Leoš Janáček: The Makropulos Affair

Leoš Janáček The Makropulos Affair
The Makropulos Affair

Leoš Janáček: The Makropulos Affair

Year of composition:
1925
Subtitle:
Opera in 3 acts
Version:
revised edition by Jirí Zahrádka
Composer:
Leoš Janáček
Editor:
Jiří Zahrádka
Original language:
Czech
Translator:
Norman Tucker; Max Brod
Librettist:
Leoš Janáček
Writer of pre-existing text:
Karel Capek
Roles:
Emilia Marty, dramatic soprano Albert Gregor, tenor Vítek, tenor Christa, mezzo-soprano Jaroslav Prus, baritone Janek, tenor Advokat Kolenaty, bass-baritone Strojník, bass Poklízecka, alto Hauk-Sendorf, operetta tenor Komorná, alto Lékar, silent
Choir:
Männerchor (TTBB)
Instrumentation:
4 3 4 3 - 4 3 3 1 - 1. Horn in F (Banda interna), 2. Horn in F (Banda interna), 1. Trompete in F (Banda interna), 2. Trompete in F (Banda interna), Pauken (Banda interna), timp, perc(3), hp, cel, str
Instrumentation details:
1st flute
2nd flute
3rd flute (+picc)
4th flute (+picc)
1st oboe
2nd oboe
cor anglais
1st clarinet in Bb
2nd clarinet in Bb (+cl(Eb))
3rd clarinet in Bb (+bass cl(Bb))
4th clarinet in Bb
1st bassoon
2nd bassoon
3rd bassoon (+cbsn)
1st horn in F
2nd horn in F
3rd horn in F
4th horn in F
1st trumpet in F
2nd trumpet in F
3rd trumpet in F
1st trombone
2nd trombone
3rd trombone
tuba
timpani
percussion(3)
celesta
harp
violin I
violin II
viola
violoncello
double bass
1. Horn in F (Banda interna)
2. Horn in F (Banda interna)
1. Trompete in F (Banda interna)
2. Trompete in F (Banda interna)
Pauken (Banda interna)
Remarks:
The new critical edition will be fully available from the 2015/2016 season. Unlike the Bärenreiter edition published at about the same time, Universal Edition's new edition has taken advantage of all available sources, including a duplicate of the full score by Janácek's principal copyist Václav Sedlácek. This manuscript, housed in Universal Edition's archive, may well be considered the work's most important primary source, since the composer had it sent to his publisher Universal Edition immediately after the first performances and resultant corrections as its complete and definitive version.
Duration:
120’
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The complete perusal score (PDF-preview)

Work introduction

Notes on the issues concerning this edition

In the new critical edition of the opera The Makropulos Case by Leoš Janá?ek, the performance material has been completely reworked on the basis of all the preserved sources. The revision of the score involved a comparison of the autograph score with three copies that originated during the composer’s lifetime.

The primary source is the copy that was prepared by Václav Sedlá?ek for the publishers Universal Edition and that contains the subsequent corrections. This copy was used by the conductor Otakar Ostr?il in 1928 during rehearsals for the Prague premiere of the opera at the National Theatre, which was attended by Janá?ek himself. The second copy was produced by Jaroslav Kulhánek and was used for the first performance of the work at Brno National Theatre conducted by František Neumann. Janá?ek was actively involved in the rehearsals for this performance. The third copy contains Act One and was prepared in 1926–1927, also for Universal Edition. Additional important sources which influenced the text of the new edition are the handwritten piano score by Ludvík Kundera with corrections entered by Janá?ek, three handwritten piano scores from the Brno premiere, and also the proof and first print of the piano score. The original handwritten orchestral and choral parts from which the work was played and sung for the first time and also the vocal soloist parts that have been preserved are also significant. Three copies of ?apek’s drama The Makropulos Case with handwritten changes and corrections by the composer were treated as authoritative for the wording of the opera text. The new edition also takes into consideration Janá?ek’s corrections to the score which have been preserved in private collections, for example. Finally, the lengthy correspondence between Janá?ek and the conductors, the publishers Universal Edition and the translator Max Brod, for example, also played an important role in determining the work’s final form.

The new critical edition therefore presents the work in a form that corresponds to the greatest possible extent to the ideas of the composer, taking all the relevant sources into account. In a departure from the earlier edition, the extreme instrumental pitches typical of Janá?ek have returned following their elimination by the copyists (Sedlá?ek and Kulhánek played in the Brno orchestra and were aware of details such as the theatre’s lack of a double bass with an extra 5th string for lower notes). This edition also uses the spectrum of instruments envisaged by Janá?ek, with special instruments such as the viola d'amore, the children’s drum and, as mentioned above, the five-stringed double bass. Minor instrumental additions of unknown origin have been removed from the score and errors have been rectified, including incorrectly notated metre. The dynamics are a separate issue. At first Janá?ek only gave a rough idea of the dynamics and did not enter any markings at all in the vocal parts. These approximations were elaborated in more detail for the first performance. Janá?ek played an active role in the rehearsals and he regarded the dynamics entered by the conductor František Neumann as exemplary. However, they were not included in the printed edition and over the course of time the entries in the score, which was still in use in the 1990s, were covered by markings written by other conductors. With the benefit of his experience from other editions of Janá?ek’s works, the editor has been able to reconstruct the dynamics entered by František Neumann by comparing the sources and has integrated them into this new edition. The same applies to the expression marks and some phrasing.

The new edition of the opera The Makropulos Case has been edited by PhDr. Ji?í Zahrádka, who has been curator of the Janá?ek Archive at the Moravian State Museum for 20 years and has written numerous studies on the life and work of Leoš Janá?ek. His latest publications include the book ‘Theatre must not be Comedy for the People’. Leoš Janá?ek and the National Theatre in Brno. Ji?í Zahrádka has also edited the new critical editions of many more works by Leoš Janá?ek such as Šárka, Osud (Destiny), The Excursions of Mr. Brou?ek, The Cunning Little Vixen, the Glagolitic Mass, the Sinfonietta (in preparation) and chamber music. He is also working on a critical edition of Leoš Janá?ek’s complete correspondence.

The new critical edition will be fully available from the 2015/2016 season. Unlike the Bärenreiter edition published at about the same time, Universal Edition’s new edition has taken advantage of all available sources, including the aforementioned duplicate of the full score by Janá?ek’s principal copyist Václav Sedlá?ek. This manuscript, housed in Universal Edition’s archive, may well be considered the work’s most important primary source, since the composer had it sent to his publisher Universal Edition immediately after the first performances and resultant corrections as its complete and definitive version.

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Next performances

22 Sep

The Makropulos Affair

Opernhaus, Zürich (CH)

25 Sep

The Makropulos Affair

Opernhaus, Zürich (CH)

28 Sep

The Makropulos Affair

Opernhaus, Zürich (CH)

06 Oct

The Makropulos Affair

Opernhaus, Zürich (CH)

09 Oct

The Makropulos Affair

Opernhaus, Zürich (CH)

World première

Location:
Janácek-Theater, Brno (CZ)
Date:
21.11.2014
Conductor:
Marko Ivanovic
Main soloists:
Emilia Marty, Gitta-Maria Sjöberg; Albert Gregor, Ales Briscein; Solicitátor Vitek, Petr Levicek; Kristina, Eva Sterbová; etc.

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