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Time for Mahler

Gustav Mahler intended on overwhelming by his music and achieved this not only through volume of sound, but equally through the boldness of invention.
Reduced versions offer the opportunity to experience this as if through a burning glass. Suddenly, the structure of his music emerges with a rarely heard clarity.
The great success of our Mahler versions for chamber orchestra and ensembles proves that it doesn't have to come at the expense of sensuality. Feel free to take a look at our specific selection of works accordingly.
It is always Time for Mahler.

  • Symphony No. 1
    for ensemble or chamber orchestra arranged by Klaus Simon (2008) | 50’
    1 1 2 1 - 2 1 0 0 - perc, harm, pno, str (1 1 1 1 1, max. 6 5 4 3 2)

  • Symphony No. 3
    for ensemble or chamber orchestra and one voice arranged by Ronald Kornfeil (2018) | 90’
    1 1 2 1 - 1 1 1 0 - perc(1–2), pno, str (1 1 2 1 1 or multiple players)

  • Symphony No. 4
    for soprano and ensemble or chamber orchestra arranged by Klaus Simon (2007) | 54’
    1 1 1 1 - 1 1 0 0 - perc, hp, pno, vln, vln, vla, vc, cb

  • Symphony No. 5
    for chamber ensemble arranged by Klaus Simon (2014) | 65’
    1 1 2 1 - 2 1 0 0 - perc(2), hp, harm, pno – str

  • Adagietto from Symphony No. 5
    for chamber ensemble arranged by Klaus Simon (2014) | 10’
    0 0 2 0 - 0 0 0 0, hp, vln(2), vla, vc, db

  • Symphony No. 6
    for chamber ensemble or chamber orchestra arranged by Klaus Simon (2017) | 85’
    1 1 2 1 - 2 1 0 0 - perc(2), hp, harm, pno, str

  • Symphony No. 9
    for ensemble or chamber orchestra arranged by Klaus Simon (2011) | 75’
    1 1 2 1 - 2 1 0 0 - perc, harm, pno, str (1 1 1 1 1, max. 6 5 4 3 2)

  • Symphony No. 10
    for chamber orchestra arranged by Michelle Castelletti (2012) | 75’
    1 1 1 1 - 1 1 0 0 - perc, hp, pno, vln, vln, vla, vc, cb

  • Adagio from Symphony No. 10
    for chamber orchestra arranged by Cliff Colnot (2008) | 25’
    1 2 2 1 - 1 1 1 0 - perc(1), hp, vln.I(3), vln.II(3), vla(3), vc(2), cb(1)

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