Wonderful Two-Headed Nightingale: The hyper-gestural opening, the minimalist-influenced shards of accompaniment that underpin yearning, quasi-Romantic solo lines all speak of a major imagination at work. […] This live performance is simply remarkable in its intensity.
By the Screen in the Sun at the Hill on the Gold: Bedford takes the simple device of arpeggio and saturates his texture with it. […] the work’s surface is glistening and huge, moving to manic passages in which the pitch rises to the extreme top end in a series of explosions. This top-class recording (Alte Oper, Frankfurt) was made the day after the world première.
Chiaroscuro: Juxtaposing [the piano, violin, and violoncello] shows the true range of Bedford’s expressive vocabulary.
Or voit tout en aventure: Perhaps most impressive is the almost Mahlerian processional of the fourth movement, ‘Je Chante Ung Chant’ (I sing a song). This superbly produced disc confirms that Luke Bedford is a major voice. (Colin Clarke, Tempo, Volume 67, Issue 265, July 2013, pp 112-112)
Find the CD on col legno and listen to the individual tracks.
Wonderful Two-Headed Nightingale
for solo violin, solo viola and 15 players
Jonathan Morton, vln; Lawrence Power, vla; The Scottish Ensemble
By the Screen in the Sun at the Hill on the
for 18 players
Ensemble Modern, cond. Sian Edwards
for violin, violoncello and piano
Fidelio Trio: Darragh Morgan, vln, Robin Michael, vlc; Mary Dullea, pno
Man Shoots Strangers from Skyscraper
for 8 players
Ensemble Modern, cond Franck Ollu
Or Voit Tout En Aventure
for soprano and 16 players
Claire Booth, s; London Sinfonietta, cond. Oliver Knussen