Today Georg Friedrich Haas’ AUS.WEG will be performed for the first time in Poland. The Polish première of the work for 8 instruments takes place on the first day of the Warsaw Autumn, an international festival of contemporary music that runs from 20 to 28 September.
The composer about the piece:
The title leaves the meaning of the second word open to interpretation: “Weg” meaning “path/way” or “weg” meaning “gone/go”. This ambiguity is, of course, intentional. It could mean “way out”, “stop it, go away” or any of several other meanings.
For this piece, I drew upon former compositional techniques: I reused a two-dimensional table of chords, which was the basis for some passages in the opera Die schöne Wunde. This gives me the freedom to decide whether I want to move “horizontally” or “vertically”. The time is also strictly determined. It is based on a series of continuants, which is not heard in its original form until the end of the piece. These continuants appear earlier in the piece in longer and shorter versions, and are the basis for the time structure (rhythm and form) of the piece.
Find the full work introduction here.
Georg Friedrich Haas: AUS.WEG
for 8 instruments | 19'
national prem. 20.09.2013, Warsaw Philharmonic, Warsaw; Ensemble Phoenix Basel