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Universal Edition - Johannes Maria Staud – Auf die Stimme der weißen Kreide

Johannes Maria Staud

Johannes Maria Staud
Auf die Stimme der weißen Kreide

Year of composition: 2014-2015
Subtitle: (Specter I-III)
Scored for: for large ensemble
Composer: Johannes Maria Staud
Instrumentation: 2 1 2 1 - 1 2 1 1 - perc(3), pno, vln, vln, 2 2
Instrumentation details:
1st flute (+picc
alto fl
lotosfl)
2nd flute (+bass fl
lotosfl)
oboe (+c.a)
clarinet in Bb (+cl(Eb))
bass clarinet in Bb
bassoon (+cbsn)
horn in F
1st trumpet in C
2nd trumpet in Bb
trombone
tuba (+cimbasso)
1st percussion
2nd percussion
3rd percussion
piano (+3 cymbals)
1st violin
2nd violin
1st viola
2nd viola
1st violoncello
2nd violoncello
double bass (5 string)
Commissioned by: Commissioned by Musica, festival international des musiques d´aujourd´hui and Ensemble Modern - Ein Auftragswerk von Musica, festival international des musiques d´aujourd´hui, und Ensemble Modern
Duration: 30′
Dedication: für Silvia und Oskar und meine Freunde vom Ensemble Modern
 
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World Première

Location: France 3 Alsace Strasbourg / France
Date: 19.09.2015
Orchestra: Ensemble Modern
Conductor: Emilio Pomàrico

Work Introduction

Inspired by the texts by author Josef Winkler, who was motivated by the sculpture “The Specter of the Gardenia” by Marcel Jean to write an idiosyncratic, surreal monologue, Johannes Maria Staud has translated his poetic images fluctuating between anger and tenderness into a work for ensemble. “I have attempted to write instrumental music that is very much inspired by these verbal image fields, by these aphoristically evocative things.” (Johannes Maria Staud)

View the full study score

Selected editions are available on sale on request.

Auf die Stimme der weißen Kreide

Future Performances

15.01.2018
Location: Konzerthaus, Wien (A), Orchestra: Klangforum Wien, Conductor: Bas Wiegers

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