You can find our current newsletter here! Cerha's première; New version of Kindertotenlieder; Fennessy - new work; One Festival - Janáček's complete operatic work
Take a look at our latest newsletter! Janáček's Sinfonietta reduced; New production of Dantons Tod; Power games
Our current newsletter is out now! Tango in Italy; Staud in Japan; Two Janáček novelties; Die Gezeichneten in Zürich.
Franz Schreker's opera premieres at Zürich Opera House under Vladimir Jurowski and Giedrė Šlekytė on September 23.
Our latest newsletter is out now! Lulu in Chile; Orchestral version of Pierrot lunaire; World première of Arvo Pärt.
The TIME SPANS Festival and JACK Quartet present the US première of Georg Friedrich Haas‘ String Quartet No. 7 in New York on 18 August.
Kurt Weill's opera The Yes-Sayer and Ernst Krenek's The Dictator are receiving new productions at the Staatstheater Braunschweig on 28 October.
John Fulljames’ staging of Kurt Weill’s Street Scene opens on 13 February at the Teatro Real.
Marcelo Lombardero’s over-the-top production of Rise and Fall of the City of Mahagonny opens on 22 August at the Teatro Colón.
The New York Times has dedicated an extensive article to the 25th Kurt Weill Festival in Dessau, which runs until 12 March.
In its 25th year, the Kurt Weill Festival in Dessau celebrates Kurt Weill with almost 60 events on 17 days.
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The Teatro Municipal de Santiago has published a trailer for their production of Rise and Fall of the City of Mahagonny, which was premièred on 23 June.
On 10 June Rani Calderon conducts the French première of Kurt Weill’s Royal Palace.
Ulrich Peters’ production of Rise and Fall of the City of Mahagonny is currently being staged at the Theater Münster.
In the latest issue of the MusikSalon we focus on the new opera by Austrian composer Georg Friedrich Haas and on violin concertos from the UE catalogue.
Artist-in-Residence Ernst Kovacic, Ariane Matiakh and the German Philharmonic Orchestra Rhineland-Palatinate open the festival with works by Weill, Krenek, Stravinsky and Mussorgsky.
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