From silence to sound: Schwartz at the ensemble intercontemporain

Reading time: 2 min. Jay Schwartz

Jay Schwartz’ Music for Chamber Ensemble will be performed this Saturday, 6 December, at the Amphithéâtre of the Cité de la musique. Here are Franck Ferville’s snapshots of conductor Paul Fitzsimon and the ensemble intercontemporain from the rehearsals.

Schwartz’ compositions employ aspects of the physics of sound and utilize tonality in the context of the physics of organic harmony, making use of the overtone spectrum, microtonality, and glissandi in a poetic context with a captivating sensuous drawing power and an unabashed emotional disposition.

View Jay Schwartz composer profile on the website of the ensemble intercontemporain.

The composer on Music for Chamber Ensemble:

Music for Chamber Ensemble is a geometry of lines and curves and intersections following the musical laws of horizonal time and vertical intervals, and the architectural laws of structure and proportion.

In the structure of Music for Chamber Ensemble, lines originating from diametrically opposed points follow a course whose metamorphosis leads to a catharsis.  All events point to or take their reference from this catharsis. It is my objective in my work to craft the architecture of a piece into a single scope of time. My guidelines are principles of architectural harmony, as well as the employment of empirical and intuitive methods of experimenting with time and musical memory, which yield results that correspond often astonishingly to principles of proportion millenia old.

Read the full work introduction.

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