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Hans Ulrich Staeps: Note-Patterns

  • for treble recorder
  • Instrumentation details:
    bass fl-A
  • Composer: Hans Ulrich Staeps
  • Table of contents:
    Oktaven / Octaves
    Die Gabel der linken / Left hand fork
    Akkordentfaltung / Chordal development
    Die tiefe Lage / The low position
    Barockfloskeln I / Baroque clichés I
    Tonales Zentrum F / Tonal centre F
    Wechselnoten / Changing notes
    Durchmessung der Dreiklangsintervalle / Triadic intervals with connecting notes
    Mollakkorde in Halbtonrückung / Minor chords with semitone shifts
    Umspielte Sextakkorde / Sixth chords with alternating notes
    Gezerrtes Metrum / Stretched metre
    Tonales Zentrum Zentrum C, B und G / Tonal centres C, B flat and G
    Sequenzen mit Wechseldominanten / Sequences with dominants of dominantes
    Die vier Umspielungen eines Tones / The four adjoining notes
    Sprünge über kleine und große Septimen / Leaps in minor and major sevenths
    Alle Töne der Flöte / All notes of the recorder
    Barockfloskeln II / Baroque clichés II
    Tonale Zentren Es, D und As / Tonal centres E flat, D and A flat
    Quarten / Fourths
    Trillerfolgen / Chains of trills
    Ansteigende Sprünge / Upward leaps
    Wachsende Reihen / Rows with increasing numbers of notes
    Harmonische Ketten / Harmonic chains
    Tonale Zentren A, Des und E / Tonal centres A, D flat and E
    Staccatoübung / Staccato exercise
    Ungerade Tonfolgen / Uneven passages
    Vermischte Floskeln / Mixed clichés
    Tritonus und Triolen / Tritones and triplets
    Trenntöne zwischen Halbtonschritten / Notes separating semitone-passages
    Tonales Zentrum H / Tonal centre B
    Gebundene Triolen / Slurred triplets
    Repetierende Töne / Repeated notes
    Akzentwechsel durch Motivverkürzung / Change of accents by shortened motives
    Sekunden im Quartabstand / Seconds in the interval of a fourth
    Artikulierte Fünferfolgen / Articulated five-beat passages
    Beispiel eines Double-Satzes / Example of a movement with a double
  • Dedication: Ernst Kölz, dem Meisterspieler, in Freundschaft Dedicated to my friend Ernst Kölz, the master recorder player
Web Cover

Printed product

Hans Ulrich Staeps: Note-Patterns for treble recorder | UE36758

Exercises within the complete chromatic compass

  • Edition type: sheet music
  • Series: Musik für Blockflöte - Il flauto dolce
  • Grade: 5-7
  • Format: 23.2 × 30.5 cm
  • ISBN: 978-3-7024-7439-3
  • ISMN: 979-0-008-08768-4
€17.95
Product available

Description

Hans Ulrich Staeps’ “Tonfiguren” or “Note Patterns” has been used by recorder teachers all over the world for decades and is firmly established as part of the teaching canon. It complements his well-known book, “The Daily Lesson” and provides exercises to explore the full chromatic range of the alto recorder as well as improve techniques in rhythms and fingering combinations.
This new edition makes no unnecessary corrections to Staeps’ music or advice but uses modern graphics and printing techniques to offer an old favourite in a smart new format.

Contents

  • Oktaven / Octaves
  • Die Gabel der linken / Left hand fork
  • Akkordentfaltung / Chordal development
  • Die tiefe Lage / The low position
  • Barockfloskeln I / Baroque clichés I
  • Tonales Zentrum F / Tonal centre F
  • Wechselnoten / Changing notes
  • Durchmessung der Dreiklangsintervalle / Triadic intervals with connecting notes
  • Mollakkorde in Halbtonrückung / Minor chords with semitone shifts
  • Umspielte Sextakkorde / Sixth chords with alternating notes
  • Gezerrtes Metrum / Stretched metre
  • Tonales Zentrum Zentrum C, B und G / Tonal centres C, B flat and G
  • Sequenzen mit Wechseldominanten / Sequences with dominants of dominantes
  • Die vier Umspielungen eines Tones / The four adjoining notes
  • Sprünge über kleine und große Septimen / Leaps in minor and major sevenths
  • Alle Töne der Flöte / All notes of the recorder
  • Barockfloskeln II / Baroque clichés II
  • Tonale Zentren Es, D und As / Tonal centres E flat, D and A flat
  • Quarten / Fourths
  • Trillerfolgen / Chains of trills
  • Ansteigende Sprünge / Upward leaps
  • Wachsende Reihen / Rows with increasing numbers of notes
  • Harmonische Ketten / Harmonic chains
  • Tonale Zentren A, Des und E / Tonal centres A, D flat and E
  • Staccatoübung / Staccato exercise
  • Ungerade Tonfolgen / Uneven passages
  • Vermischte Floskeln / Mixed clichés
  • Tritonus und Triolen / Tritones and triplets
  • Trenntöne zwischen Halbtonschritten / Notes separating semitone-passages
  • Tonales Zentrum H / Tonal centre B
  • Gebundene Triolen / Slurred triplets
  • Repetierende Töne / Repeated notes
  • Akzentwechsel durch Motivverkürzung / Change of accents by shortened motives
  • Sekunden im Quartabstand / Seconds in the interval of a fourth
  • Artikulierte Fünferfolgen / Articulated five-beat passages
  • Beispiel eines Double-Satzes / Example of a movement with a double

Reviews

They make wonderful and very challenging studies, and can be highly recommended for stretching both technique and musical interpretation (...)
The Recorder Magazine, Winter 2017 (John Turner)

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