quiet, suggestively intimated tenderness lies in Stramm’s poems – the love-poems especially – precisely due to their brusque laconism, their astonishing neologisms and breathless truncations … “.

These three Liebesgedichte (Blüte [Blossom], Heimlichkeit [Covertness], Spiel [Play]) were composed for the six musicians of the Neue Vocalsolisten Stuttgart and are dedicated to my wife Yasuko.

Georg Friedrich Haas

Translation: Grant Chorley

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World première

Location:
Fügen
Date:
18.09.2005

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