Kurt Weill: Concerto

Kurt Weill: Concerto for violin and wind orchestra op. 12

A 'modern classic' in concert halls around the world: 'The piece finds itself exposed and alien: therefore in the right spot.' (Theodor W. Adorno, in: Die Musik 27, 1930)

Instrument:
Study scores
Edition type:
study score
Composer:
Weill Kurt
Series:
Neue Studienpartituren-Reihe
Theme:
Modern Music, Study Score Series
Version:
based on the text of the Kurt Weill Edition
Opus:
op. 12
Edition info:
Nach dem Text der kritischen Partiturausgabe der Kurt Weill Edition Ser. II, Vol. 2.
  • UE35538
  • ISBN: 978-3-7024-7113-2
  • ISMN: 979-0-008-08445-4
  • 17 × 24 cm
More Less
€52.50

Prices incl. VAT plus shipping costs

Sample Pages

Audiosamples

00:00

Contents – Concerto for violin and wind orchestra op. 12

  • 1. Satz
  • 2. Satz
  • 3. Satz

Description

Kurt Weill developed his creative energies mainly within the world of musical theater, where he proved to be an immensely productive and imaginative innovator, but he also left behind a small body of work for the concert hall. The Concerto for Violin and Wind Orchestra op. 12 dates from the spring of 1924. Scored for two flutes, clarinets, bassoons, horns, one oboe and trumpet, percussion and four contrabasses, the concerto comprises three movements. While composing the work, Weill informed his publisher: 'I am working on a concerto for violin and wind orchestra that I hope to finish within two or three weeks. The work is inspired by the idea - one never carried out before - of juxtaposing a single violin with a chorus of winds.' The specific character of Weill's concerto as music written for chamber orchestra (with an often soloistic treatment of instruments) leads to a transparency that requires utmost precision in the ensemble playing. In the quest for an overall sonic balance, the coarser-sounding wind instruments need to explore all dynamic nuances. The solo part is challenging not only from a technical standpoint but also from an acoustic one (it is crucial to make the violin 'sound'). In spite of these challenges - or precisely because of them - critics in the 1920s called the solo part highly idiomatic and extremely rewarding. Since then the concerto has become a 'modern classic' in concert halls around the world. (Elmar Juchem, August 2010)

Aditional information

Instrument:
Study scores
Edition type:
study score
Composer:
Weill Kurt
Series:
Neue Studienpartituren-Reihe
Theme:
Modern Music, Study Score Series
Version:
based on the text of the Kurt Weill Edition
Opus:
op. 12
Edition info:
Nach dem Text der kritischen Partiturausgabe der Kurt Weill Edition Ser. II, Vol. 2.

Additional Editions

More products

Previously Viewed Items

More Recommendations from the category Scores

Sign up for our newsletter!

You will regularly receive information about new scores with free downloads, current prize games and news about our composers.