Various: World Music - Scotland with CD

Various: World Music - Scotland with CD for violin with CD or piano accompaniment | UE34152

World Music

The existing editions for soloists with accompaniments on CD, are now available with an added alternative piano accompaniment providing pianists and soloists with the chance to perform these pieces together. The CDs immediately bring...

Instrument:
for violin with CD or piano accompaniment
Edition type:
Sheet music with CD
Composer:
miscellaneous
Series:
Play Along - World Music
Grade:
2-4
Theme:
Folk, Pedagogy, Pop Music, World Music
Arranger:
Rae James
Edition info:
Die CD enthält eine Voll- und PLAY ALONG - Version, eingespielt mit Live-Instrumenten.
  • UE34152
  • ISBN: 978-3-7024-6607-7
  • ISMN: 979-0-008-07964-1
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€17.95

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Sample Pages

Audiosamples

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Contents – World Music - Scotland with CD for violin with CD or piano accompaniment

  • Scotland the Brave
  • My Love is like a Red, Red Rose
  • The Skye Boat Song
  • Mhairi's Wedding
  • 100 Pipers
  • Coverfoto

Description

The existing editions for soloists with accompaniments on CD, are now available with an added alternative piano accompaniment providing pianists and soloists with the chance to perform these pieces together.
The CDs immediately bring alive traditional music from around the world - in all its diversity. Full performances of the pieces are also provided and will be an inspiration to both soloists and pianists. Intermediate level players.

Additional information

Instrument:
for violin with CD or piano accompaniment
Edition type:
Sheet music with CD
Composer:
miscellaneous
Series:
Play Along - World Music
Grade:
2-4
Theme:
Folk, Pedagogy, Pop Music, World Music
Arranger:
Rae James
Edition info:
Die CD enthält eine Voll- und PLAY ALONG - Version, eingespielt mit Live-Instrumenten.

David Brooker on Play-Along Scotland

Play-Along Scotland is a really useful resource for all sorts of players, and James Rae has selected tunes which are good music by anyone‘s standards.

Those coming from the traditional folk side will enjoy improvising around them, yet the classical player will find nothing here to frighten them and will enjoy how good they sound, just played “straight”.

This is ideal material for the intermediate-level learner, and even the most classically-based teacher will find many pieces here that can be used as studies for developing sound technique.

David Brooker
Viola player, chamber musician and specialist in orchestral training and “whole-class” string teaching

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