limited approximations does not tell a story. As with all my compositions, there is also no formal development or traditional formal structure. Contrasting elements alternate with one another – moments of smoothness and friction. “Pseudo-glissandi” in the pianos arrive unexpectedly at overtone chords. Apparently stable constellations of intervals begin to falter as the twelfth-tones merge. (Georg Friedrich Haas)
These are the Wiener Konzerthaus’ stage directions for Georg Friedrich Haas’ limited approximations, which will be performed for the first time in Austria this Sunday at Wien Modern by the SWR Sinfonieorchester Baden-Baden und Freiburg (cond. François-Xavier Roth) and pianists Klaus Steffes-Holländer, Matan Porat, Florian Hoelscher, Julia Vogelsänger, Akiko Okabe and Christoph Grund.
A discussion between Wolfgang Schaufler and the composer will precede the performance.
Read the full work introduction by the composer, listen to an excerpt and view the study score here.
Georg Friedrich Haas: limited approximations
for 6 micro-tonally tuned pianos and orchestra | 30'
national prem. 02.11.2014, Konzerthaus, Vienna; Klaus Steffes-Holländer, Matan Porat, Florian Hoelscher, Julia Vogelsänger, Akiko Okabe, Christoph Grund, pno; SWR Sinfonieorchester Baden-Baden und Freiburg, cond. François-Xavier Roth