BACHTRACK. Jurowski's Mahler 2: “In my End is my Beginning”
Impressive control from Vladimir Jurowski and his LPO forces in Mahler's great work about death and resurrection, but with obvious clinical detachment too.
OPERAWIRE. Royal Swedish Opera 2019-20 Review: Der Ferne Klang
A Wondrous Success For Schreker’s Unique & Fascinating Work. By Sebastian Turgeon
UE Newsletter: The new season has begun with new works by UE
Here you can find our latest Newsletter: world premiere of Borisova-Ollas; The Swiss premiere of the New Critical Edition of ‘The Makropulos Affair’ and the world premiere of Schubert's ‘Finished’
BACHTRACK. Olfactory and ocular obfuscation: Shostakovich's The Nose in Hamburg
Kent Nagano and the forces of Staatsoper Hamburg launch their new season with a production of Shostakovich's very first opera in which the ears are beguiled but the eyes are not
THE CHAUTAUQUAN DAILY. Guest Critic: Anna Clyne’s ‘DANCE’ ‘Echoes the Rich Understanding of Mahler’
Chautauqua Opera Company Alumna Rebekah Howell sings, "The Heavenly Life," from Des Knaben Wunderhorn as Music Director and conductor Rossen Milanov directs the Chautauqua Symphony Orchestra in playing Gustav Mahler's, "Symphony No. 4 in G major," as the finale of the, "Mahler 4," concert on Thursday, Aug 15, 2019 in the Amphitheater.
Prom 18: Time stands still in ‘Das Lied von der Erde’
‘The final song seemed to last both an eternity and no time at all’ - Reviewed at Royal Albert Hall, London on 1 August 2019