But the music’s real triumph lies in its unfaltering sense of movement. […] From start to finish the work treads like some implacable giant, and because its two main climaxes emerge from the bowels of a unitary experience they generate a violence and despair that transcend rhetoric. The word is on the tip of my pen and I can withhold it no longer. There are elements of greatness in this work. (Peter Heyworth, The Observer, 04.06.1972)
Based on the homonymous allegorical painting by the sixteenth-century artist Pieter Bruegel, the 30-minute piece was first performed in 1972. This recording is from a performance by the BBC Symphony Orchestra and Pierre Boulez.