One of the most outstanding operas of the first half of the 20th century can be seen again in its full glory: Alexander Zemlinsky’s gripping one-act Eine florentinische Tragödie, which the composer wrote in 1916 based on a drama by Oscar Wilde, has been subjected to years of critical revision by Antony Beaumont.
Starting with the original manuscript for the opera, Antony Beaumont has drawn on all existing sources to create the new critical edition, including the vocal distribution of the 1917 Prague production, which took place under the the composer himself. He compared the sources and removed technical errors, contradictions and inconsistencies. The many differences between the score and the piano reduction are clarified and discrepancies in the instrumentation, ignored by Zemlinsky in his re-workings of the piece, have been removed. Both score and parts have been reproduced in the highest quality.