I began with the idea of unravelling Carmen the woman… to find the vulnerability beneath the cold, heartless exterior. In the process of research, there was so much to unravel: I searched for Bizet and found Shchedrin. (Dada Masilo)
After her successful tour with Swan Lake (which featured Arvo Pärt’s Spiegel im Spiegel), Dada Masilo returned to the stage earlier this month with her ballet Carmen. Again the music of Arvo Pärt will be present in her ballet, this time she choreographed Lamentate for piano and orchestra.
A live stream of the performance on 28 September at the Biennale de la danse will be available on ARTE at 20:00. Watch the live stream.
The composer on Lamentate:
With respect to its form, however, the composition cannot really be described as a typical piano concerto. I chose the piano to be the solo instrument because it fixes our attention on something that is ‘one’. This ‘one’ could be a person, or perhaps a first-person narrative. Just as the sculpture leaves the viewer with a light and floating impression in spite of its overwhelming size, the piano, as a large instrument, allowed me to create a sphere of intimacy and warmth that no longer seems anonymous or abstract.
Watch a trailer of Carmen: