Giacomo Puccini: La Rondine

Giacomo Puccini La Rondine
La Rondine

Giacomo Puccini: La Rondine

Year of composition:
Opera in 3 acts
4th version (Bonn-version / Marta Domingo-version)
Giacomo Puccini
3 3 3 2 - 4 3 3 1 - timp, perc(4), hp, cel, str, stage music: picc, perc, pno
Instrumentation details:
1st flute
2nd flute
3rd flute (+picc)
1st oboe
2nd oboe
cor anglais
1st clarinet in Bb
2nd clarinet in Bb
bass clarinet in Bb
1st bassoon
2nd bassoon
1st horn in F
2nd horn in F
3rd horn in F
4th horn in F
1st trumpet in F
2nd trumpet in F
3rd trumpet in F
1st trombone
2nd trombone
3rd trombone
bass tuba
1st percussion (glockenspiel)
2nd percussion (triangle)
3rd percussion (tambourine)
4th percussion (bass drum, cymbal)
violin I
violin II
stage music: piccolo
percussion (glockenspiel, tubular bells)
More Less

The complete perusal score (PDF-preview)

Work introduction

The three-act opera La Rondine (The Swallow) was originally commissioned for the Carltheater in Vienna but, owing to the outbreak of the First World War, was only premiered in Monte Carlo in 1917. The libretto was written by Giuseppe Adami based on the German Die Schwalbe by Alfred Maria Willner and Heinz Reichert. Puccini revised the work a number of times, particularly the end of the second act, meaning that there are now three distinct versions. In the original version (1917), Magda leaves Ruggero because she believes that her dubious past does not permit her to marry him. In the second version (1920), her wish to return to the demimonde is what ultimately triggers her actions. In the third version (1921), Ruggero finds out about Magda’s past through an anonymous letter and leaves her. In spite of these differences in the storyline, the music hardly changed at all.

The setting is Paris during the Second Empire. We find Magda in the house of her wealthy patron Rambaldo, conversing with friends about love. One of the party reads her palm and tells her that one day she will fly like a swallow across the sea for love. Ruggero, a young man from the provinces, arrives in Paris for the first time. Magda’s friends suggest that he sample the nightlife in a dance club. Although irked by his conventional notions of eternal love, Magda falls for him. She parts company with her patron in order to live with Ruggero on the Riviera. However, no sooner has Ruggero had obtained consent from his parents to marry Magda, she explains to him about her old life and leaves him.

The director Marta Domingo, wife of Plácido Domingo, staged the opera in her own adaptation of all three preserved versions, and appended a tragic ending: Magda’s suicide. She first presented it in Bonn in 1995. She also included Ruggero’s aria Parigi! È la città dei desideri in the first act of this version.

World première

Oper der Bundesstadt Bonn, Bonn (DE)

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