Mais quand elle sourit... began as a musical portrait of my wife, the intention being not to amplify specific characteristics but to take general contours from her personality and life and use these as a source of musical ideas. The resulting single-movement piece is in three main sections: The restless opening finds a resolution in the last part, while the more reflective central section is a song without words based on the poem i am a little church by e. e. cummings. The technical demands are perhaps more obvious in this work than in the others, although the language is straightforward; there is even a hint of Debussy near the end in homage to the French ensemble Trio Sonata Concert, who commissioned the piece.
Wilson’s first piano trio is a portrait of his wife; the music intends to delineate her personality and her life in music. It is divided into three parts; the middle one is a song without words, based on the poem “I am a little church” by e. e. cummings (1894-1962). Towards the end of the composition there is a short homage to Debussy – a thank-you to the French ensemble Trio Sonata Concert, which commissioned the piece.